Rabbi Bernard (61 results)

Paperback. Condition: Fine. Octavo, softcover, fine in red wraps. Well preserved play from 1937. Introduction by Rev. Pereira Mendes. A play in 3 acts, includes 2 songs with words: Sabbath and Mooz Zur. The play can be spectacular or simple, depending on how you want to do the production. Book.

Paper Back. Condition: Good. Pages are very clean and bright with no markings. Some sun tanning to the spine. Staple bound.

Trade Paperback. Condition: Near Fine. No Jacket. First Edition. A Nice Tight Clean Book . A Compilation Of Essays Published In The Hamilton Spectator And Collated And Published By Temple Anshe Shalom To Honour Rabbi Baskin. In Near Fine Condition. By Rabbi Baskin.

Pamphlet. 19p.5.5x8.5 inches; list of officers of the Exchange and note on the purposes of the Exchange, stamp of the "Committee on New Alternatives in the Middle East" to bottom of first page of text, otherwise very good pamphlet in stapled white wraps, covers a bit soiled with browning and slight wear to edges.…

, kartoniert. Condition: Gebrauchsspuren am Einband, so. , 1981.

Hardcover. Condition: Acceptable. No Dustjacket. In Hebrew and English. 336, (4) pages. 6 x 8.5 inches. Binding detached, many pages loose, last leaf in facsimile. Priced accordingly.

Hardcover. Condition: Very Good. Rabbi Bernard Abramowitz, Rabbi of the Congregation "Mishkan Israel Anshei Suvlak" of New York. , published by. PART TWO [ONLY]. Copyrighted November 1900, Washington D. C. by J. J. Kolbe and Isaac Bertin. New York, 5665. Sefer Dat Israel, Khelek Sheni. SEFER KEDUSHA, bo katuv be'er heitev bishtey safot, ivrit veanglit, dati Israel hanekhutzim lema'ase "Shulkhan Israel", "Taharat Hamishpakha" , "Nishmat Israel" 4 + 336 pages. 8.5 x 5.75 inches. Avodate Hakodesh hazot na'aset al yedey haRav haMefursam, moreynu harav Dov Ber ABramovitch, nero ya'ir, Rav bebet hakneset "Mishkan Israel Anshey Suvlak" vene'etak lisfat hamedina bea'ataka takha veko ne'ima. Hotza'a shniya - A Compilation of the Hayye Adam or ' Life of Man '. One volume of three. Text in Hebrew with the English translation below it on each page. Pink boards with black lettering and decoration. Boards very loose in binding, most of spine strip is missing, and blank margins have a light yellow water stain.…

Hard cover. 222 p. Very good. No dust jacket. light shelfwear, structurally sound, 1899 Funk and Wagnalls edition. Beautiful cover with gilt and gold lettering, po name stamp inside cover.

Condition: Good. New York 1900 J. J .Kolbe and Isaac Bertin. Translated by V. Samuel David Aaronson. Hebrew and English text. Octavo., 220pp., orange cloth hardcover. Good, spine somewhat faded, hinges tender; front hinge reinforced; end papers toned and chipped. Part one only.

First edition. 8vo. 128 pp. Softcover binding, blck lettering cover and spine, closed teat, else good condition. (97538).

hardcover. Condition: Very Good. 1942 edition as pictured. Previous owner's name in front (pencil). Text is unmarked, clean. Binding still tight. Pages beginning to yellow. Minor surface and edge-wear on covers, spine extremes bumped, corners slightly frayed. No dust jacket. Hardcover. 1h.

Condition: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Hardcover. Condition: Acceptable. No Dustjacket. Bi-lingual edition, Hebrew and English. Boards detached, some loose pages. water staining. Priced accordingly. [4] + 336 Pages. 6 x 8,25 inches.

Soft cover. Condition: As New. 128 pp., In Turkish.18x11 cm.

Condition: New.

First edition. 8vo. [xii], 288 pp. Hardcover binding, lacks jacket, overall very goood condition. (98996).

1st edition stiff wrappers Fine octavo xiii + 237pp., bibliog., Inc. much interesting material on Zionism, Socialism & Jewish world views.

Softcover. Condition: g+ to vg. First edition. Octavo. 20pp. Original illustrated white wraps with black lettering on cover. Narration for the filmstrip reflecting Jewish life in Budapest in 1967 and 1968 including introduction, technical data for projection and short bibliography. The filmstrip shows the Danube, the Hungarian Parliament, the statue in Heroes Square, the castle, the Communist monument with Red Star, the Kazinczy Synagogue, rabbis and students, four scrolls, the Jewish Museum, works of Hungarian Jewish artists, the Dohany synagogue, and many Jewish citizens in Budapest. No. 53 of a series of documentaries of Jewish life and customs in various countries. Acknowledgment of the producer Samuel Grand at rear. List of all filmstrips on back cover. Wraps lightly sunned with one inch closed tear at head of spine. Wraps and interior in overall good+ to very good condition.…

hardcover. Condition: as new. first edition. In-4° relié - Bien antérieur aux interprétations de la psychanalyse et aux découvertes des neurosciences, ce que l'on pourrait appeler l'"ancien régime" du rêve repose sur l'idée que le sommeil et les songes nous mettent en relation avec les puissances de l'au-delà. Aussi les hommes de la Renaissance doivent-ils affronter une redoutable question : en s'évadant des contraintes de son propre corps, le rêveur peut-il entrer en contact avec le divin, ou se trouve-t-il au contraire livré à des "démons" étrangers ? La réponse des artistes des XVe et XVIe siècles à une question plus troublante encore comment représenter ce que rêve un rêveur ? est particulièrement fascinante. Si certains explorent le rêve en tant que révélation d'un autre monde, saint ou infernal, si d'autres l'utilisent pour transfigurer le vécu quotidien ou montrer sa dimension érotique, chez les plus exigeants il est perçu comme une métaphore de l'art lui-même. C'est ce qu'illustre l'exposition présentée au Musée du Luxembourg. Réunissant des artistes célèbres comme Bosch, Dürer, Véronèse et Greco, ou moins connus comme Mocetto et Zuccaro, elle suit un parcours qui, du sommeil au réveil, de la Nuit à l'Aurore, invite à tous les rêves.…

Soft Cover. Condition: Poor. Damp stain to spine of book that has some bleed through to endpapers. Some soiling to covers. Previous owner's name on dedication page and price in pen on cover, light marginalia in first couple chapters otherwise text block is fairly clean.

