Richard Bigus (5 results)

Hardcover. Condition: Fine. 1st Edition, Limited Edition. ** SIGNED, LIMITED 206/275 ** Fine copy with bright, clean pages, and sharp corners. This edition of The Universal Fears is limited to two hundred and seventy-five numbered and signed copies. The paper is Ragston and the type is Centaur. There are also twenty-six lettered and signed copies on Arches paper. Designed by Richard Bigus and printed by Felicia Rice for the Lord John Press. This is number 206. Enjoy. Richard Bigus (illustrator). Signed by Author(s). …

Condition: Good. 4to. Single sheet printed one side, with two folds. Very Good. References William Everson.From the estate of Herb Yellin (1935 - 2014), the publisher of the Lord John Press.

Softcover. Condition: Near fine. Both volumes signed by Richard Bigus. Two 16mo volumes. (34); (24)pp. These two literary magazines were organized by designer and printer Richard Bigus, who helped students at El Camino College publish their work in this home-grown literary magazine. Both issues include poetry and illustrations. Both bound in printed plain wrappers showing minor soiling, else near fine.…

Broadside, printed recto only. 21" x 14-3/4" "The elevator sinks to the first floor, where the guard taps his pencil on a wooden desk. The halls are vacant though this afternoon we saw mother and child, both in blue robes, holding hands, and earlier still, the worried crowd pressing for the doors." At the time of cataloguing, OCLC records 7 institutional holdings (Brown, Ohio U., Indiana U., Ball State U., U of Georgia, Emory & UCSB). Light wear to edges (faint creasing to bottom left edge). Otherwise, VG+. Orange and black ink printed on stiff beige paper 1st printing thus. SIGNED by Rosenberg. LIMITED to 200 copies. Signed. …

Wraps. Condition: Very Good. First Edition. Folio - between 12" - 15" Tall. Unbound proof, believed to be unique, of this notable collaboration between printer Richard Bigus, artist Tom Killion, and William Everson, who had taught both of them printing at UC Santa Cruz. It was acquired directly from William Everson himself. This is what appears to be a final production proof, exquisitely printed on reverse fold Japanese paper, collated and complete at [52] pages, with the original prints by Tom Killion. It is signed in pencil on the colophon by Killion beneath his print, and in ink below by Everson. It is un-numbered, nor is it marked 'A/P'. Unlike the edition, this copy was never stab-bound, and is present in unbound sheets. It is perfectly printed, as was always the case with Bigus' work. While this is suitable for a custom binding, it would also be ideal for exhibition, as the entire work could be shown (since the edition was intended to be bound reverse-fold, the sheets are printed on one side only). It is in very good condition, with only very slight wear; several minor smudges, and some spotting to some leaves which may have been present in the paper when made.Woodcuts By Tom Killion.…