Queensberry David (7 results)

Hardcover. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Missing jacket. The dust jacket of the book is missing.

Soft cover. Condition: Good. No Jacket. 1st Edition. This signed first edition is in good condition. The cover is slightly grubby with some light creasing. Rusting present to the staples. Otherwise internally very good. Signed by David Sinnett-Jones on the front end paper. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. First edition. 165 x 241 x 27mm. Apart from minor browning to the pages, both book and jacket are virtually as new. All our 'Seller Images' show the actual item you will receive.

Soft cover. Condition: Fair. No Jacket. Softcover. Condiition: Fair, the catalogue is essentially in very good condition except that the lower right corner of the front cover has a crease, with a corresponding crease to the first few pages. Binding sound, no inscriptions. 104pp. 15 colour and 68 b/w plates. This catalogue was produced to accompany the exhibition of British studio ceramics held at the Christopher Wood Gallery, London from November 25 to December 6, 1980. The catalogue contains a thorough introdction by Ian Bennett and includes examples from ceramicists such as William Staite Murray, Eric James Mellon, Michael Cardew, Bernard Leach, Katherine Pleydell-Bouverie and Hans Coper. Good reading copy.

Wraps. Condition: VG+. Foreword by Chang-yuel Lim; Acknowledgments by Jong-min Kim; "Design & Market" by David Queensberry; "The Only Constant Seems To Be Change" by Y. Choi Jin. ; Profusely Colour & b&w; 8vo 8" - 9" tall; 102 pp.

Hardcover. Condition: Very Good Plus. Dust Jacket Condition: Very Good Plus. Lucie Rie (Photographs by David Cripps) (illustrator). First Edition. 1981. 96pp. B&W photographs throughout. Minor browning to page edges. Otherwise, unclipped jacket and book in excellent condition. "This book is the record of a major retrospective exhibition of Lucie Rie's ceramics, shown at the Sainsbury Centre, Norwich, and the Victoria & Albert Museum, London, in 1981 and 1982. ? Over 200 pots are illustrated, representing the entire career, spanning more than fifty years, of a potter whose pursuit of excellence has never wavered. The most recent pieces shown were made as the potter approached her eightieth birthday and are a remarkable witness to her enduring vitality and inventiveness. ?The book is edited by John Houston, the organiser of the exhibition, who also contributes an essay assessing Lucie Rie's career. Others contributing their impressions and evaluations are Janet Leach, Dorris Kuyken-Schneider, Victor Margrie and David Queensberry. The photographs of the pots are by David Cripps. The book includes photographs of marks, a list of dates and lenders and a bibliography. ? Lucie Rie came to England in 1938, a refugee from Austria. She has become one of Britain's best loved potters, but her reputation is worldwide. This book sets out to record her achievement and her great contribution to ceramics.".

Soft Cover with Dust Jacket. Condition: Very Good. Dust Jacket Condition: Very Good -. Paperback Edition. 230 x 210mm. pp. 21. English text. Volume showcasing the ceramics work of Magdalene Odundo. Colour and black and white photographic illustrations. Bound in original plain white card covers. Housed in pictorial card dust jacket. Dust jacket shows some light bumping to top edge of back cover, otherwise clean. Binding strong. No ownership inscription or underlining. See images.