Ruud Brandon (97 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . . Books ship from the US and Ireland.

Softcover, 242 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . .

Condition: Very good. Dust Jacket Condition: Good. Jacket is worn along edges. Scuff marks and fingerprint smudges on jacket back cover, not affecting legibility. Small tear from top corner of jacket spine. Top edge of spine is lightly bumped and spine is shaken, but binding is secure. Inside is clean and unmarked.

Hardcover. Condition: New. Dust Jacket Condition: New. Still in shrink wrap. W13.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: As New. Softcover, 58 pages.11 x 9 in. As new.

Softcover. White & illus. wraps, French flaps, 242 pp., 112+ color & BW illus. "In this volume, the Sheldom Museum of Art presents more than 100 examples from its distinguished photography collection, which contains nearly 2,500 objects. Encompassing the full range of photographic history, Encounters showcases recognized masterpieces, recent acquisitions, and rarely seen treasures by a diverse range of artist, including Berenice Abbott, Manuel Alvarez Bravo, Julia Margaret Cameron, Gertrude Kasebier, Andre Kertesz, Robert Mapplethorpe, Yinka Shonibare, Paul Strand, William Henry Fox Talbot, and Carrie Mae Weems." (flap). VG (slight wear at heel of spine.).

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Good. Dust Jacket Condition: No Dust Jacket. Softcover with French flaps. Photography from The Sheldon Museum of Art, University of Nebraska-Lincoln, U.S.A. Upper edge of front cover is quite worn and rather grubby, with some light creasing. Upper leading corner of front cover is rather creased. Binding is sound and pages are tight, bright and clean throughout. Text and illustrations are clear. AF. Used.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. 223 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. This is a nice paperback copy with French flaps. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

1st edition; blue cloth covered boards, 180 pages; essays by Suzanne Folds McCullagh and Mark Krisco; color illustrations; a very good, clean, tight, unmarked copy.

Softcover, 224 pages; very good condition, small bump to top of spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. A Near Fine copy of the First Edition with a touch of shelfwear; dust jacket Near Fine. 'The art and culture of Spain significantly influenced many of America's most renowned 19th- and 20th-century artists. Mary Cassatt visited the country early in her career and first garnered the attention of the French Impressionists with her paintings of Spanish themes. William Merritt Chase, fascinated with Spanish art, traveled to Madrid and its environs to paint landscapes and study at the Prado. And Robert Henri not only drew on the country's culture and traditions as a personal muse but repeatedly brought his art students to Spain as part of their training. Featuring works by all of these artists, as well as others such as John Singer Sargent and Thomas Eakins, this handsome volume reveals the important and varied ways that Spain inspired a century of American artists'--WorldCat.

Hardcover. Condition: New. Yale University Press Historical Books (Yale University Press) Coming Away - Winslow Homer & England (SW (MINT/New)) Manufacturer: Yale University Press Product Line: Historical Books (Yale University Press) Type: Hardcover Copyright Date: 2017 Author: Elizabeth Athens, Brandon K. Ruud, Martha Tedeschi Page Count: 168 Please review the condition and any condition notes for the exact condition of this item. All pictures are stock photos. The condition of the item you will receive is SW (MINT/New). Our grading system is explained in the terms of sale section of our bookseller page. Please feel free to contact us with any questions. Product Description: Winslow Homer (1836â"1910) is widely regarded as the greatest American painter of the 19th century, but it is not well known that he spent a pivotal period of time on the other side of the Atlantic. The eighteen months Homer spent in England in 1881 and 1882â"studying the work of masters such as J. M. W. Turner and Lawrence Alma-Tadema, and exploring the landscape of coastal villagesâ"irrevocably shaped his creative identity. This beautifully designed and produced publication explores Homerâs time in England and how it influenced his art, as he attempted to reconcile his affinity for traditional subject matter with his increasingly modern aesthetic vision. Coming Away complicates our understanding of his work and convincingly argues that it has more cosmopolitan underpinnings than previously thought.

Condition: New.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Condition: NEW. Dust Jacket Condition: NEW. 1st. Cloth, 167 pages, colour illustrations; 29 cm. Catalogue of an exhibition held at Worcester Art Museum, Worcester, Massachusetts, November 11, 2017 to February 4, 2018, and at Milwaukee Art Museum, Milwaukee, Wisconsin, March 2 to May 20, 2018. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "A fascinating exploration of the time Winslow Homer spent in England and how it influenced his art. Winslow Homer (1836-1910) is widely regarded as the greatest American painter of the 19th century, but it is not well known that he spent a pivotal period of time on the other side of the Atlantic. The eighteen months Homer spent in England in 1881 and 1882-studying the work of masters such as J. M. W. Turner and Lawrence Alma-Tadema, and exploring the landscape of coastal villages-irrevocably shaped his creative identity. This beautifully designed and produced publication explores Homer's time in England and how it influenced his art, as he attempted to reconcile his affinity for traditional subject matter with his increasingly modern aesthetic vision. Coming Away complicates our understanding of his work and convincingly argues that it has more cosmopolitan underpinnings than previously thought." - Publisher. Size: 4to. Collectible.

Condition: As New. Unread book in perfect condition.

Hardcover w/DJ. Condition: Very Good/Good. Black & White/Color Illus. & Photos (illustrator). First Edition. Chicago, IL: Yale University Press. Very Good/Good. 2009. First Edition. Hardcover w/DJ. 4to., 368 pp., Dust jacket has a couple tears; one tear approx 1 1/2 inch on edge; another tear approx. 1 inch ; otherwise in good condition. Cloth cover in Very Good condition. Pages clean and unmarked. .