Language: English
Published by Unicorn Publishing Group, 2017
ISBN 10: 1910787523 ISBN 13: 9781910787526
Oversized Hardcover. Condition: Good.
Language: English
Published by Unicorn Publishing Group, 2017
ISBN 10: 1910787523 ISBN 13: 9781910787526
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Language: English
Published by Unicorn Publishing Group, 2017
ISBN 10: 1910787523 ISBN 13: 9781910787526
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Language: English
Published by Unicorn Publishing Group, 2017
ISBN 10: 1910787523 ISBN 13: 9781910787526
Seller: Black Dog Books, Emerson, NJ, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. This copy is inscribed by Max Ferguson to Michiko Kakutani. Michiko Kakutani is an American literary critic and former chief book critic for The New York Times. Her awards include a Pulitzer Prize for Criticism. An interesting association copy. Inscribed by Artist. Book.
Published by Unicorn Publishing Group, London (2017), 2017
Seller: lobstabooks, Leiston, United Kingdom
VG/VG near fine. hardcovers. clean crisp unclipped dj. no inscriptions. delightful clean copy. From the personal collection of a dealer/collector. Often featuring solitary figures, the brooding atmospheres and urban landscapes of Max Ferguson's paintings have a narrative and cinematic quality that hint at hidden stories, secrets, and conversations waiting to happen. Robert Power's critically acclaimed fiction of longing and resolution, alienation and loving, provides the perfect vehicle to breathe life into these luscious paintings. Lulu in New York and Other Tales, is an exquisite and beautifully crafted volume of sixty stories from Power, inspired by Ferguson's paintings. Some of the pictures, like Chess Players and Interiors leant themselves to whimsical or heart-rending conversations. Others, such as Woman in Bath, Subway and Billy's Topless have violence and menace simmering at their core. And then there are paintings that tell tales of refection and of love both lost and found. An aged Mr. Gordon looking over the East River. The couple in Bobby Short recalling their first meeting. And another Couple in Hallway stumbling over their words, saddened by infidelity. What binds Ferguson's painting and Power's storytelling is a common understanding and appreciation of the nuances, agonies and ecstasies, complexities and delicacies, of the human condition.