Rabah Khalil (7 results)

Gebunden. Condition: Neu. Neu -How do cultural institutions and artists respond to long-standing states of crises and international emergencies It is with these questions in mind that Palestinian artist Khalil Rabah's artistic practice investigates the future of visual arts production. Exploring the relationships between historically sanctioned and experimental exhibition settings, fictional and documentary-narratives, and the histories of displacement, his methods not only propose but produce speculative institutions.As the artist's first major monograph, Falling Forward Works (1995-2025) presents a comprehensive selection of exhibition materials, previously unseen archival documents, and detailed background notes on how Rabah's methods relate to broader themes in his work. The volume also introduces new critical writing from curators, authors, and researchers on the interrelated subjects of anticipatory aesthetics, subterfuge and fugitive acts, mimicry and performativity, knowledge production, archival technologies and, crucially, the politics of humor.KHALIL RABAH (\*1961, Jerusalem) studied fine arts and architecture at the University of Texas. The work of this conceptual artist is rooted in issues of identity, displacement and politics. Characteristic of Rabah's working method is the adaptation of institutional means of representation. In 2003, he established the fictional Palestinian Museum of Natural History and Humankind. Designed as an ongoing project, the museum finds new forms of presentation, depending on the exhibition situation and location. He lives and works in Ramallah.Anthony Downey is Professor of Visual Culture in the Middle East and North Africa at Birmingham City University, UK. He is the series editor for Research Practice and sits on the editorial boards of Third Text, Digital War, and Memory, Mind & Media. 548 pp. Englisch.

Buch. Condition: Neu. Neuware -How do cultural institutions and artists respond to long-standing states of crises and international emergencies It is with these questions in mind that Palestinian artist Khalil Rabah's artistic practice investigates the future of visual arts production. Exploring the relationships between historically sanctioned and experimental exhibition settings, fictional and documentary-narratives, and the histories of displacement, his methods not only propose but produce speculative institutions.As the artist's first major monograph, Falling Forward / Works (1995-2025) presents a comprehensive selection of exhibition materials, previously unseen archival documents, and detailed background notes on how Rabah's methods relate to broader themes in his work. The volume also introduces new critical writing from curators, authors, and researchers on the interrelated subjects of anticipatory aesthetics, subterfuge and fugitive acts, mimicry and performativity, knowledge production, archival technologies and, crucially, the politics of humor.KHALIL RABAH (\*1961, Jerusalem) studied fine arts and architecture at the University of Texas. The work of this conceptual artist is rooted in issues of identity, displacement and politics. Characteristic of Rabah's working method is the adaptation of institutional means of representation. In 2003, he established the fictional Palestinian Museum of Natural History and Humankind. Designed as an ongoing project, the museum finds new forms of presentation, depending on the exhibition situation and location. He lives and works in Ramallah.Anthony Downey is Professor of Visual Culture in the Middle East and North Africa at Birmingham City University, UK. He is the series editor for Research/Practice and sits on the editorial boards of Third Text, Digital War, and Memory, Mind & Media. 548 pp. Englisch.

Buch. Condition: Neu. Neuware -How do cultural institutions and artists respond to long-standing states of crises and international emergencies It is with these questions in mind that Palestinian artist Khalil Rabah's artistic practice investigates the future of visual arts production. Exploring the relationships between historically sanctioned and experimental exhibition settings, fictional and documentary-narratives, and the histories of displacement, his methods not only propose but produce speculative institutions.As the artist's first major monograph, Falling Forward / Works (1995-2025) presents a comprehensive selection of exhibition materials, previously unseen archival documents, and detailed background notes on how Rabah's methods relate to broader themes in his work. The volume also introduces new critical writing from curators, authors, and researchers on the interrelated subjects of anticipatory aesthetics, subterfuge and fugitive acts, mimicry and performativity, knowledge production, archival technologies and, crucially, the politics of humor.KHALIL RABAH (\*1961, Jerusalem) studied fine arts and architecture at the University of Texas. The work of this conceptual artist is rooted in issues of identity, displacement and politics. Characteristic of Rabah's working method is the adaptation of institutional means of representation. In 2003, he established the fictional Palestinian Museum of Natural History and Humankind. Designed as an ongoing project, the museum finds new forms of presentation, depending on the exhibition situation and location. He lives and works in Ramallah.Anthony Downey is Professor of Visual Culture in the Middle East and North Africa at Birmingham City University, UK. He is the series editor for Research/Practice and sits on the editorial boards of Third Text, Digital War, and Memory, Mind & Media. 548 pp. Englisch.

Hardcover. Condition: Brand New. 548 pages. 9.25x6.50x1.97 inches. In Stock.

Buch. Condition: Neu. Neuware - How do cultural institutions and artists respond to long-standing states of crises and international emergencies It is with these questions in mind that Palestinian artist Khalil Rabah's artistic practice investigates the future of visual arts production. Exploring the relationships between historically sanctioned and experimental exhibition settings, fictional and documentary-narratives, and the histories of displacement, his methods not only propose but produce speculative institutions.As the artist's first major monograph, Falling Forward / Works (1995-2025) presents a comprehensive selection of exhibition materials, previously unseen archival documents, and detailed background notes on how Rabah's methods relate to broader themes in his work. The volume also introduces new critical writing from curators, authors, and researchers on the interrelated subjects of anticipatory aesthetics, subterfuge and fugitive acts, mimicry and performativity, knowledge production, archival technologies and, crucially, the politics of humor.KHALIL RABAH (\*1961, Jerusalem) studied fine arts and architecture at the University of Texas. The work of this conceptual artist is rooted in issues of identity, displacement and politics. Characteristic of Rabah's working method is the adaptation of institutional means of representation. In 2003, he established the fictional Palestinian Museum of Natural History and Humankind. Designed as an ongoing project, the museum finds new forms of presentation, depending on the exhibition situation and location. He lives and works in Ramallah.Anthony Downey is Professor of Visual Culture in the Middle East and North Africa at Birmingham City University, UK. He is the series editor for Research/Practice and sits on the editorial boards of Third Text, Digital War, and Memory, Mind & Media.

Broschur. 103 S. pp. zahlreiche Abb. Ill. GUTER ZUSTAND, fine Size: 21 x 15 Cm. 400 Gr.

72 pp.; 28.5 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with "Palestine c/o Venice," a collateral event of the 53rd Art Exhibition, La Biennale di Venezia, held at Ex Convento Cosma e Damiano, Campo S. Cosmo, Giudecca, Venice, June 7 - September 30, 2009. Held simultaneously at six Palestinian venues: Palestinian Art Court-Al Housh, International Academy of Art Palestine, Al Ma'mal: Foundation for Contemporary Art, A.M. Qattan Foundation, The Ethnographic and Art Museum at Birzeit University, and Riwaq. Curated by Salwa Mjikdadi. Texts by Vittorio Urbani, Salwa Mikdadi, Jack Persekian, Adila Laïdi-Hanieh, and Tina Sherwell. Artists include Taysir Batniji, Shadi HabibAllah, Sandi Hilal, Alessandro Petti, Emily Jacir, Jawad Al Malhi, and Khalil Rabah. Includes artists biographies. Text in English. Very Good. Light rubbing of cover edges and corners. Contents clean and unmarked. Includes press release.