Roach Stephen Frey James Cassidy John (7 results)

Paperback. Condition: Very Good. y First edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Condition: Good. y First edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Photo Illustrated Wraps. Condition: Near Fine. Limited Edition 1/1000. 72 p. ill. 29 cm. 4to. Photo illustrated wraps. Book condition: Occasional salt and pepper bits of wear to panels else fine. Profusely illustrated. Ltd. edition of 1000. From FLAG: 'The "JOSEPHINE MECKSEPER" catalogue explores Meckseper's use of vitrines, mirrored slatwall installations, film and sculptures to draw a direct correlation between consumer culture and individual political agency. This unique book presents installation images, an interview with Francesco Bonami, and texts by John Cassidy, James Frey and Stephen Roach.'.…

Soft cover. Condition: Very Good. 1st Edition. Very good book. 72pp with colour photos.

Paperback. Condition: New. Over the past ten years, the New York-based artist Josephine Meckseper has developed a practice that melds the aesthetic language of modernism with a profound critique of consumerism. Meckseper employs window displays, vitrines, installations, photographs, films and magazines to explore how consumer culture defines subjectivity. In this volume, published for her 2011 solo exhibition at the FLAG Art Foundation, New York, Meckseper presents a series of new works focusing on display modes of retail environments such as car dealerships, highlighting their aesthetic overlap with mid-century modernism. Chrome car rims sit atop mirrored pedestals; sleek corporate logos populate wall assemblages; and canvases are shrinkwrapped in plastic. Meckseper's new vitrines, stocked with familiar and unfamiliar objects, function as time capsules of contemporary culture. The works in this catalogue possess a monumental quality, bearing as they do the insignia of American power and authority--flags, eagles and car logos.…