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First Edition
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Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 356 pages. 9.19x6.13x9.21 inches. In Stock.
Language: English
Published by Taylor & Francis Ltd, 2024
ISBN 10: 103267511X ISBN 13: 9781032675114
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Language: English
Published by Taylor & Francis Ltd, London, 2026
ISBN 10: 1032678208 ISBN 13: 9781032678207
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. The need for a research volume on European theatre music and sound is almost self-evident.Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand theatre music. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners.It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities. The need for a research volume on European theatre music and sound is almost self-evident. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Taylor & Francis Ltd, London, 2026
ISBN 10: 1032678208 ISBN 13: 9781032678207
Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. The need for a research volume on European theatre music and sound is almost self-evident.Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand theatre music. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners.It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities. The need for a research volume on European theatre music and sound is almost self-evident. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Condition: Brand New. New. US edition. Print on demand title. Delivery takes 20-25 days.
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The need for a research volume on European theatre music and sound is almost self-evident.Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand 'theatre music'. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners.It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities. 338 pp. Englisch.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The need for a research volume on European theatre music and sound is almost self-evident.Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand 'theatre music'. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners.It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.