Riedner Erwin (9 results)
- Softcover
Seller: HPB-Emerald, Dallas, TX, U.S.A.HPB-Emerald
Contact seller5-star sellerCondition: Used - Very good
£ 5.79
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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
£ 25.18
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Published by Badger Books Inc / Waubesa Press, Wisconsin, 1998
- Hardcover
- First Edition
- Signed
Seller: The Kelmscott Bookshop, ABAA, Savage, MD, U.S.A.The Kelmscott Bookshop, ABAA
Contact seller5-star sellerHardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Hardcover. Signed by the author. First Edition. "A collection of short stories set in a Wisconsin hamlet" called Token Creek. While the place is real, the stories are fiction.Red leatherette boards with gilt title to spine and front board. In illustrated dus…t jacket with white title to spine and front panels. Clean and bright. 251 pages. LIT/031221. Signed.
- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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£ 37.09
£ 5.87 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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The Black Squirrel, Pieter Bruegel, Claude Monet : Portrait of and Lament for a Midwest College Town
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
£ 53.66
£ 54.83 shippingShips from Germany to U.S.A.Quantity: 2 available
Buch. Condition: Neu. Neuware - Bruegel, Monet, and Us '.once, on this earth, once, on this familiar spot of ground, walked other men and woman, as actual as we are today, thinking their own thoughts, swayed by their own passions, but now are gone, one generation vanishing after another, gone as utterly as we ourselves shall sho…rty by gone.' -George Trevelyan The genesis of this story grew out from my long-term attraction to and consideration of two paintings: Pieter Brueghel's sixteenth century Fall of Icarus, and Claude Monet's nineteenth century Impression, sunrise. For a long while I thought of the two as separate and nearly unrelated works of art - diff erent paintings, diff erent eras, diff erent traditions, diff erent references and messages. Yet in spite of my being fully aware of their disparate synchronicities, it got so that each time I looked at one, the other inevitably crept into the back of my mind. I seem to have begun to believe the two works were linked, paired almost, possessing some sort of weird artistic consanguinity. Like a pair of long-lost twins who share commonality but are yet strangers to each other, a yin and a yang but where I didn't know which was the yang and which was the yin. In this frustrating attempt to clear up of why I considered the Brueghel and the Monet as a strange twosome, I attempted to write about their relationship. I eventually found myself creating a story with the paintings as a backdrop, a fi ction set in a beguilingly attractive Midwest college town like the one where I now live and where, beneath our pleasant veneer exist, demonstrable cases of those who bully others, who turn their backs to the beliefs and misfortunes of others. As I worked through my story, it began to dawn on me that while the Brueghel and the Monet paintings are indeed diff erent from each other, they can be said to exist as a conjoined, contrasting duality, and I began to worry that my seeing Monet's depiction of monumental change, his declaration of Western culture throwing off the past and entering into a glowing new world of social brotherhood might well lean toward the Pollyanna. That even as Monet celebrated human progress and awakening, the Brueghel lurks in our psyche, that we need to remind ourselves that the past-like selfi shness of turning away from misfortune remains with us; that the awakening in Western culture the great Impressionist movement identifi ed has yet to fully penetrate. -Wooster, Ohio October, 2025.
- Softcover
- Print on Demand
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
£ 28.49
£ 37.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. Bruegel, Monet, and Us ".once, on this earth, once, on this familiar spot of ground, walked other men and woman, as actual as we are today, thinking their own thoughts, swayed by their own passions, but now are gone, one generation vanishing after another, gone as utterly as we ourselves sha…ll shorty by gone." -George Trevelyan The genesis of this story grew out from my long-term attraction to and consideration of two paintings: Pieter Brueghel's sixteenth century Fall of Icarus, and Claude Monet's nineteenth century Impression, sunrise. For a long while I thought of the two as separate and nearly unrelated works of art - diff erent paintings, diff erent eras, diff erent traditions, diff erent references and messages. Yet in spite of my being fully aware of their disparate synchronicities, it got so that each time I looked at one, the other inevitably crept into the back of my mind. I seem to have begun to believe the two works were linked, paired almost, possessing some sort of weird artistic consanguinity. Like a pair of long-lost twins who share commonality but are yet strangers to each other, a yin and a yang but where I didn't know which was the yang and which was the yin. In this frustrating attempt to clear up of why I considered the Brueghel and the Monet as a strange twosome, I attempted to write about their relationship. I eventually found myself creating a story with the paintings as a backdrop, a fi ction set in a beguilingly attractive Midwest college town like the one where I now live and where, beneath our pleasant veneer exist, demonstrable cases of those who bully others, who turn their backs to the beliefs and misfortunes of others. As I worked through my story, it began to dawn on me that while the Brueghel and the Monet paintings are indeed diff erent from each other, they can be said to exist as a conjoined, contrasting duality, and I began to worry that my seeing Monet's depiction of monumental change, his declaration of Western culture throwing off the past and entering into a glowing new world of social brotherhood might well lean toward the Pollyanna. That even as Monet celebrated human progress and awakening, the Brueghel lurks in our psyche, that we need to remind ourselves that the past-like selfi shness of turning away from misfortune remains with us; that the awakening in Western culture the great Impressionist movement identifi ed has yet to fully penetrate. -Wooster, Ohio October, 2025 This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
