Piotr Rypson (17 results)

Condition: Good. - Octavo, softcover bound in printed blue wrappers. The binding is rubbed & slightly bumped. 231 & [1] pages. Numerous illustrations in black & white and color. The contents are very good. Good. Published to accompany the exhibition: Centrum Sztuki Wspolczesnej/Zamek Ujadowski, Warschau, 1991-1992. The text is in Polish.Andrzej Dluzniewski [b. 1939] is a Polish artist whose works have ranged from painting, drawing, posters, photography and installations to various literary forms including fiction and concrete poetry. His interest in linguistics and nontraditional media have also led him into areas of conceptual art, collage and visual poetry, Since 1980, together with his wife Emilia Malgorzata, he has introduced and promoted the work of other artists, organizing exhibitions, lectures and meetings between artists from Poland and abroad [including many Fluxus artists].Laid in is the business card of Piotr Rypson who is editor of publications for the Centre of Contemporary Art, Ujazdowski Castle, Warsaw. …

1. Auflage.. zahlreiche Abb., 111 Seiten, Zustand: erstklassiges, neuwertiges Exemplar. Sprache: Deutsch Gewicht in Gramm: 750 26,0 x 21,0 cm, Broschiert, Softcover/Paperback.

Oprawa wydawnicza kartonowa. @ Co-Authors / Wspolautorzy: Redakcja Piotr Rypson; @ Cover design and illustrations / Projekt okladki i ilustracje: Projekt Andrzej Dluzniewski; opracowanie graficzne Piotr Rypson; @ Blurb / Notka wydawnicza: Warszawa: Centrum Sztuki Wspolczesnej, 1991; @ Size of the book block / Wymiar bloku: 23 cm; @ Circulation / Naklad: 1000; @ Comments/ Uwagi: Opracowanie opisujace artystyczne zwiazki miedzy sztuka wizualna, poezja i refleksja nad zwyklymi, ale elementarnymi, kwestiami z licznymi ilustracjami w ciekawym awangardowym ukladzie graficznym. Pozycja pomiedzy wydawnictwem ksiazkowym, ksiazka artystyczna, a katalogiem. // - Andrzej Dluzniewski (3.08.1939 Poznan - 16.12.2012 Warszawa) polski malarz, rysownik, grafik, fotograf, performer oraz pedagog i pisarz. Poczatkowo studiowal architekture, od 1962 studiowal na Wydziale Rzezby Akademii Sztuk Pieknych (ASP) w Warszawie. Obronil dyplom w pracowniach Mariana Wnuka i Oskara Hansena w 1968. Od 1970 roku wykladal na macierzystej uczelni, od 1991 profesor nadzwyczajny. W latach 1980-1993 z zona Emilia w swoim mieszkaniu organizowal cenione dzialania artystyczne, nadto zwiazany z grupa Fluxus. W 1997 ulegl wypadkowi samochodowemu, w wyniku ktorego stracil wzrok, od tego czasu tworzyl korzystajac z pomocy innych osob. W 2003 otrzymal Nagrode im. Katarzyny Kobro, a w 2006 Nagrode im. Jana Cybisa. Jego tworczosc artystyczna miala charakter konceptualny; @ Weight / Waga: 360; @ Pages / Strony: 231, [1]s.; @ Thematic categories / Kategorie tematyczne: mazowieckie Warszawa, sztuka europejska Polska katalogi wystaw i inne katalogi teoria sztuki, regiony Mazowsze - varsaviana / , art, regions Varsaviana / , Kunst, Regionen varsaviana / Warschau; Oprawa nieco uszkodzona, z zagietym dolnym rogiem egzemplarza, blok czysty, mocno pekniety. Pozycja w stanie co najmniej dobrym. Projekt Andrzej Dluzniewski; opracowanie graficzne Piotr Rypson (illustrator).…

First Edition. 25 x 17cm. Hardcover in original illustrated boards, 143pp. Text in German. Profusely illustrated with examples of the Polish poet and Constructivist artist's work in colour. Covers a little rubbed, otherwise very good condition.

Condition: Very Good.

