Roberto Contini Giovanni Papi (3 results)
Published by Leonardo De Luca, 1991
- Softcover
Seller: Laboratorio del libro, condove, ItalyLaboratorio del libro
Contact seller5-star sellerCatalogo della mostra, Firenze , casa Buonarroti 1991, 218 pp., brossura, come nuovo.
- Softcover
Seller: librisaggi, SAN VITO ROMANO, Italylibrisaggi
Contact seller4-star sellerCondition: Used - Good
£ 13.17
£ 34.11 shippingShips from Italy to U.S.A.Quantity: 1 available
brossura. Condition: Good. 0. Copertina plastificata con alette. Tagli sporchi di polvere e ingialliti lievemente. Pagine integre. Foto parziale per dimensioni cm. 24 X 28,5. 8878133515 Buono (Good) . Book.
More images- Softcover
Seller: West Cove UK, Wellington, United KingdomWest Cove UK
Contact seller5-star sellerCondition: Used - Very good
£ 37.56
£ 25.95 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Very slight tan to page edges. Plates and pages bright. Softcover. Italian. See images for condition. About the book >.>.> Artemisia by Roberto Contini and Giovanni Papi explores the multifaceted contrib…utions of Artemisia Gentileschi, a significant yet often overlooked figure in art history. This book serves as a companion to a major exhibition at Casa Buonarroti, focusing on Gentileschi's works while also considering the influence of her father, Orazio Gentileschi. The exhibit, facilitated by the support of Banca Toscana, highlights a pivotal moment in the cultural narrative of the Buonarroti family and aims to celebrate the legacy of Artemisia in the context of her artistic lineage.The authors delve into Artemisia's role as a woman artist in a predominantly male-dominated environment, presenting her as both a skilled painter and a compelling personality. The text outlines the original decorative programme she worked on between 1612 and 1643 at Via Ghibellina, emphasising her creative collaboration with prominent artists in Florence. This programme included the Galleria I, dedicated to her celebrated ancestor, Michelangelo, framing a blend of biography, public life, and allegory, enriched by the captivating allegorical representation of Gentileschi herself.This comprehensive examination not only illuminates Artemisia's artistic achievements but also underscores her importance within the broader artistic community of her time. The exhibition represents the first substantial opportunity to view her works collected in Italy, alongside contributions from her father, thus enriching the discourse on gender and artistry in the Baroque era. Artemisia offers a unique perspective, supported by the collaboration of various institutions and collections, providing readers with a deeper appreciation of this remarkable artist's legacy and her place in art history.