In-4°, legatura in brossura editoriale, pp. 239, con illustrazioni in nero e a colori.

Condition: Very Good.

Condition: NEW.

Brossura. Condition: new. Firenze, Galleria Palatina - Palazzo Pitti, 21 maggio - 15 settembre 2013. A cura di Chiara Rabbi Bernard, Alessandro Cecchi, Yves Hersant. Livorno, 2013; br., pp. 239, 150 ill. e tavv. b/n e col., cm 24x28. Il tema del Sogno assume un rilievo particolare nella mitologia antica e nella tradizione del Rinascimento, che privilegia la comunicazione attraverso le immagini. Tuttavia a quest'oggi esso non è stato all'origine di nessuna mostra di opere d'arte inerenti al periodo decisivo che va dalla fine del XV secolo alla fine del XVI. Opere provenienti dai più prestigiosi Musei: Parigi, Museo del Louvre; Firenze, Uffizi; Venezia, Palazzo Ducale; Londra, Bristish Museum e National Gallery; Washington, National Gallery of Art; Los Angeles, Paul Getty Museum. Profetico o premonitore, illustrato da episodi celebri dell'Antico Testamento (Nabuchodonosor, i sogni del Faraone spiegati da Giuseppe, il sogno di Giacobbe, etc.) o dall'agiografia visionaria (sogni di Constantino, di san Francesco, di santa Orsola, etc., per non citare che esempi che hanno avuto una grande fortuna figurativa), il Sogno si offre innanzitutto come manifestazione e rivelazione di un altro mondo. La varietà degli artisti coinvolti - illustri come Bosch, Dürer o Michelangelo, o meno conosciuti dal grande pubblico come Mocetto o Naldini - vuol far comprendere come si caratterizza nel Rinascimento la rappresentazione del sogno. Libro.…

Couverture souple. Condition: Neuf. NA10932, 2185B, 978275664633.

Condition: buono. Storia e Critica Dal Rinascimento al Neoclassicismo Fine arts History and Criticism From Renaissance to Neoclassicism in testa al front.: Ministero per i Beni e le Attività Culturali; Direzione Regionale per i Beni Culturali e Paesaggistici della Toscana; Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze; Galleria Palatina di Palazzo Pitti - 21 maggio - 15 settembre 2013 - in 4° quadrato, bross. edit. ill. con bandelle - riccamente illustrato in b.n. e a colori nel testo OTTIME CONDIZIONI.…

Hardcover. Condition: Good. No Dust Jacket. No dust jacket. Hardcover. Text is in Hebrew with English translation. Boards are slightly faded and edge-worn, with a few surface marks and one or two creases. Spine is cocked and quite faded, with wear and bumping to ends. Leading corners are quite worn and bent. Pages are slightly faded. Small tear near upper inner corner of last page. Several small marks on page 307. Binding appears relatively sound. Text remains clear. AF. Used.…

paperback. Catalogo della mostra Firenze 2013, in ottime condizioni.

Hardcover. Condition: Fair. Reprint. 222 pages. Reprint of the 1899 first edition. Translated from the German. "Being a spiritual presentation of the principles of Judaism." - subtitle. Together with a preface and a biographical sketch of the author by the Translator. Light blue front board nicely illustrated in black and red. Prior owner's name squiggled out in ink upon front free endpaper. Somewhat above-average external wear. Binding intact. A worthy reading copy of this interesting work.…

Brossura. Condition: fine. Milano, Gallerie D'italia, 9 luglio - 18 ottobre 2026. A cura di Chiara Rabbi Bernard. Torino, 2026; br., pp. 336, 220 ill. col., cm 24x28. Il catalogo accompagna la mostra Bellezza e Bruttezza nel Rinascimento, curata da Chiara Rabbi Bernard e presentata alle Gallerie d'Italia di Milano dopo una prima tappa al Bozar di Bruxelles. Attraverso circa novanta opere datate tra l' ultimo quarto del Quattrocento e la fine del XVI secolo, il volume indaga il modo in cui l'arte rinascimentale ha rappresentato e interpretato il rapporto tra ideale di bellezza e deformità, armonia e dissonanza. Dipinti, sculture e ritratti mettono a confronto la tradizione italiana, influenzata dal modello classico e dall'ideale di perfezione, e le ricerche degli artisti dell'Europa settentrionale, più attente alla dimensione realistica e alle anomalie del corpo. Accanto alle figure di bellezza ideale, come il Ritratto di Giulia Gonzaga attribuito a Tiziano o le Veneri rinascimentali, compaiono immagini di vecchiaia, mostruosità e grottesco, che rivelano come il "brutto", a partire dal XV secolo, acquisisca una nuova dignità artistica. Il percorso mostra così come, nel Rinascimento, bellezza e bruttezza diventino categorie complementari, capaci di definire insieme i limiti e le possibilità della rappresentazione umana. Libro.…