Robert Bednarik Editors (2 results)

Soft cover. Condition: Near Fine. 1st Edition. CONTENTS: Site management in Kakadu and Uluru National Parks; Conservation and protection within the American Rock Art Research Association; Le grotte des Combarelles I aux Eyzies amenagement at contact direct du public, avec les oeuvres parietales; From ashes to gravestones: the charcoal drawings or Gua Badak, Malaysia; Conservation of Indian rock art; Aboriginal art sites near Adelaide, South Australia; Flinden, Group National Park site management: regional cultural resource evaluation preservation and selective presentation in far north Queensland; Mt. Cameron West Rock Art Protection Project an assessment of the conservation program undertaken to June 1988; Padjari Manu (formerly Bunbury) Cave, North West Cape, Western Australia planning for tourism; Les grottes des Combarelles (Les Eyzies, France): apports de la connaissance de l' environment a la conservation des gravures; The Paroong Cave Preservation Project; The: removal of recent overpaint from the image of Bunjil; Pigment composition of post-estuarine rock art Kakadu National Park; Chemistry of deterioration of post-estuarine rock art in Kakadu National Park; Yiwalalay an assessment of the current state of preservation and recommendations for the future of conservation; On some none technical issues of conservation; Training for rock art conservation recent initiatives of the Getty Conservation Institute; Graduate Diploma in Conservation of Rock Art: a joint project between the Canberra College of Education and The Getty Conservation Institute; Cleggnotes on recording prehistoric pictures; The management of recording procedures in the preservation of petroglyph resources; Standardisation in rock art terminology; Archival storage, digital enhancement and global transmission of rock art photographs a practicable design from existing technology; Petroglyphs: from tridimensional recording in the field to computerised filing; Getting organised: recording of Aboriginal art sites in Queensland. Australia; A comparative study of two prehistoric artistic recording localities; A rock art replica at the Southwest Museum: a step toward preservation; Multidimensional scaling in rock art studies two California examples.

Soft cover. Condition: Near Fine. 1st Edition. CONTENTS: Foreword; Opening address of the Second AURA Congress Science and aesthetics and the promise of rock art; PART 1: THE DATING OF ROCK ART; Content and chronology of Northwest Coast (North America) rock art; The early rock art of the Kimberley Australia developing a chronology; Dating a new painted cave: the Cosquer Cave Marseille France; Two old painted panels from Kakadu variation and ,sequence in Arnhem Land rock art; From micro-to-nano-stratigraphy linking vertical and horizontal dating of archaeological deposits with the direct dating of rock art at 'The Walkunders' Chillagoe (north Queensland Australia); A strategy for the practical application of microerosion dating; AMS 14C dating of rock paintings; Focused laser extraction of carbonaceous substances for AMS radiocarbon dating (FLECS-AMS); PART 2: SPATIAL CONSIDERATIONS IN ROCK ART; Introduction expressing relationships to the land by marking special places; On a clear day you can see to Mount Yengo Or investigating the archaeological manifestations of culturally significant foci in the prehistoric landscape; A spatial analysis of anthropomorphs from rock art sites of the Laura area, Australia; Rock paintings of domestic ungulates in the Caledon River valley area of southern Africa understanding the interaction between hunter-gatherers and agriculturalists; A comparison of Franco-Cantabrian and Maya art in deep caves: spatial strategies and cultural considerations; Places to see and places to hear: rock art and features of the sacred landscape.