Prefumo Danilo (13 results)

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  • Language: Italian

    Published by Genova, Sagep,, 1982

    8870580504 / 9788870580501

    • Softcover

    Seller: Antiquariat Appel - Weßling, Weßling am See, GermanyAntiquariat Appel - Weßling

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    8° OKart. 207 p. Gutes Exemplar Lieferung in die Vereinigten Staaten von Amerika (USA) ist derzeit nicht möglich. Sprache: Italienisch.

  • Language: Italian

    Published by Mursia, 2022

    8842564400 / 9788842564409

    • Softcover

    Seller: libreriauniversitaria.it, Occhiobello, RO, Italylibreriauniversitaria.it

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    £ 13.42

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    Condition: NEW.

  • Language: Italian

    Published by Serel International, 2025

    8889401877 / 9788889401873

    • Softcover

    Seller: libreriauniversitaria.it, Occhiobello, RO, Italylibreriauniversitaria.it

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  • Language: Italian

    Published by Sagep, 1982

    8870580504 / 9788870580501

    • Softcover

    Seller: Fishergate Music, Norwich, United KingdomFishergate Music

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    Soft cover. Condition: Very Good. A careful study and analysis of all Paganini's compositions. The wrapper's lamination is damaged, otherwise good condition.

  • Language: English

    Published by LIM Libreria Italiana Musicale, Lucca, 2022

    8855431587 / 9788855431583

    • Softcover

    Seller: Libreria già Nardecchia s.r.l., Rome, RM, ItalyLibreria già Nardecchia s.r.l.

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    Condition: NEW. Lucca: LIM Libreria Italiana Musicale, 2022 9788855431583 Profili 3 809 xix, 347 p. : ill. col. b/n, indice, biografia ; 24 cm. Niccolò Paganini (Genoa, 1782 Nice, 1840) was one of the great protagonists of 19th-century European music, a symbol of romantic instrumental virtuosity, a daring innovator of violin technique, a talented guitarist, and a prolific composer. After receiving a musical training in his hometown but substantially self-taught he first came into the spotlight in Italy, and then, from 1828, throughout Europe, in a memorable tour that ended in 1834 after touching the main musical centres of Austria, Bohemia, Poland, Germany, France, Great Britain, and Belgium. Finally freeing the figure of this musician from the many almost always groundless conjectures and rumours that have made of Paganini a mysterious and disconcerting character, this volume offers, in its first part, a clear biographical profile based on the most recent historical research. This is followed by extensive and detailed analysis of all his works, conducted with the declared intention to contextualize Paganini's technique and musical style within his own time, underlining the multiple and often ignored links between him and the violinists-composers of his past (first and foremost Locatelli and Lolli) and of his present, in particular the great masters of the contemporary French school: Giovanni Battista Viotti, Pierre Rode and Rodolphe Kreutzer. Niccolò Paganini (Genoa, 1782 Nice, 1840) was one of the great protagonists of 19th-century European music, a symbol of romantic instrumental virtuosity, a daring innovator of violin technique, a talented guitarist, and a prolific composer. After receiving a musical training in his hometown but substantially self-taught he first came into the spotlight in Italy, and then, from 1828, throughout Europe, in a memorable tour that ended in 1834 after touching the main musical centres of Austria, Bohemia, Poland, Germany, France, Great Britain, and Belgium. Finally freeing the figure of this musician from the many almost always groundless conjectures and rumours that have made of Paganini a mysterious and disconcerting character, this volume offers, in its first part, a clear biographical profile based on the most recent historical research. This is followed by extensive and detailed analysis of all his works, conducted with the declared intention to contextualize Paganini's technique and musical style within his own time, underlining the multiple and often ignored links between him and the violinists-composers of his past (first and foremost Locatelli and Lolli) and of his present, in particular the great masters of the contemporary French school: Giovanni Battista Viotti, Pierre Rode and Rodolphe Kreutzer.

  • Language: Italian

    Published by Mursia, 2022

    8842564400 / 9788842564409

    • Softcover

    Seller: Brook Bookstore, Milano, MI, ItalyBrook Bookstore

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  • Language: Italian

    Published by Mursia, Milano., 1992

    8842512990 / 9788842512998

    • Softcover

    Seller: Studio Bibliografico Adige, Trento, TN, ItalyStudio Bibliografico Adige

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    224 p., 17 cm, bross.

  • Language: Italian

    Published by UGO MURSIA EDITORE, MILANO, 1992

    8842512990 / 9788842512998

    • Softcover

    Seller: Biblioteca di Babele, Tarquinia, VT, ItalyBiblioteca di Babele

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    £ 7.06

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    Condition: BUONO USATO. Invito all'ascolto ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Numero pagine 224. Il copyright dei dati à di Informazioni Editoriali I.E. Srl.

  • Published by SAGEP GENOVA Libri & Comunicazione LUGLIO 1982, 1982

    2604140561179

    • Softcover

    Seller: Librightbooks, Portici, NA, ItalyLibrightbooks

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    Condition: New

    £ 22.07

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    copertina morbida. Condition: nuovo. Dust Jacket Condition: nuovo.

