Rosenberg Louis C (23 results)

hardcover. Condition: Good. THE CRAFTON COLLECTION, INC Hardcover. No jacket. Red boards with some spotted discoloration. Fraying to top and bottom of spine. Stated second printing. Tight binding.

Hardcover. Condition: VG. NO DJ. 2ND PRINTING. owner's name to ffep, wear to spine extremeties.

HARD BACK GREEN. General wear, rubbed extremities, bookplate front endpaper, black and white illustrations, clean, tight, no markings, gold gilt lettering on cover and spine, some foxing OVERSIZED NEEDS ADDITIONAL POSTAGE DATE PUBLISHED: 1926 EDITION: 84. LOUIS C. ROSENBERG (illustrator).

Hardcover. Oversized green cloth boards with gilt lettering on front cover and spine, tan dust jacket with green lettering, xviii, frontispiece,84 pp, richly illustrated in large bw plates, maps on end pages. Text by Foster with sketches by Louis C. Rosenberg. "The photographs published herewith were taken principally during a trip through Normandy and Brittany on a motorcycle. At the tiem the trip was made the purpose was to gather material concerning the minor architecture, particularly small houses, for my personal use in the practice of architecture." excerpt from foreword of William Foster. VG/VG (edge-wear to boards, rubbing to corners & spine ends. foxing to textblock edges. foxing to opening pgs, otherwise, remaining text appears fairly clean. dustjackets have edge-wear, chips & tears to edges; may have some foxing).…

Condition: good. Photo non contractuelle. Envoi rapide et soigné.

Condition: fine. Ancien support de bibliothèque.Photo non contractuelle. Envoi rapide et soigné.

Hardcover. Condition: Good. Oversized hardcover. Green cloth with gilt stamping on front cover and spine. Title and copyright pages dated 1926. 84 pages. In good condition. Cloth is wrinkled along bottom edge of front cover. A bit of fraying at corners and head and foot of spine. Covers overall are clean. Purple rubber stamp with name and address of former owner on title page. Pages otherwise are free of marks or tears, with black and white plates throughout. Binding is secure. Please e-mail us with questions or to request photos. This is an oversized book. Extra shipping charges may be required for international or priority delivery.…

Hardcover. Condition: Very Good. Good++ DJ. 2nd Printing. Crafton Collection 1930 2nd Printing Very Good/Good++ DJ Light edgewear to redl cloth with gold lettering and embossed logo on front. Solid structure. Plates appear hand glued onto pages. LARGE HEAVY OVER SIZE ITEM 1.5 Pounds. Size: 12 x 9 x 1/2 inches. Dust jacket is age toned with tiny to mediam chips at extremeties protected in clear dust jacket cover. 40 unnumbered pages. Pates are glued onto doubled pages that are uncut on the top edge. No Exp.…

Hardcover. Condition: Very Good. "84 plates of photographs, short text by Foster; sketches by rosenberg; exlibrary copy with usual markings; rebound in green library hardcover with blue lettering on spine; covers show light rubbing, soiling and fading; few light soil smudges, margins of plates slightly darkened, no library markings on plates. Size: Folio - over 12" - 15" tall". Louis C. Rosenberg (illustrator).…

1st edition. Good copy only in the original paper-labeled boards. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains reasonably well-preserved overall. Series: Modern masters of etching, no. 22. Physical description: 10 pages, unnumbered leaves of plates (chiefly illustrated), 25 x 31 cm. Subjects: Etching; Eau-forte (Gravure); Etching (printing process); Art; L. C. Rosenberg; Art Periodicals. 1 Kg.…

