Prudent Emile (31 results)

Edizione del 1870 circa della melodia "Fantaisie sur la Lucie de Lammermoor de Donizetti" di Emile Prudent (1817-1863) dall'opera 8. In buone condizioni. Copertina editoriale in buone condizioni con lievi usure marginali. Piatti in parte staccati. Dorso coperto da carta. Legatura editorialmente assente. Pagine in buone condizioni con rare fioriture. In Folio. cm. 35x26. Pp. 19.Edition of 1870 circa of the melody "Fantaisie sur la Lucie de Lammermoor de Donizetti" by Emile Prudent (1817-1863) from the opera 8. In good conditions. Editorial cover in good conditions lightly worn in the extremities. Plates are partially detached. Binding editoriarly lacks. Pages in good conditions with occasional foxing. In Folio. cm. 35x26. Pp. 19.…

Umdruck. 13 S. 0 Gewicht in Gramm: 400.

Edizione di fine ottocento della melodia "Feu follet" dall'opera 16 n. 6 del compositore francese Emile Prudent (1817-1863). In discrete condizioni. Copertina editoriale in discrete condizioni con lievi usure marginali. Rinforzo ai margini. Legatura editorialmente assente. Pagine in discrete condizioni con rare fioriture. Rinforzo al margine destro. In 4. cm.34,5x27. Pp. 11.Edition of late 19th century of the melodiy "Feu follet" from the opera 16 n. 6 by the french composer Emile Prudent (1817-1863). In fair conditions. Editorial cover in fair conditions lightly worn in the extremities. Reinforcement in the edges. Binding is editoriarly missing. Pages in fair conditions with occasional foxing. Reinforcement in the right edge. In 4. cm.34,5x27. Pp. 11.…

Brossura. Condition: discrete. Cm.35x25,5. Pg.16. 10 gr.

Brossura. Condition: discrete. Musica dedicata a Hector Berlioz. Cm.34x25. Pg.18. 50 gr.

Brossura. Condition: come libro nuovo. Musica dedicata a F. Gerard. Cm.34x26. Pg.14. Coperta decorata. 50 gr.

9 lithogr. S. Umschlag. Seitenränder leicht ausgefranst, Tb. mit Händlerstempeln. Umdruck der Erstausgabe (1845).

13 S. Sprache: Deutsch Gewicht in Gramm: 400 Gr.-4°. Gestochen. Ausgebunden. Rückenrand mit Bindespuren.

Ca. 34 x 27,5 cm. Titelblatt, 11 Seiten, 1 leere Seite. Platten-Nr.: 16028. Preisangabe auf dem Titel: Pr. 1 fl. 12 kr. Datierung nach O. E. Deutsch (Musikverlags Nummern). Titelblatt und Noten lithographiert. Rückenfalz alt verstärkt, an den Rändern etwas stockfleckig.

Ca. 34,5 x 27,2 cm. Titelblatt, 21 Seiten, 1 leere Seite. Platten-Nr.: 7680. Preisangabe auf dem Titel: Pr. 2 Fl. Datierung nach O. E. Deutsch (Musikverlags Nummern). Titelblatt und Noten lithographiert. Feuchtigkeitsränder, leicht stockfleckig.

Size: Folio. Straight-grained half morocco (rubbed) with marbled boards.

Pas de couverture. Condition: bon. RO50021377: fin XIXème. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 13 pages. Ornements en couverture. Déchirure entre les plats. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Condition: bon. RO50013280: XIXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 13 pages. Ornements en couverture. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Condition: bon. RO50021370: XIXème. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 15 pages. Illustration noire et blanche de Barbizet en couverture. . . . Classification Dewey : 780.26-Partitions.

Pas de couverture. Condition: bon. RO50013279: XIXème. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 13 pages. Ornements en couverture. . . . Classification Dewey : 780.26-Partitions.

Condition: 1830-1850. Séguidille Pour Piano Composée par Émile PRUDENT Op. 25 A sa Majesté la Reine Marie Christine Paris, chez Alexandre Grus Ainé Editeur, A. G. 888 ca1847 12 pages 33.2 x 25.5 cm Très bon état 053183 Piano solo.

In 16° (34,5x25,5) 18 pp. Incisione al frontesppizio. Lievi ingialliture, angolino alonato, timbrino di megoziante. Brossura editoriale a stampa, dorso rifatto, buono stato. All books are in stock in fine condition or described meticulously. Very safe packaging ***Books dated over 70 years old: ONLY SHIPPING WITHIN ITALY - please do not order if locaded abroad***.…

Disbound, sewn. Size: Folio. 7, 11, 5, 7, 13pp.

20 lithogr. S. Nur geringe Gebrauchsspuren. Umdruck der Erstausgabe.