  • Language: Italian

    Published by Genova, Sagep, Genova, 1982

    8870580504 / 9788870580501

    • Softcover

    Seller: librisaggi, SAN VITO ROMANO, Italylibrisaggi

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    Condition: Used - Good

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    brossura Copertina flessibile. Condition: Good. Copertina plastificata. Tagli e pagine lievemente ingiallite.  Copertina flessibile 207 8870580504 Buono (Good) . Book.

  • Language: Italian

    Published by Mursia, 1992

    8842512990 / 9788842512998

    • Hardcover

    Seller: Cartarum, Ariccia, RM, ItalyCartarum

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    Condition: Used - Good

    £ 7.06

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    Condition: Good. Condizioni dettagliate: Più che buone, pieghe e abrasioni sul volume, fioriture sparse, copertina flessibile.

  • Published by Società editrice di musicologia, Roma, 2025

    8885780261 / 9788885780262

    • Softcover

    Seller: Libreria già Nardecchia s.r.l., Rome, RM, ItalyLibreria già Nardecchia s.r.l.

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    Condition: NEW. Roma: Società editrice di musicologia, 2025 9788885780262 Saggi 15 609 N vol.: 1, N pag.: 208, W: 14.8, Illustr.: COL + B/N Il 27 maggio 1840 Niccolò Paganini morì a Nizza, dopo una lunga malattia che aveva tormentato gli ultimi anni della sua vita. Quello stesso giorno il vescovo di Nizza, monsignor Domenico Galvano, ne vietò la sepoltura in terra consacrata. Questo evento, inatteso e sconcertante, suscitò una forte reazione da parte degli amici genovesi del musicista, che si adoperarono in ogni modo perché a Paganini fosse data onorata sepoltura. Tra appelli e ricorsi ai tribunali ecclesiastici di Nizza e di Genova, e dopo tre distinti processi, le istanze degli amici di Paganini furono finalmente accolte nel 1844. I vescovi di Nizza e di Genova, tuttavia, si opposero con tutte le loro forze a quell'ultima sentenza, e ci vollero ancora diversi anni prima che la salma di Paganini potesse essere sepolta, nel 1853, in terra consacrata. Oggi i resti del grande violinista riposano finalmente nel cimitero della Villetta di Parma. Il volume segue passo dopo passo tutte le tappe della dolorosa vicenda post mortem del compositore, e propone una serie di documenti la maggioranza dei quali pubblicati qui per la prima volta che offrono al lettore la possibilità di comprendere fino in fondo il complicato intreccio di interessi non solo religiosi, ma anche politici, che si celavano dietro quella mancata sepoltura. Il 27 maggio 1840 Niccolò Paganini morì a Nizza, dopo una lunga malattia che aveva tormentato gli ultimi anni della sua vita. Quello stesso giorno il vescovo di Nizza, monsignor Domenico Galvano, ne vietò la sepoltura in terra consacrata. Questo evento, inatteso e sconcertante, suscitò una forte reazione da parte degli amici genovesi del musicista, che si adoperarono in ogni modo perché a Paganini fosse data onorata sepoltura. Tra appelli e ricorsi ai tribunali ecclesiastici di Nizza e di Genova, e dopo tre distinti processi, le istanze degli amici di Paganini furono finalmente accolte nel 1844. I vescovi di Nizza e di Genova, tuttavia, si opposero con tutte le loro forze a quell'ultima sentenza, e ci vollero ancora diversi anni prima che la salma di Paganini potesse essere sepolta, nel 1853, in terra consacrata. Oggi i resti del grande violinista riposano finalmente nel cimitero della Villetta di Parma. Il volume segue passo dopo passo tutte le tappe della dolorosa vicenda post mortem del compositore, e propone una serie di documenti la maggioranza dei quali pubblicati qui per la prima volta che offrono al lettore la possibilità di comprendere fino in fondo il complicato intreccio di interessi non solo religiosi, ma anche politici, che si celavano dietro quella mancata sepoltura. Dellaborra, Mariateresa; Prefumo, Danilo; Iovino, Roberto; Olivieri, Nicole.

    • Softcover

    Seller: Libreria Studio Bosazzi, Firenze, FI, ItalyLibreria Studio Bosazzi

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    Brossura. Condition: nuovo. in lingua inglese. LIM, 2022. pp. XIX+347. NUOVO - Niccolò Paganini (Genoa, 1782 Nice, 1840) was one of the great protagonists of 19th-century European music, a symbol of romantic instrumental virtuosity, a daring innovator of violin technique, a talented guitarist, and a prolific composer. After receiving a musical training in his hometown but substantially self-taught he first came into the spotlight in Italy, and then, from 1828, throughout Europe, in a memorable tour that ended in 1834 after touching the main musical centres of Austria, Bohemia, Poland, Germany, France, Great Britain, and Belgium. Finally freeing the figure of this musician from the many almost always groundless conjectures and rumours that have made of Paganini a mysterious and disconcerting character, this volume offers, in its first part, a clear biographical profile based on the most recent historical research. This is followed by extensive and detailed analysis of all his works, conducted with the declared intention to contextualize Paganini s technique and musical style within his own time, underlining the multiple and often ignored links between him and the violinists-composers of his past (first and foremost Locatelli and Lolli) and of his present, in particular the great masters of the contemporary French school: Giovanni Battista Viotti, Pierre Rode and Rodolphe Kreutzer.