Hardcover. Condition: Fair. 1999 Oak Knoll Press hardcover edition. Ex library copy with stamps and labels else good condition. Contents: 1. A Two-Edged Sword Out of the Mouth of Babes, or, A Book is Known by the Company it Keeps by J. McL. Emmerson; 2. Italian Presses and Printing Techniques in the Hand-Press Period: Some Notes by Conor Fahy; 3. A propos de Francois Juste, imprimeur lyonnais de la Renaissance by Henri-Jean Martin; 4. Simon Millanges, imprimeur humaniste a Bordeaux (1572-1623) by Louis Desgraves; 5. La Survie des editions anciennes de Calvin by Jean-Francois Gilmont; 6. The English Eighteenth Century Short Title Catalogue in the Context of the International Programmes for Universal Bibliographic Control and Universal Availability of Publications by Ian Willison; 7. Les Imprimeurs parisiens de la premiere moitie du dix-huitieme siecle: elements pour de nouvelles approches by Francoise Weil; 8. Projet d'un cours de bibliographie a Mons a la fin du XVIIIe siecle by Marie-Therese Isaac; 9. Les Caracteres typographiques "Didot". Hegemonie d'un style by Andre Jammes; 10. "La Collection des petits formats in-18, edition de Cazin": Some Preliminary Observations by B.J. McMullin; 11. Denis Veiras, Histoire des Sevarambes: A Preliminary Checklist of Seventeenth- and Eighteenth-Century Editions by Aubrey Rosenberg; 12. The Question of Authorship in Cyrano de Bergerac's Voyage dans la Lune: A Computer-Assisted Statistical Analysis by Margaret Sankey and Murna King; 13. Did Aphra Behn Write 'Caesar's Ghost'? by John Burrows and Harold Love; 14. The Editorial Principles of Martinus Scriblerus by David L. Vander Meulen; 15. The Authority of the Two Versions of Fielding's Journal of a Voyage to Lisbon by Hugh Amory; 16. The First Edition of Madame de Graffigny's Cenie by Jo-Ann McEachern and David Smith; 17. Litterature ou de l'amitie? A la recherche de l'authentique Songe vert by Didier Kahn; 18. Acquiring Enlightenment: Oxford and the Encyclopedie by Giles Barber; 19. Volcanoes Unbound? The Reception of French Geological Research by the Irish Mineralogist, Richard Kirwan, 1783-1794 by B. Taylor Brown; 20. Orwell, France and the French by Peter Davison; 21. Histoire d'une bergere by Anne Sauvy; 22. Reading in Eighteenth-Century Paris by David Garrioch; 23. Literary History and Book History: the Approach to an Eighteenth-Century Best-Seller: Raynal's Histoire des deux Indes by C.P. Courtney; 24. The Uses of Generic Bibliography: French Prose Fiction in the Age of Napoleon by Angus Martin; 25. Pages d'un carnet bibliographique: Etienne Pivert de Senancour (1770-1846) by Roger E. Stoddard; 26. Some Early Discounting and Remaindering Initiatives in the Paris Book Trade by Lorraine M. David; 27. Reading Practices, Writing Practices: Love Letters and ecritures intimes in Nineteenth-Century France and Australia by Martyn Lyons; 28. Fiction, Readers and Libraries in Early Colonial New South Wales and Van Diemen's Land by Elizabeth Webby; 29. John Carfrae (c.1795-1862): Bookseller of Edinburgh, Auctioneer of Melbourne and Sydney by Brian Hubber; 30. 'Ghosts Here, There, and Everywhere': The Strange History of the Victorian Almanac by Ian Morrison; 31. 'Two Books for Every Horse': A Nineteenth-Century Regional Library System for Otago and Southland by K.I.D. Maslen; 32. Peripatetic Pressmen: Some Trans-Tasman Connections in the Book Trade by Ross Harvey; 33. The Peregrinations of Sam Slick; or, Glimpses of Canadian Books in Australia in the Nineteenth Century by Mary Jane Edwards; 34. The Courrier australien and French-Australian Relations during the Biard d'Aunet Years (1892-1905) by Ivan Barko; 35. Colonial King: Grant Madison Hervey, and the Bulletin of the 1900s by Paul Eggert.…

1st edition. Good copy only in the original paper-labeled boards. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains reasonably well-preserved overall. Series: Modern masters of etching, no. 22. Physical description: 10 pages, unnumbered leaves of plates (chiefly illustrated), 25 x 31 cm. Subjects: Etching; Eau-forte (Gravure); Etching (printing process); Art; L. C. Rosenberg; Art Periodicals. 1 Kg.…

Condition: Good. 4to. Oblong. Hard Cover. unpp. Good. Black and White Plates. Dampstaining and sun damage to cover as well as foxing on some pages, spine partially exposed.

HARDCOVER. 1st edition. 84pp, numerous b/w illustrations, large quarto. rubbing to book edges, bumping to corners, book slightly bowed yet tight binding, light scuffing to a few photos yet remain clean, small stickers to ffep, foxing, Good +. Louis C Rosenberg (illustrator).

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

hardcover. Condition: Good.

N.Y., 1922. 7 pp. 70 plts. Cloth, worn & soiled.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Good. First Edition. 12 tipped-in plates. Pages are in very good condition; bright and clean. Grey boards with yellow titles on white labels on the spine and upper cover. Head/tail of spine a little bumped and frayed. Corners not bumped. Grey DJ with black titles. Spine and edges yellowed. Small tears and chips on the corners, edges and spine. VG+/GOOD Size: 9 x 12. Book.…

