Roy Chamberlin (16 results)

Soft cover. Condition: Good. 2nd Edition. First Sentry printing. Revised and enlarged. Crease to back bottom corner of cover and a few back pages. Moderate spotting to page edges. No markings.

Hard. Condition: Very Good. No Jacket. 1st. First Edition. Hardcover. Published NY: Abingdon, 1933. Name on fly leaf, else very good or better.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. Dust Jacket Condition: No Dust Jacket. 1257 pages, 9th printing. Ex-university library book; some wear and soiling to the covers; pages toned; highlighting in Amos else a good working copy. No jacket. Quantity Available: 1. Category: Theology & Religion; Inventory No: 210818.

Hardcover. Condition: Very Good. No Jacket. First THUS. Inscribed & dated by Author. Pages crisp, clean, and bright. Covers have some faint spotting and wear at corners and extremities of spine. Tightly bound and clean. Signed by Author.

Hardcover, no dust jacket. Ink underlining, shaken, rubbed cover. 1257 pp.

HARD BACK BLUE. Condition: FAIR. General wear and rubbed cover. Tight binding. No bookplate. Title gilted. DATE PUBLISHED: 1950 EDITION: 1257.

Hardcover. Condition: Very Good. No Jacket. First THUS. Very Good Green cloth hardcover with silver lettering on cover and spine. Inscribed by Author. Covers have some faint spotting and wear at corners and extremities of spine. Tightly bound and clean with unmarked text. Signed by Author.

paperback. Condition: Fair.

Paperback. Condition: Very Good. No Jacket. 2nd Senfryed edition. some uderlining.

Condition: Good. Good condition. No Dust Jacket (bibles, biblical studies, bible study) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condition: Fair. Acceptable condition. 2nd edition, Revised and Enlarged. (bibles, biblical studies, bible study) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Condition: Good. Hardcover/pub.1950/Fair condition/1257 pages - An abridgment of the King James version, with aids to its understanding as history and ligterature, and as a source of religion experience. [AI228948]. Book.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

PORTFOLIO NO. 4 OF A SIGNED LIMITED EDITION OF 50 COPIES with ALS (autographed letter signed) by the artist laid-in. Original box present but well toned with some staining and soiling; several tears to box with splitting at two corner seams; light indention/sag to top panel of box. Oblong black paper portfolio folder: H 22.75cm x L 40.75. Laid-in folder is artist's handwritten letter on unlined standard 8.5"x11" stationery dated May 29, 1957 to "Charlotte and Bill" (possibly a maternal aunt and uncle) with nineteen lines total (three paragraphs) including "Love | Jim." as a two-line valediction; entire letter on single side of sheet which is creased and worn along lower right half but not affecting text. Portfolio comprised of total of twelve unbound single-sided sheets paged as [2], 1-9, [1] with italicized text taken from the Book of Isaiah and featuring a total of ten b/w wood engravings by Van Dyk. Touch of soiling to title leaf recto but otherwise sheets are clean; deckle fore-edges. Colophon states: "Designed in the Department of Design of Yale University by James Van Dyk. This book has been set in Monotype 14 point Garamond Italic. Printed at the Printing-Office of the Yale University Press. A signed limited edition of fifty copies This is portfolio No. 4" with the number handwritten in black ink immediately followed by the artist's ink signature. OCLC only locates copies at Yale and NYPL. James Van Dyk was a graduate design student at Yale and studied under Josef Albers. Van Dyk (who occasionally signed work as "Van Dijk" but not with this portfolio) taught at University of Pennsylvania and exhibited at MoMA in 1962 which retains a work in their permanent collection with several others held by other museums.