Riabouchinsky Nicolas (3 results)

Paperback. Condition: Good. First Edition. Wraps. Oblong Folio. 350 mms by 320[8], pp 84 + 4 pp publishers advertisements Original illustrated wrapper in thin green cards. Text in Russian with occasional French, mostly in captions. Well illustrated in black and white throughout with a section of photos of rare furniture. . Third issue of "La Toison d'Or" (The Golden Fleece), a stylish artistic and literary review published in Moscow between 1906 and 1909. The name is a reference to the St. Petersburg Symbolist circle called the "Argonauts." Contributors to this issue include Vencelas Ivanov, Andre Biely, Lipkine Roanov, Solohoub and Wolfing with art from Bilibin, Benois, N Krymov, N Rorich, P Outkine etc., "Zolotoe runo is arguably one of the most beautiful periodicals ever published." (Bloomsbury Auctions) Sound near very good example of a vulnerable item (Because of its size) with slight wear at edges and spine, slight fading at rear with rear corner slightly chipped.

Paperback. Condition: Very Good. First Edition. Wraps. Oblong Folio. 350 mms by 320[8], pp 85 + 5 pp publishers advertisements Original illustrated wrapper in thin brown cards. Text in Russian with occasional French, mostly in captions. Well illustrated in black and white and occasional colour throughout, some plates tipped in, tissue guards. . Tenth issue of "La Toison d'Or" (The Golden Fleece), a stylish artistic and literary review published in Moscow between 1906 and 1909. The name is a reference to the St. Petersburg Symbolist circle called the "Argonauts," Contributors to this include Alexander Blok Vencelas Ivanov, A Toporkoff, Erberg, Ausklander and Wolfing with art from Bilibin, Aropov, Soudeikine, Bogaiewsky, P Outkine etc., Artistic news, section on rare books and manuscripts and embroidery."Zolotoe Runo is arguably one of the most beautiful periodicals ever published." (Bloomsbury Auctions) Sound very good example of a vulnerable item (due to its size) with very slight wear at edges. Spine in darker brown linen with title along it in French and Russian.

Softcover. Condition: f to vg. First edition. Folio. [8], 96pp. Original illustrated wrappers. Frontispiece. Decorative head-, and tailpieces. Striking fifth issue of "La Toison d'Or" (The Golden Fleece), a luxurious artistic and literary review published in Moscow between 1906 and 1909. The title is a reference to the St. Petersburg Symbolist* circle called the "Argonauts," (name of the band of heroes in Greek mythology, who in the years before the Trojan War, accompanied Jason to Colchis in his quest to find the Golden Fleece). Contributors included many of the foremost Russian artists and critics of the day, among them Aleksandr Blok (who edited the literary criticism section) and Leon Bakst, for the artistic section. Throughout the 34 issues of its existence, the Symbolist magazine set out to introduce the second generation of Russian Symbolist poets, writers and artists such as Vyacheslav Ivanovich Ivanov, Konstantin Dmitriyevich Balmont, Ivan Alekseyevich Bunin, Sergey Alexeevich Sokolov-Krechetov, Mark Krinitsky, Boris Nikolaevich Bugaev, Anatolii Arapov, Basil Milioti, Nikolai Feofilaktov, Vasily Denisov, Anne Goloubkine, Pavel Kuznetsov, Nikolai Sapunov, Martiros Saryan, Nikolay Petrovich Krymov, Alexander Sredine, Nikolai Pavlovich Ulyanov, Mikhail Fyodorovich Larionov, Sergei Sudeikin, Alexej Jawlensky, Petr Utkin, Boris Anisfeld, and many others. The phase involving the second generation of Russian Symbolist painters is referred to as the Blue Rose Movement, and was most active in Moscow from 1904 to 1908. These artists were not only known for their contribution to Russian Symbolism, but also for the very evolution of modern Russian painting. The name "Blue Rose" comes from the title of their one and only group exhibition which took place in Moscow over a two-month period in the spring of 1907. The primary aim of the artists was the transcendence of mundane reality, a communication with the beyond or the absolute, which they achieved through the use of certain symbols such as women, babies, fountains and rainbows. This fifth issue of "La Toison d'Or" features 5 photographic reproductions of Pavel Kuznetsov's paintings, including one in color titled "l'Amour Maternel" (Maternal Love); 3 b/w photographic reproductions of Basil Milioti's art; two of Nikolai Sapunov's paintings; four b/w photographic reproductions of Anne Goloubkine's sculptures (busts); two depicting paintings from A. Lindemann; ten b/w photographs depicting paintings from Vasily Denisov, Nikolai Feofilaktov, T. Lugovski, M. Sabachnikov, Alexander Sredine, Boris Anisfeld, Alexej Jawlensky, Nikolai Pavlovich Ulyanov, Nikolay Petrovich Krymov, and Mikhail Fyodorovich Larionov. Includes also four b/w photographic reproductions of embroidered bags and pillow cases by A. Lindemann. Each photographic plate is protected by a tissue-guard. The literary section contains 6 poems by Vyacheslav Ivanovich Ivanov (1866-1949), a Russian poet and playwright associated with the Russian Symbolist movement; Konstantin Dmitriyevich Balmont (1867-1942), a Russian symbolist poet, and one of the major figures of the Silver Age of Russian Poetry; Ivan Alekseyevich Bunin (1870-1953), the first Russian writer to win the Nobel Prize for Literature; Sergey Alexeevich Sokolov-Krechetov (1878-1936); V. Zorgenfrei; Alexander Diesperov; and 6 texts and essays by Mark Krinitsky (Mikhail Samygin, 1874-1952); George Tchereda; Boris Nikolaevich Bugaev (1880-1934), better known by the pen name Andrei Bely, a Russian novelist, poet, theorist and literary critic, whose novel "Petersburg" was regarded by Vladimir Nabokov as one of the four greatest novels of the 20th century; Vasily Vasilievich Rozanov (1856-1919), one of the most controversial Russian writers and philosophers of the pre-revolutionary epoch; D. Imgardt, "Zhivopis i revoliutsiia - La Peinture et la Révolution" (Painting and Revolution); "?????? ? ???????? - La Musique et l'Esthétique" (Music and Aesthetics) by Konstantin Romanovich Eiges (1875-1950), a Russian composer,