Cloth. Condition: Good+. Dust Jacket Condition: Good-. First Edition. 84 pages, paginated only on one side; Cloth covers show light rubbing at spine ends and corners; Head of spine bumped; Light foxing on end pages, and very light foxing on title page; DJ shows one inch open tear over head of spine with a two inch closed tear going over front panel; There is some chipping over foot of spine and few scattered chips and small tears on edges; There are a couple of light mositure stains on DJ over spine; All lettering and decoration on DJ remain good. Louis C. Rosenberg (illustrator).…

Hardcover. First edition. xviii pp. + 84 plates from photographs and drawings, map endpapers; folio, original green cloth with gilt title. Farmhouses, village homes, manors, etc. of Normandy and Brittany, primarily depicted in photographs with a few plates from line drawings. This Richard Gump's copy with his small ink stamp to back of front free endpaper and embossed stamp to bottom of title page. Gump's San Francisco retail store was founded in 1861 by Solomon and Gustav Gump. Richard Gump ran the business from 1947 to 1975. Following his retirement the business was sold several times and finally liquidated in 2018. Some rippling to cover cloth, back of frontispiece plate spotted, else very good.…

Portfolio. Condition: Used - Very Good. American Institute of Architects, New York, 1925. 451 of 1000 copies. 124 pages, errata. 24 color plates, 44 plates, measured drawings, photographs, maps. 18 x 13", gold lettered cloth portfolio, cloth slipcase. Slipcase worn, else VG.

Condition: Good+. First Edition. Large folio (13 x 18 inches) containing 24 watercolor reproductions tipped in, along with 35 black-and-white drawings by Louis C. Rosenberg and Samuel Chamberlain. Also enhanced by 44 plates of drawings, photographs, diagrams and maps. Half tan cloth over blue cloth boards, gilt lettering stamped on front cover and spine. Many of the leaves are unopened. Preliminary leaves with very light age-toning to edges. Modest foxing to pastedowns. Boards with wear, stains and uneven fading; joints starting, with light fraying. Of an edition limited to 1,000 copies, this is stamped copy number 153. Title continues: "A Series of Historical Examples from Roman Times to the End of the XVIIIth Century." An appreciation of historic French infrastructure that survived WWI. The work begs the question of bridge-attrition leveled by WWII. In sum, the Pierre Vignal watercolors are exquisite; the drawings by Rosenberg and Chamberlain edifying. A handsome, luxe production. Loose sheets in cloth folio with cloth ties. Pierre Vignal (watercolors) and Louis C. Rosenberg and Samuel Chamberlain (drawings) (illustrator).…

Hardcover. Condition: Fine. No Jacket. Limited Edition. A complete set of the deluxe twelve printed volumes, published from 1929 to 1931. Each contains an original etching by the artist and twelve reproductions of other works by him; each original and each reproduction has a tissue guard; each original etching is signed (one is initialed) by the artist in pencil. Each volume contains an essay on the artist. From an edition limited to 75 copies. Each volume contains the original typed and notarized certificate of authenticity. Each has been opened to verify the presence of the original and the copies; the ribbons, seals, glassine wrappers, and certificates are present. Except for the etching in Volume X, the paper of which shows ripples, all etchings and all reproductions are fine, as are the bindings and text pages. Neither Volume I, Volume II, nor Volume XII has a box. Each of these three is wrapped in heavy brown paper as issued with a part of the red seal intact. Volume I is copy #2 of 75. Volume II is exactly like Volume I except it bears copy #45. Volumes III to XI are housed in the original brown boxes. Each box has a neat pen inscription of the artist's last name on the edge of the spine of the box. Four of the boxes have a slight damp stain on the bottom edge. Volumes III through XII bear copy #32 of 75. The artists and the signed print are as follows: Vol. I ERNEST D. ROTH; Union Square, N.Y.C., dated in pencil Vol. II ALFRED HUTTY; In a Southern City, dated in pencil Vol. III CHILDE HASSAM; Egeria (C. 324) Vol. IV PHILIP KAPPEL; Barranquilla, Colombia, S.A., titled in pencil Vol. V JOHN TAYLOR ARMS; Rio dei Santi Apostoli, Venice (F. 226), dated and inscribed 'Ed. 75,' Vol. VI ARTHUR WILLIAM HEINTZELMAN; Bambino, inscribed 'Ed. 75' Vol. VII GEORGE ELBERT BURR; Arizona Night, printed in gray-green, titled in pencil Vol. VIII KERR EBY; Ploughing, inscribed 'Ed. 75' Vol. IX TROY KINNEY; Ruth St. Denis Vol. X LOUIS C. ROSENBERG; Bab-el-Khoukha, Kairovah, printed in brown. Vol. XI MARTIN LEWIS; Little Penthouse (McC. 101) Vol. XII FRANK W. BENSON; Two Black Geese. Very scarce and very rare in this condition. The set weighs 25 lbs. Postage may be extra on this item. Signed by Illustrator(s).…