- Hardcover
- Print on Demand
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
£ 40.99
£ 37.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. Bruegel, Monet, and Us ".once, on this earth, once, on this familiar spot of ground, walked other men and woman, as actual as we are today, thinking their own thoughts, swayed by their own passions, but now are gone, one generation vanishing after another, gone as utterly as we ourselves sha…ll shorty by gone." -George Trevelyan The genesis of this story grew out from my long-term attraction to and consideration of two paintings: Pieter Brueghel's sixteenth century Fall of Icarus, and Claude Monet's nineteenth century Impression, sunrise. For a long while I thought of the two as separate and nearly unrelated works of art - diff erent paintings, diff erent eras, diff erent traditions, diff erent references and messages. Yet in spite of my being fully aware of their disparate synchronicities, it got so that each time I looked at one, the other inevitably crept into the back of my mind. I seem to have begun to believe the two works were linked, paired almost, possessing some sort of weird artistic consanguinity. Like a pair of long-lost twins who share commonality but are yet strangers to each other, a yin and a yang but where I didn't know which was the yang and which was the yin. In this frustrating attempt to clear up of why I considered the Brueghel and the Monet as a strange twosome, I attempted to write about their relationship. I eventually found myself creating a story with the paintings as a backdrop, a fi ction set in a beguilingly attractive Midwest college town like the one where I now live and where, beneath our pleasant veneer exist, demonstrable cases of those who bully others, who turn their backs to the beliefs and misfortunes of others. As I worked through my story, it began to dawn on me that while the Brueghel and the Monet paintings are indeed diff erent from each other, they can be said to exist as a conjoined, contrasting duality, and I began to worry that my seeing Monet's depiction of monumental change, his declaration of Western culture throwing off the past and entering into a glowing new world of social brotherhood might well lean toward the Pollyanna. That even as Monet celebrated human progress and awakening, the Brueghel lurks in our psyche, that we need to remind ourselves that the past-like selfi shness of turning away from misfortune remains with us; that the awakening in Western culture the great Impressionist movement identifi ed has yet to fully penetrate. -Wooster, Ohio October, 2025 This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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The Black Squirrel, Pieter Bruegel, Claude Monet : Portrait of and Lament for a Midwest College Town
- Softcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
£ 35.90
£ 54.79 shippingShips from Germany to U.S.A.Quantity: 2 available
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Bruegel, Monet, and Us'.once, on this earth, once, on this familiar spot of ground, walked other men and woman, as actualas we are today, thinking their own thoughts, swayed by their own passions, but now are goneone generation vanishing… after another, gone as utterly as we ourselves shall shorty by gone.'George TrevelyanThe genesis of this story grew out from my long-term attraction to and considerationof two paintings: Pieter Brueghel's sixteenth century Fall of Icarus, and Claude Monet'snineteenth century Impression, sunrise. For a long while I thought of the two as separateand nearly unrelated works of art - diff erent paintings, diff erent eras, diff erent traditionsdiff erent references and messages. Yet in spite of my being fully aware of their disparatesynchronicities, it got so that each time I looked at one, the other inevitably crept intothe back of my mind. I seem to have begun to believe the two works were linked, pairedalmost, possessing some sort of weird artistic consanguinity. Like a pair of long-losttwins who share commonality but are yet strangers to each other, a yin and a yang butwhere I didn't know which was the yang and which was the yin.In this frustrating attempt to clear up of why I considered the Brueghel and the Monetas a strange twosome, I attempted to write about their relationship. I eventually foundmyself creating a story with the paintings as a backdrop, a fi ction set in a beguilinglyattractive Midwest college town like the one where I now live and where, beneath ourpleasant veneer exist, demonstrable cases of those who bully others, who turn theirbacks to the beliefs and misfortunes of others.As I worked through my story, it began to dawn on me that while the Brueghel andthe Monet paintings are indeed diff erent from each other, they can be said to exist as aconjoined, contrasting duality, and I began to worry that my seeing Monet's depictionof monumental change, his declaration of Western culture throwing off the past andentering into a glowing new world of social brotherhood might well lean toward thePollyanna. That even as Monet celebrated human progress and awakening, the Brueghellurks in our psyche, that we need to remind ourselves that the past-like selfi shness ofturning away from misfortune remains with us; that the awakening in Western culturethe great Impressionist movement identifi ed has yet to fully penetrate.Wooster, OhioOctober, 2025.
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The Black Squirrel, Pieter Bruegel, Claude Monet | Portrait of and Lament for a Midwest College Town
- Softcover
- Print on Demand
Seller: preigu, Osnabrück, Germanypreigu
Contact seller5-star sellerCondition: New
£ 33.38
£ 59.78 shippingShips from Germany to U.S.A.Quantity: 5 available
Taschenbuch. Condition: Neu. The Black Squirrel, Pieter Bruegel, Claude Monet | Portrait of and Lament for a Midwest College Town | Erwin D. Riedner | Taschenbuch | Englisch | 2025 | AuthorHouse | EAN 9798823058773 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter…: preigu Print on Demand.
