Ratcliffe James (20 results)

Soft cover. Condition: Very Good. 1st Edition. The Morality-and the Problems-of Aiding Those in Peril.

Soft cover. Condition: Very Good. No Jacket. 300pp, 1966. Paperback, clean and unmarked. Slight darkening to spine. Size: 12mo - over 6? - 7?" tall. Book.

Soft cover. Condition: Very Good. 1st Edition. The Morality-and the Problems-of Aiding Those in Peril.

Mass Market Paperback. Condition: Good. Robert Giusti (Cover Design) (illustrator). Anchor Books 1st Edtion 1966. 300 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Light scuffing on front cover. Previous owner's name inscribed on first front-end page. Water stain on top edge.

Magazine. 56p. includes covers, 8.5x10.75 inches, reviews, interviews, essays, film stills, lightly worn and toned magazine in stapled pictorial wraps. Agee on Huston. Ratcliffe on Attenborough. Latin and Spanish festival reports. "Cleopatra" and Mank.

Softcover. Condition: Very Good. First Edition. Very Good black paperback bumped at the corners. 134 pages, unmarked. Clark Coolidge, Charles Simic, Ron Padgett, Ted Berrigan, Bill Berkson, Keith Waldrop, James Lauglin, Stephen Ratcliffe, William Corbett, Kit Robinson, Bob Perelman, Geoffrey Young, Larry Price, Barry Silesky, Amy Gerstler, Joseph Lease, et al; UO15 B8B; 8vo 8" - 9" tall; 130 pages.

Softcover. Condition: Very Good. First Edition. White stapled wraps about 8½x11 inches with minor age discoloration and corner bumping. 48 pages, unmarked. John Hawkes, C. H. Sisson, Michael Andre Bernstein, Stephen Ratcliffe, Andrew Hudgins, F. D. Reeve, Barry Goldenshon, Ray Oliver, Gary Smith, Gary Neul, Dante, Tom D'Evelyn, Alan L. Boegehold, W. R. Johnson, James McNiece, John Peck, Barbara Feyerabend. [dp50 0415]. ; OVRB2; 11 X 8.50 X 0.35 inches; 48 pages.

Hardcover. Condition: Good-. First. Folio. contains 150 vocal and instrumental compositions. Worn through at extrems. Tears to spine ends. Tanning to eps cracked hinges.Tear to a couple of pages. Book.

Paperback. Condition: New. Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities.Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work's authenticity, its true value or who has legal title. Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone. Proper, thorough and effective provenance research is the minimum required and demanded in today's art world - a world that is increasingly recognising the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace.Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.

Paperback. Condition: New. Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities.Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work's authenticity, its true value or who has legal title. Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone. Proper, thorough and effective provenance research is the minimum required and demanded in today's art world - a world that is increasingly recognising the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace.Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.

Condition: Very good.

Hardcover. Condition: Good - Cash. Dust Jacket Condition: Fair. **Third Edition, 1957** General reader wear to the corners, edges, and cover. Corners have been bumped a bit. The pages show some general reader wear as well. The book is in good condition with some normal reader wear. The dust jacket has heavy wear, chipping, tears, and missing pieces. Stock photos may not look exactly like the book.

Hardcover. Condition: Good - Cash. General use wear, surface and edges rubbed. Corners bumped and show wear. Pages show reader wear. Spine has some light creases. Soiling to the cover. Stock photos may not look exactly like the book. Signed By Author.

Paperback. Condition: Good. 300 pages. Cover worn. Text tanned.

Hardcover. Condition: New. No Jacket. Glouchester, Mass.: Peter Smith (1981). Hardcover (Blue cloth, Black title on the spine, no dj). Brand New Book . 8.3"x5.6". be33805m.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Paperback. Condition: New. Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities.Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work's authenticity, its true value or who has legal title. Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone. Proper, thorough and effective provenance research is the minimum required and demanded in today's art world - a world that is increasingly recognising the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace.Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.

Paperback. Condition: New. Covering key aspects of provenance research for the international art market, this accessible publication, co-published with the International Foundation for Art Research (IFAR), explores a range of themes including challenges and best practice to considerations specific to Nazi looted art and the trade in illicit antiquities.Provenance research is a crucial component of any art-market transaction. Without a provenance it is often difficult to establish a work's authenticity, its true value or who has legal title. Whether buying, selling or simply maintaining an artwork in either a private or a public collection, the days when a blind eye could be turned to the history (or the lack of a known history) of a work have long gone. Proper, thorough and effective provenance research is the minimum required and demanded in today's art world - a world that is increasingly recognising the need for greater and more effective self-regulation in the face of fakes, forgeries and challenges to ownership or authenticity that are now commonplace.Provenance Research Today is essential reading for a broad audience, from those studying to become part of the art world or professionals starting a career in provenance research, to collectors or would-be collectors, dealers, galleries, auction houses, police and art lawyers.

Hardcover. Condition: Fine. Ratcliffe, John (illustrator). First Edition. Hardbacks. 4to. pp 168. Illustrated laminated boards - 11 volumes. From El Lissitzky, Kurt Schwitters and Bruno Munari to Paul Chan, Lawrence Weiner and Richard Prince, modern artists have found ingenious ways of reinventing and reimagining books for children. With its expanded possibilities for visual play and storytelling, the children's book as a form in itself has been increasingly explored by contemporary artists. Visionaire 59: Fairytale presents a mini-library of children's stories by contemporary artists and photographers in collaboration with writers. Ranging in themes from the delightful to the philosophical, and packaged in a black patent leather strap holders with carrying handle. Visionaire's newest issue offer a meditation on innocence and childlike creativity, and makes an ideal gift for readers of all ages. Founded in 1991 as a collection of artwork and images hand-assembled by a group of friends in a one-room apartment in New York City, Visionaire has since grown into one of the most highly sought-after fashion and art publications in the world. Limited edition of 4000 copies. ISBN: 9781888645811 Fine.

Paperback. unpaginated 8.5x11 inches, illustrations, stapled foil wraps with plastic spine.