Pyne James (117 results)

Paperback. Condition: Fair. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.88.

Condition: New.

Paperback. Condition: Very Good. No Jacket. Spooner, Luke (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.01.

Paperback. Condition: Very Good. No Jacket. Spooner, Luke (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.9.

Paperback. Condition: Brand New. 1st edition. 280 pages. 8.50x5.50x0.64 inches. In Stock.

Condition: Acceptable. Spooner, Luke (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: New.

Condition: New.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condition: Brand New. first edition. 268 pages. 8.00x5.00x0.67 inches. This item is printed on demand.

'the picture you sent me is not my work, but a very respectable and carefull copy from a rather early one', offering for £12 to repaint, 'make it my own work' and sign and date it, but if not required he will just clean it. conjugate leaf pasted to album leaf, James Baker Pyne was a landscape painter and a member of the Bristol School of Artists, before he moved to London. He complains of feeling unwell, he died later in the year. This letter provides an interesting insight into the role of the artist as restorer.

Leatherbound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 124. A perfect gift for your loved ones. Reprinted from 1859 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 124.

DVD. Condition: Very Good. 2004. 14 discs. Disc Quality: Excellent. DVD15.

Hardcover. Condition: Near Fine. Leeds: D. Banks, (1870) , DELUXE ISSUE, with 24 finely hand-coloured lithograph plates mounted on thick card, each plate with captioned tissue-guards, all edges gilt, original decorative green cloth gilt, folio This DeLuxe edition not in Abbey. A scarce set, rarer than the deluxe issue of Pyne's The English Lake District. This title in the deluxe format was also published by Henry Sotheran in 1870. Landscape painter James Baker Pyne was born in Bristol, where he worked as a self-taught artist until the age of 35. He gave painting lessons to William James Müller, who later became an artist of repute. In 1835 Pyne moved to London, exhibiting his work at the Royal Academy, British Institution and New Watercolour Society over two decades. In his early period he painted views and scenery around Bristol but after 1835 he travelled to Italy and elsewhere on the Continent, gathering material to work up into finished pictures. Pyne was an admirer and imitator of Turner; his dramatic effects and use of pale yellow tones reflecting Turner's influence. Today, his records of works produced from 1840 to 1868 are in the Victoria and Albert Museum. Bookplate of William Park.

Condition: Good. 19.4" x 14" (Image 17.5" x 13"). Hand colored engraving on heavy paper. Good with losses and tears at bottom left, else VG. Printed at bottom: "The Library". Penciled to the right of this, Ockwells, Berks. Since this scene is clearly depicting the Library at Windsor Castle, possibly Ockwells Manor in Berkshire is where this print is from?

Condition: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.

Condition: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.

Condition: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mildly toned, marginal soiling lower left and left edge, minor crimping at edges, else VG.

No Binding. Condition: Very Good. A fine original hand coloured aquatint print from The Royal Residences by W. H. Pyne. This one being a view of The Queen's Levee Room at St James's in London. Engraved by W. I. Bennett from the Drawing by C. Wild. Titled and dated 1816. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.

No Binding. Condition: Very Good. A fine original hand coloured aquatint print from The Royal Residences by William Henry Pyne. This one being a view of The Green Closet at Frogmore in Windsor, Berkshire. Engraved by W. J. Bennett from the Drawing by C. Wild. Titled and dated 1819. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.

No Binding. Condition: Very Good. A fine original hand coloured aquatint print from The Royal Residences by William Henry Pyne. This one being a view of The Royal Chapel, Windsor Castle, Berkshire. Engraved by T. Sutherland from the Drawing by C. Wild. Titled and dated 1818. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.

No Binding. Condition: Very Good. A fine original hand coloured aquatint print from The Royal Residences by William Henry Pyne. This one being a view of The Kings Closet at Kensington Palace, London. Engraved by R. Reeve from the Drawing by J Stephanoff. Titled and dated 1819. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margin.

No Binding. Condition: Very Good. A fine original hand coloured aquatint print from The Royal Residences by William Henry Pyne. This one being a view of The Ball Room at Hampton Court. Engraved by R. Reeve from the Drawing by R. Cattermole. Titled and dated 1818. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.

No Binding. Condition: Very Good. A fine original hand coloured aquatint print from The Royal Residences by William Henry Pyne. This one being a view of The Kings Writing Closet at Hampton Court. Engraved by R. Reeve from the Drawing by R. Cattermole. Titled and dated 1819. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.

No Binding. Condition: Very Good. A fine original hand coloured aquatint illustration from The Royal Residences by William Henry Pyne. This one being a view of The Hall of Entrance at Carlton House in London. Engraved by R. Reeve from the Drawing by C. Wild. Titled and dated 1819. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.

No Binding. Condition: Very Good. A fine original hand coloured aquatint illustration from The Royal Residences by W. H. Pyne. This one being a view of The Guard Chamber at St James's, London. Engraved by R. Reeve from the Drawing by C. Wild. Titled and dated 1818. Image size 20 x 26cm approx. Very good condition. A particulary fine and original hand coloured aquatint, showing the splendour of the interior decorations of Englands Royal Residences. Good Margins.