Roger Brown William Stott (11 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. No ownership or other markings. Tight binding, clean book. Dust jacket is protected in mylar. Ships within 24 hours.

4to Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st. 128p. Firmly bound with square binding and secure hinges. Green boards are clean and pointed. Jacket is crisp and unclipped with light shelf wear. Contents unmarked with colorful illustrations.

Hardcover. Condition: VG. Color illustrated dj with white text. Green cloth boards with gilt text on spine. 128 pp. Color illustrations. "William Stott, son of an Oldham mill owner, left for Paris in 1878, at the age of twenty, to train with the classical French painter Jean-Leon Gerome. Adopting a Realist style of painting, he achieved rapid success, being medalled at the Paris Salon in 1882 for his painting The Bathing Place (Munich). He quickly became a hero figure among the British and American artists in Paris and was an influential member of the international colony of artists at Grez-sur-Loing, near Paris. In 1889 he had a one-man exhibition at Durand-Ruel's gallery in Paris. On returning to England he became a follower and close friend of James McNeill Whistler, until his painting of Whistler's mistress, Maud Franklin, depicted naked as Venus born of the Sea Foam (Oldham Art Gallery), caused a rift between them. In his latter years he exhibited regularly at the Royal Academy, mainly highly decorative works depicting scenes from mythology. He died in 1900 at the age of forty-two while on a sea-crossing to Ireland." "This book reveals an interesting and important artist whose best work has hardly been seen in public, and has hitherto never been photographed or published in colour. His pastels of Alpine peaks and glaciers, of torrents, of the sea, of beaches and of the simple countryside round his home in the village of Ravenglass in Cumbria will be a revelation, and the reconstruction of his career here by Roger Brown is a significant contribution to the study of Symbolism and Impressionism.".…

Paperback. Condition: Near Fine. A nice, bright copy.; Color Plates; 4to.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 4to. Green boards with gilt spine lettering, near fine and unmarked in a near fine dust jacket.

Soft cover. Condition: Near Fine. 1st Edition. Crease to rear, and one case of a small pencil annotation to page 63, but an otherwise excellent copy - contents are tight, bright, and clean copy with no inscriptions, no creases to spine, and no foxing. 128pp. (24x27.5cm). Please contact us for any more information.…

128 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

SOFTCOVER. Condition: Fine. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 128pp on thick art paper, colour plates, index etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (few spots of faint and very slight shelf rub to cover edges) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition, Illustrated Edition. 2003 Paul Holberton hardback 1st edition 1st impression. Near fine clean tight binding in very good+ dustjacket.

hardcover. Condition: Good. NOT an ex-library book. Clean copy in good condition. Quick dispatch from UK seller.

hardcover. Condition: new.