Language: English
Published by Penn University of Pennsylvania Press, 2004
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: Before Your Quiet Eyes, Rochester, NY, U.S.A.
First Edition
Soft cover. Condition: As New. 1st Edition. This 227 page volume has black-and-white illustrations throughout. It is clean and bright and presents as unread, e.g. the spine is not creased, the covers are stiff to open, there are not marks to the covers or interior of the book, and it does not appear to be thumbed through. It is approximately 5 3/4 by 8 3/4 inches. It has a complete number line, 10-1.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by University of Pennsylvania Press, 2004
ISBN 10: 0812238184 ISBN 13: 9780812238181
Seller: The Extreme History Project, Bozeman, MT, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine.
Language: English
Published by University of Pennsylvania Press, 2004
ISBN 10: 0812238184 ISBN 13: 9780812238181
Seller: Outer Print, Richmond, VA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine hardcover in a Fine dust jacket. Clean and bright, as new. Illustrated. No signs of aging or wear. 227 pp.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by University of Pennsylvania Press 4/24/2009, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. For the Millions: American Art and Culture Between the Wars. Book.
Language: English
Published by University of Pennsylvania Press, US, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Looking behind the scenes at the personalities and policies of such venerable institutions as the Federal Arts Project and the Museum of Modern Art, A. Joan Saab discerns a broad-based democratic modernism inspired by and engaged with the social life of the period. In the summer of 1935 President Franklin Delano Roosevelt established the Federal Arts Project under the aegis of the Works Progress Administration. The project's goal was, in the words of its director Holger Cahill, to "get people all over the United States interested in art as an everyday part of living and working." In addition to this endeavor, the project would also provide work for artists who, as a project press release stated, "had been hit just as hard by unemployment as any other producing worker." Meanwhile, as director of the newly opened Museum of Modern Art, Alfred Barr was instituting his philosophy of "democracy in design" through a series of ambitious exhibits that focused on informed consumption in the marketplace. The idea of treating the artist as a "producing worker" and art as an "everyday part of living and working" was a novel one in 1935 and illustrated a broad shift in the social roles of both. Prior to the 1930s, art in America had resided principally in the domain of the cultural elite. The upheaval of the Depression era, however, challenged this authority. Throughout the decade, government officials, museum professionals, educators, and artists worked together to determine not only what role artists would play in society but also what forms democratic art would take and how widely it would be disseminated, thus fundamentally redefining the relationship between art and society. This egalitarian artistic movement of the 1930s stands as a significant moment in the ongoing dialogue over the relationship of art and public life that continues today.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Pennsylvania Press, 2004
ISBN 10: 0812238184 ISBN 13: 9780812238181
Seller: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Hardcover. Condition: Near Fine. No marks or blemishes. Minimal wear to book or jacket. Small crease on inside flap of cover. Tight binding. Appears unread.
Language: English
Published by Penn State University Press, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Pennsylvania Press, 2004
ISBN 10: 0812238184 ISBN 13: 9780812238181
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by MT - University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Penn State University Press, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Penn State University Press, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New.
Language: English
Published by Penn State University Press 11/2/2021, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Objects of Vision: Making Sense of What We See. Book.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. An intriguing look at the changing roles of artists in modern America. Series: Arts and Intellectual Life in Modern America S. Num Pages: 240 pages, 51 illus. BIC Classification: YNA. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 15. Weight in Grams: 318. . 2009. Paperback. . . . .
Language: English
Published by Pennsylvania State University Press, University Park, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believinghoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a fewshe interrogates the relationship between visions and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality.Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history. Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of seeing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Univ of Pennsylvania Pr, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. reissue edition. 240 pages. 8.60x5.70x0.60 inches. In Stock.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. An intriguing look at the changing roles of artists in modern America. Series: Arts and Intellectual Life in Modern America S. Num Pages: 240 pages, 51 illus. BIC Classification: YNA. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 15. Weight in Grams: 318. . 2009. Paperback. . . . . Books ship from the US and Ireland.
Language: English
Published by Penn State University Press, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 32.33
Quantity: Over 20 available
Add to basketCondition: New. In.
Language: English
Published by Penn State University Press November 2020, 2020
ISBN 10: 0271088109 ISBN 13: 9780271088105
Seller: Montclair Book Center, Montclair, NJ, U.S.A.
Hardcover. Condition: USED Very Good. Pages clean and binding tight.
Language: English
Published by Penn State University Press, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Penn State University Press, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Pennsylvania State Univ Pr, 2021
ISBN 10: 0271088117 ISBN 13: 9780271088112
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 166 pages. 10.00x7.00x0.46 inches. In Stock.
Language: English
Published by University of Pennsylvania Press, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Penn State University Press, 2020
ISBN 10: 0271088109 ISBN 13: 9780271088105
Seller: Book Alley, Pasadena, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. Like New. An unopened first edition hardcover. One corner very lightly bumped, otherwise as new. No dust jacket, as issued. Pasadena's finest new and used bookstore since 1992.
Language: English
Published by University of Pennsylvania Press, US, 2009
ISBN 10: 0812220692 ISBN 13: 9780812220698
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Looking behind the scenes at the personalities and policies of such venerable institutions as the Federal Arts Project and the Museum of Modern Art, A. Joan Saab discerns a broad-based democratic modernism inspired by and engaged with the social life of the period. In the summer of 1935 President Franklin Delano Roosevelt established the Federal Arts Project under the aegis of the Works Progress Administration. The project's goal was, in the words of its director Holger Cahill, to "get people all over the United States interested in art as an everyday part of living and working." In addition to this endeavor, the project would also provide work for artists who, as a project press release stated, "had been hit just as hard by unemployment as any other producing worker." Meanwhile, as director of the newly opened Museum of Modern Art, Alfred Barr was instituting his philosophy of "democracy in design" through a series of ambitious exhibits that focused on informed consumption in the marketplace. The idea of treating the artist as a "producing worker" and art as an "everyday part of living and working" was a novel one in 1935 and illustrated a broad shift in the social roles of both. Prior to the 1930s, art in America had resided principally in the domain of the cultural elite. The upheaval of the Depression era, however, challenged this authority. Throughout the decade, government officials, museum professionals, educators, and artists worked together to determine not only what role artists would play in society but also what forms democratic art would take and how widely it would be disseminated, thus fundamentally redefining the relationship between art and society. This egalitarian artistic movement of the 1930s stands as a significant moment in the ongoing dialogue over the relationship of art and public life that continues today.
Language: English
Published by Penn State University Press, 2020
ISBN 10: 0271088109 ISBN 13: 9780271088105
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.