Condition: 1850-1900. Miserere du Trovatore de Verdi pour Piano par Emile Prudent op 55 Paris, Léon Escudier Editeur L. E. 1788 XIXe siècle ca1860 13 pages 34.8 x 27.0 cm Très bon état, traces d'humidité 056480 Piano solo.

Condition: 1850-1900. La Donna e Mobile Chanson de Rigoletto Opéra de Verdi Variée pour le Piano par Emile Prudent op 62 Paris, Léon Escudier Editeur L. E. 1984 XIXe siècle ca1860 17 pages 33.4 x 25.5 cm Très bon état 049922 Piano solo.

Condition: 1830-1850. Fantaisie sur Lucie de Lamermoor de Donizetti pour le Piano par Emile Prudent op 8 à Thalberg Mayence, chez les fils de B. Schott 6960 XIXe siècle ca1845 20 pages 33.0 x 26.2 cm Très bon état 057282 Piano solo.

Condition: 1830-1850. Fantaisie sur Lucie de Lamermoor de Donizetti pour le Piano par Emile Prudent op 8 à Thalberg Paris, chez Edmond Mayaud E. M. 30423 XIXe siècle ca1840 20 pages 34.8 x 27.0 cm Bon état, quelques annotations au crayon de papier 057011 Piano solo.

Condition: 1850-1900. Les Naïades Caprice Etude pour Piano par Emile Prudent op 45 à la Princesse Elisabeth Ypsilanti Paris, Ledentu Editeur XIXe siècle ca1860 13 pages 33.2 x 26.0 cm Très bon état 056602 Piano solo.

Condition: 1930-1980. Seguidille op 25 Pour Piano Composée par Émile PRUDENT A sa Majesté la Reine Marie Christine Paris, Bureau Central de Musique, B. C. 891 1846 12 pages 35.3 x 27.3 cm Très bon état 055814 Piano solo.

15 gest. S. Mit zusätzlicher Paginierung in Tinte, etwas stockfleckig. Erstausgabe.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from [ca. 1850] edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 26.…

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from [ca. 1850] edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 10.…

