Ramsden Edward (46 results)

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Condition: New.

Condition: New.

Condition: New. pp. 266 Illus.

Paperback. Condition: New.

Condition: New. pp. 266 2nd Edition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 266.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In.

Condition: New. In.

Condition: New.

Paperback. Condition: New.

Hardback. Condition: New. Without sensors most electronic applications would not exist-sensors perform a vital function, namely providing an interface to the real world. Hall effect sensors, based on a magnetic phenomena, are one of the most commonly used sensing technologies today. In the 1970s it became possible to build Hall effect sensors on integrated circuits with onboard signal processing circuitry, vastly reducing the cost and enabling widespread practical use. One of the first major applications was in computer keyboards, replacing mechanical contacts. Hundreds of millions of these devices are now manufactured each year for use in a great variety of applications, including automobiles, computers, industrial control systems, cell phones, and many others. The importance of these sensors, however, contrasts with the limited information available. Many recent advances in miniaturization, smart sensor configurations, and networkable sensor technology have led to design changes and a need for reliable information. Most of the technical information on Hall effect sensors is supplied by sensor manufacturers and is slanted toward a particular product line. System design and control engineers need an independent, readable source of practical design information and technical details that is not product- or manufacturer-specific and that shows how Hall effect sensors work, how to interface to them, and how to apply them in a variety of uses. This book covers:.the physics behind Hall effect sensors.Hall effect transducers.transducer interfacing.integrated Hall effect sensors and how to interface to them.sensing techniques using Hall effect sensors.application-specific sensor ICs.relevant development and design toolsThis second edition is expanded and updated to reflect the latest advances in Hall effect devices and applications! Information about various sensor technologies is scarce, scattered and hard to locate. Most of it is either too theoretical for working engineers, or is manufacturer literature that can't be entirely trusted. Engineers and engineering managers need a comprehensive, up-to-date, and accurate reference to use when scoping out their designs incorporating Hall effect sensors.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 2nd edition. 250 pages. 9.00x6.25x1.00 inches. In Stock.

Condition: New. Without sensors most electronic applications would not exist-sensors perform a vital function, namely providing an interface to the real world. Hall effect sensors, based on a magnetic phenomena, are one of the most commonly used sensing technologies today.

Condition: New. A 360-degree view from our best-selling authors Topics include the Technology of Test and Measurement, Measurement System Types, and Instrumentation for Test and Measurement The ultimate hard-working desk reference all the essent.

Paperback. Condition: Brand New. 1st edition. 912 pages. 9.25x7.50x1.50 inches. In Stock.

Hardback. Condition: New. Without sensors most electronic applications would not exist-sensors perform a vital function, namely providing an interface to the real world. Hall effect sensors, based on a magnetic phenomena, are one of the most commonly used sensing technologies today. In the 1970s it became possible to build Hall effect sensors on integrated circuits with onboard signal processing circuitry, vastly reducing the cost and enabling widespread practical use. One of the first major applications was in computer keyboards, replacing mechanical contacts. Hundreds of millions of these devices are now manufactured each year for use in a great variety of applications, including automobiles, computers, industrial control systems, cell phones, and many others. The importance of these sensors, however, contrasts with the limited information available. Many recent advances in miniaturization, smart sensor configurations, and networkable sensor technology have led to design changes and a need for reliable information. Most of the technical information on Hall effect sensors is supplied by sensor manufacturers and is slanted toward a particular product line. System design and control engineers need an independent, readable source of practical design information and technical details that is not product- or manufacturer-specific and that shows how Hall effect sensors work, how to interface to them, and how to apply them in a variety of uses. This book covers:.the physics behind Hall effect sensors.Hall effect transducers.transducer interfacing.integrated Hall effect sensors and how to interface to them.sensing techniques using Hall effect sensors.application-specific sensor ICs.relevant development and design toolsThis second edition is expanded and updated to reflect the latest advances in Hall effect devices and applications! Information about various sensor technologies is scarce, scattered and hard to locate. Most of it is either too theoretical for working engineers, or is manufacturer literature that can't be entirely trusted. Engineers and engineering managers need a comprehensive, up-to-date, and accurate reference to use when scoping out their designs incorporating Hall effect sensors.

Hardcover. Small Octavo, 72 pages. In Very Good condition with a Very Good condition dust jacket. Parchment white spine with dark blue lettering. Dust jacket is wrapped in a mylar covering, price is uncut "£25", has mild shelving wear, stains throughout, and bending wear along the head fore corners. Boards have mild shelving wear. Textblock has a stain on page 59, mild wear along the edges, and stains on the edges. Limited edition #54/300. Shelved Room C. 1390767. Special Collections. First Limited Edition, First Printing #54/300.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. 1stedn; lg8vo publisher's orig Navy cloth with very bright and fine gilt Coat of Arms to front and gilt titles bright to spine. Some pp uncut, appears unread, GIFTWORTHY VG/ndj: x,+547pp; Index, frontis, bw plate; Excerpt from Letters, Remains, and Memoirs of Edward Adolphus Seymour, Twelfth Duke of Somerset K. G: In Which Are Also Included Some Extracts From His Two Published Works on Christianity and Democracy Memorials contained in it, is not to exhibit the public man as such, but rather to give some slight indication of the kind of stuff, social, mental, and moral, out of which the public man was made.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

[unpaginated]; 28 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. Includes artists' biographies, bibliographies, and contribution list of participants. Catalogue contains no reproductions. Good / Very Good. 4 cm., 3 mm., 9 mm., and 1.9 cm. of bumping to recto with light soiling and additional overall dust soiling of covers and a 2 mm. and 4 mm. spot of soiling to recto. 8 mm. tear and a 7 mm. tear to bottom edge of spine. 4.4 cm. of bumping adjacent to bottom edge of verso carrying through to last eight pages, contents otherwise clean and unmarked. Includes two-sided sheet of text "The Seventies: Post-Object Art" by Donald Karshan with 3 mm. creases along length of top, bottom, and right edges of sheet with yellowing and tears measuring 4 mm., 3 mm., and 1 mm.

[unpaginated]; 28 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. Includes artists' biographies, bibliographies, and contribution list of participants. Catalogue contains no reproductions. Very Good. Rubbing of covers including a 16 mm. vertical mark on recto. 2 mm. dent on verso with 2.5 cm. area of light soiling. Includes two-sided sheet of text "The Seventies: Post-Object Art" by Donald Karshan, folded in two with two 1 mm. tears to right side edge and a 6 mm. dog-ear to top right corner of sheet. Contents clean and unmarked.

[unpaginated]; 28 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. Includes artists' biographies, bibliographies, and contribution list of participants. Catalogue contains no reproductions. Good / Very Good. Mild wear and soiling to covers and spine. Contents clean and unmarked. Includes slipped in two page text "The Seventies: Post-Object Art" by Donald Karhan issued in conjunction with the show and dated April 9, 1970.

Paperback. Condition: Brand New. 178 pages. 8.75x5.75x0.41 inches. This item is printed on demand.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1900 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 192 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 192 Tutin, J. R. (John Ramsden), 1855-1913,R. & R. Clark, Ltd. (1900) bkp CU-BANC,FitzGerald, Edward, 1809-1883.