Ray Mccarey (10 results)

No Binding. Condition: VG+. 359-5. A VG or better original release 8 x 10 still. Photographic Image.

No Binding. Condition: VG+. 359-11. A VG or better original release 8 x 10 still. Photographic Image.

No Binding. Condition: VG+. 359-1. A VG or better original release 8 x 10 still. Photographic Image.

No Binding. Condition: VG+. 359-4. A VG or better original release 8 x 10 still. Photographic Image.

No Binding. Condition: VG+. 359-10. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condition: Very Good. 1st Edition. A lot of eight VG or better original release 8 x 10 stills. Photographic Image.

No Binding. Condition: Very Good. 1st Edition. A lot of eight VG or better original release 8 x 10 stills. Photographic Image.

CIRCA 1999 APPEARED 1944 Directed by: Ray McCarey. Written by: Arthur Caesar & George Carlton Brown. Staring Constance Boore, Stanley Brown, Charley Grapewin, Jerry Colonna, Paul Whiteman & Louis Armstrong. 81 Minutes. DATE PUBLISHED: 1999 EDITION:

First Draft Continuity for the 1942 film. This is a pre-production continuity, not to be confused with a post-production continuity. The "other woman" in this early 1940s Twentieth Century-Fox programmer turns out to be Emily (Virginia Gilmore), faithful secretary to master architect Henry Summers (James Ellison). Hoping to trap her boss into marriage, Emily begins sending "mash notes" to Henry, purportedly from a mysterious female admirer. She then coerces her old pal Ralph (Dan Duryea) to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry, convinced that Ralph is the gangster who's been threatening him with bodily harm, takes off for parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her (Hal Erickson, Rovi). From the AFI Catalog: "The working title of this film was 'Leap Year,' also the title of Lamar Trotti's original story. According to a September 4, 1941 memo in the Twentieth Century-Fox Records of the Legal Department, located at the UCLA Arts Special Collections Library, Trotti wrote the story "sometime ago" and sold it to the studio for one dollar when producer Walter Morosco decided to make it as a "low budget picture." Although the legal records indicate that Jerry Sackheim worked on a screenplay for the picture, the extent of his contribution to the completed film has not been determined. Orange titled wrappers, noted as FIRST DRAFT CONTINUITY on the front wrapper, rubber-stamped copy No. 185 and production No. 730, dated June 6, 1942. Distribution page present, with receipt intact. Title page present, dated June 6, 1942, noted as 1st Draft Continuity, with a sole credit for screenwriter Jungmeyer. 135 leaves, mimeograph duplication, with revision pages on blue stock dated variously between 6/10/42 and 6/20/42. Pages Near Fine, wrapper Very Good plus bound internally with two gold brads.

Two vintage reference photographs from the 1937 film, one showing director Ray McCarey and a camera crew capturing a scene with Edward Everett Horton, the other showing Horton and McCarey consulting a script, with a man in a monkey costume looming just behind them. Printed mimeo snipe and Universal photographer's stamp on the versos. Based on the 1923 novel by Harry Leon Wilson, about a hypochondriac who is set to inherit a substantial fortune, but believes he will die before his inheritance comes through. 10 x 8 inches. One about Fine, the other Near Fine.