Rosenthal Jane Editor (12 results)

hardcover. Condition: New.

Soft Cover. Condition: Like New. 85 pp. Vol. XXIX/2, 1990 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.

Soft Cover. Condition: Like New. 72 pp. Vol. XXXI/1, 1992 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.

Soft Cover. Condition: Like New. 165 pp. Vol. XXV/1, 1986 issue only! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.

Soft Cover. Condition: Very Good. 85 pp. Vol. XXVI/2, 1987 issue only! Solidly bound copy with minimal external wear, crisp pages and clean text. Page 153-154 re-taped along fore edge. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.

Magazine. 60p., 8.25x10.75 inches, photos, stills, very good film magazine in stapled pictorial wraps. Leftist film magazine.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condition: Good. No Jacket. 10 books -- The Documentary Conscience: A Casebook in Film Making. Rosenthal, Alan. Published by University of California Press, 1980. 436p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked + Documentary: A History of the Non-Fiction Film. Erik Barnouw. Oxford University Press, 1977, 360p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked- + The Autobiographical Documentary in America. Jim Lane. University of Wisconsin Press, 2002. 246p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, very good condition + Observations: Essays on Documentary, ed. Featherstone, Friends of Photography Bookstore, 1991, 118p, trade pb, covers bumped/scuffed/small tears, text clean, solid binding + Collecting Visible Evidence (Volume 6). Gaines, Jane. Univ Of Minnesota Press, 1999. 339p. trade paperback, covers lightly bumped/scuffed, binding tight, text has highlighting in 2 chapters only, rest of text clean/unmarked + Theorizing Documentary. Renov, Michael [Editor] Routledge, 1993. 260p. trade paperback, covers lightly bumped/scuffed, binding tight, text has highlighting 3 chapters only, rest of text clean/unmarked + Ideology and the Image : Social Representation in the Cinema and Other Media. Nichols, Bill. Indiana University Press, 1981. 334p. Trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked, date/price stamp front endpaper + The Documentary Idea : A Critical History of English-Language Documentary Film and Video. Jack Ellis. Prentice Hall, 1989. 310p. trade paperback, covers bumped/scuffed/stained, binding tight, text clean+ Documentary Expression and Thirties (1930s ) America. Stott, William, Oxford Univ Press 1986, 361P, trade paperback, covers bumped/scuffed, binding tight, text has underlinong and highlighting on about 20 pages, rest of text clean/unmarkedcovers bumped/scuffed, CLEAN text, solid binding + Documenting the Documentary: Close Readings of Documentary Film and Video. Grant, B.K. & Sloniowski, J. (Eds.) Wayne State University Press, 1998. 488p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked--50.00 for all! Save on shipping!

Paperback. Condition: Brand New. 1st edition. 304 pages. 8.90x6.00x0.60 inches. In Stock.

Hardcover. Condition: Brand New. 1st edition. 304 pages. 9.00x6.25x1.00 inches. In Stock.

Soft cover. Condition: Fair. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns (illustrator). 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. (2007). 4to. Mild bumping to fore corners, joint ends, and spine ends of covers and d.j. Faint scratching to textblock edges, chiefly to bottom edge. Slight toning to margins of leaves. Minor scraping to fore corners and joint ends of lightly scratched and gently rubbed d.j. Slight shelfwear to d.j. edges. Light creasing to upper spine and faint creasing along top edge of rear d.j. Bar code sticker affixed to lower fore corner margins of rear d.j. by publisher. VG/VG.