Hard Cover. Condition: Good. A HECTOR BERLIOZ. / NOUVELLE ÉDITION / LA / DANSE DES FÉES / POUR PIANO PAR / E. PRUDENT. / OP. 41. PR: 9 F. / PARIS, G. BRANDUS & S. DUFOUR ÉDITEURS. / 103, rue Richelieu, au 1.er / Londres, Boosey & Cie ? Mayence, les fils de B. Schott ? Milan, Ricordi. De 33x27 cm. Com cerca de 300 págs. distribuídas pelas 22 obras. Encadernação com pastas em percalina escura decoradas com moldura em duplo filete gravado a seco. Vários rostos apresentam ilustrações litografadas, destacando-se o da Danse des Fées com cena de fada sobre cascata e o do Frühlingslied de Gounod/Mayer com título cromolitografado sobre composição floral a cores. Exemplar com pasta anterior solta e lombada ausente, expondo as costuras do volume. Vários rostos com carimbos oleográficos de posse. Conjunto de interesse documental, reunindo 23 partituras de piano encadernadas num único volume, provavelmente agrupadas por um possuidor privado entre ca. 1871 e ca. 1885. O repertório documenta os circuitos editoriais que abasteciam os salões portugueses no terceiro quartel do século XIX, com publicações de Paris (Brandus, Meissonnier, Bureau Central de Musique, E. Gérard & Cie), Viena (Diabelli, C.A. Spina, Bösendorfer), Braunschweig (H. Litolff) e Lisboa (Sassetti). As duas edições da Sassetti & Cia. ? a Tarentelle de Thalberg [Op. 65] (chapa N.º 480, documentada na BNP, Cota C.N. 702 A.) e a Tarentelle de Döhler, Op. 39 (não catalogada na BNP) ? constituem o elo português do conjunto. O volume cobre quase quatro décadas de música de salão europeia, de Alkan (Saltarelle Op. 23, 1844) a Johann Strauss II (Op. 346, 1871). Abre com a Danse des Fées de Prudent, dedicada a Hector Berlioz, em «Nouvelle Édition» de Brandus & Dufour (1858?1872); inclui ainda a Villanelle Op. 40 do mesmo autor numa edição anterior de Brandus et Cie. Completam o conjunto a Grande Sonate a quatro mãos Op. 92 de Hummel (Diabelli, Viena), a Saltarelle de Alkan (Bureau Central de Musique, Paris), cinco fascículos do Répertoire des Danses de Johann Strauss II editados em Paris por E. Gérard & Cie e seis peças de Eduard e Josef Strauss pela C.A. Spina de Viena. Sassetti & Cia. foi a principal casa editora e comerciante de música em Lisboa durante a segunda metade do século XIX, fundada em 1848 por João Baptista Sassetti na Rua Nova do Carmo, com estatuto de estabelecimento privilegiado. Editou partituras com numeração de chapa própria e funcionou simultaneamente como distribuidora de publicações europeias. A edição da Tarentelle de Thalberg (chapa N.º 480) está documentada na BNP com a datação [188-]; a edição da Tarentelle de Döhler, Op. 39, não figura actualmente no catálogo da BNP. [EN] 33 × 27 cm. Aaround 300 pages spread across the 22 works. Bound in dark percaline covers framed with a embossed double-line. Several covers feature lithographed illustrations, notably that of Danse des Fées (Dance of the Fairies) , depicting a fairy scene by a waterfall, and that of Gounod and Mayer?s Frühlingslied (Spring Song ) , with the title printed in chromolithography over a colourful floral composition. Copy with the front cover detached and the spine missing, exposing the book?s seams. Several pages bear oleographic ownership stamps. A collection of documentary interest, comprising 23 piano scores, bound into a single volume, probably compiled by a private collector between c. 1871 and c. 1885. The repertoire documents the publishing circuits that supplied Portuguese salons in the third quarter of the 19th century, with publications from Paris (Brandus, Meissonnier, Bureau Central de Musique, E. Gérard & Cie), Vienna (Diabelli, C.A. Spina, Bösendorfer), Braunschweig (H. Litolff) and Lisbon (Sassetti). The two editions by Sassetti & Cia. ? Thalberg?s Tarentelle [Op. 65] (plate No. 480, documented at the Portuguese National Library, call number C.N. 702 A.) and Döhler?s Tarentelle, Op. 39 (not catalogued at the Portuguese National Library) ? constitute the Portuguese link in the collection. This volume covers almost four decades of European salon music, from Alkan (Saltarelle Op. 23, 1844) to Johann Strauss II (Op. 346, 1871). It opens with Prudent?s Danse des Fées , dedicated to Hector Berlioz, in the Nouvelle Édition by Brandus & Dufour (1858?1872); it also includes the same composer?s Villanelle , Op. 40, in an earlier edition by Brandus et Cie. The collection is rounded off by Hummel?s Grande Sonate a quatre mains , Op. 92 (Diabelli, Vienna), Alkan?s Saltarelle (Bureau Central de Musique, Paris), five instalments of Johann Strauss II?s Répertoire des Danses published in Paris by E. Gérard & Cie, and six pieces by Eduard and Josef Strauss published by C.A. Spina of Vienna. Sassetti & Cia. was the leading music publisher and retailer in Lisbon during the second half of the 19th century; it was founded in 1848 by João Baptista Sassetti on Rua Nova do Carmo, with the status of a ?privileged establishment? It published sheet music under its own catalogue numbering system and also acted as a distributor of European publications. The edition of Thalberg?s Tarentelle (plate no. 480) is recorded in the Portuguese National Library with the date [188-]; the edition of Döhler?s Tarentelle , Op. 39, does not currently appear in the Portuguese National Library catalogue. Lista das obras, pela ordem do volume/ List of works, in the order of the volume: 1. E. Prudent ? La Danse des Fées, Op. 41 (Paris, G. Brandus & S. Dufour) 2. Jules Schulhoff ? Tarantella, Op. 34 (Paris, J. Meissonnier Fils) 3. J.N. Hummel ? Grande Sonate à quatre mains, Op. 92 (Vienne, Diabelli) 4. Ch. Gounod / arr. C. Mayer ? Frühlingslied (Wien, A. Bösendorfer) 5. E. Prudent ? Villanelle, Op. 40 (Paris, Brandus et Cie) 6. Johann Strauss II ? Freut euch des Lebens, Walzer, Op. 340 (Wien, C.A. Spina) 7. Johann Strauss II ? Tausend und eine Nacht, Walzer, Op. 346 (Wien, C.A. Spina) 8. Johann Strauss II ? Répertoire des Danses, N.º 8 (Paris, E. Gérard & Cie) 9. Johann Strauss II ? Répertoire des Danses, N.º 15 (Pari. …

8vo. 1 page on bifolium. To the organist and composer Louis Lefébure-Wély (1817-69) with a recommendation of the amateur musicians Monsieur and Madame Prisse, who greatly admire Lefébure, asking him to let them have the use of his organ the following Sunday: "Je viens te recommander Monsieur et Madame Prisse grand amateurs de musique et très admirateurs de ton talent. Tu me seras bien agréable si tu veux bien les admettre à ton orgue dimanche prochain [.]". - With former collector's number "59" in pencil. - Traces of former mounting.…