Condition: Wie Neu. Polnische Avantgarde und Malerbücher 1919-1990. Ausstellung des Centrum Sztuki Wspólczesnej, Warschau, und der Herzog-August-Bibliothek Wolfenbüttel im Malerbuchkabinett der Bibliotheca Augusta vom 24. August bis 30. November 1991. Ausstellung und Katalog von Piotr Rypson. 111 Seiten mit über 80 Farb- und s/w-Abb., broschiert (Malerbuchkataloge; Nr. 7/Herzog August Bibliothek Wolfenbüttel 1991). Gewicht: 478 g - Softcover/Taschenbuch.…

Softcover, 128 pages; in English and Polish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. 8 X 1.9 X 10.7 inches; 448 pages.

Softcover exhibition catalog, 234 pages, texts in Polish; very good condition except moderate edgewear to spine; no internal marks. Foreign shipping may be extra.

111 S. mit zahlr. teils farbigen Abb. 26 x 21 cm, Orig.-Karton. - Tadellos * Ausstellung in Warschau und im Malerbuchkabinett der Bibliotheca Augusta (Malerbuchkataloge der Herzog August Bibliothek Nr. 7).

perfect. Condition: Sehr gut. 111 Seiten; 9783883730653.2 Gewicht in Gramm: 500.

Condition: sehr gut. 18,5-22,5 cm (8° - Oktav) Fester Pappband mt illustrierten Einbanddeckeln und Rückentitel, 166 Seiten. Zalreiche Abbildungen, meist von Buch- und Hefteinbänden. Äußerlich mit minimalen Lagerspuren, innen frisch; on the occasion of the exhibition: "Text, Buch, Kunst" presented at the Frankfurt 2000 Book-Fair. Text auf Englisch; Sachgebiet: Kunst; Schlagworte: Buchkunst, Typografie, Avantgarde des 20. Jahrhunderts, Osteuropa, Polen.…

Condition: Very Good +. 200x190mm. Printed black on white, staplebound in mauve wrappers. A catalogue produced on the occasion of the exhibiion 'To get close to human contact' at MAKKOM, Amsterdam 1984. Numerous illustrations in b&w of the work. Includes artists statements, images of magazines, events, performances and other conceptual work. Text in English and Polish. Condition: Very Good +. …

Soft cover. Condition: Very Good. 408 p., profusely illus. w/ col. & b/w illus., 9 1/2 x 6 1/4 in., Polish, paperback. A panorama of the lost world of Polish graphic design from 1919-1949, dazzling in its innovativeness and radical ideas. The author, director of the National Museum in Warsaw, a distinguished art critic and historian, offers a fascinating account of the emergence of a visual language for a modernizing Poland, while also portraying the everyday life of this fascinating, if sometimes eerie, country: the Second Polish Republic and Poland during the war and postwar years. Over a thousand unique illustrations, three hundred graphic artists—a unique collection—literally. Nie gęsi (Not Geese) is a meticulously recreated universe of designs: covers, posters, leaflets, packaging (what were pre-war condoms packaged in?), magazines, stamps; It also surveys all areas of social, economic, and cultural life: from the works of leftist propagandists through advertisements for various industries ("Sugar invigorates"!) to surprising curiosities, such as the photomontage on the cover of a volume of poetry by Polish fascists. Piotr Rypson's book is both a clear guide to the main trends in design and a document of emerging modernity: the experiments of the Futurists, the achievements of Functionalism, and Constructivism. This book once and for all debunks the myth of the lack of a Polish graphic design tradition and proves that it is by no means limited to posters. Contemporary designers will find inspiration and proof that surprising design solutions are emerging not only in the 21st century; critics and art historians will receive a comprehensive and authoritative source of knowledge; international audiences will discover previously unknown and somewhat exotic works; and all readers will enjoy a captivating, dynamic story about the forgotten, yet colorful and diverse everyday life in Poland over a turbulent thirty years.…

Condition: Very Good ++ / Near Fine. 1st Edition. Festival Internacional de Poesia Viva, 1987-1999. Complete set of three brochures of poetry exhibitions organised by the poet Fernando Aguiar from 1987-1999. The first brochure is for a symposium 26 29 April 1987 at Museu Municipal Dr Santos Rocha, Figuera da Foz, Lisboa. 290 x 100 mm, printed black on blue paper, 2 sheets folded unbound. Second brochure: 1.° Festival Internacional de Poesia Viva (2.a Apresentacao) 10-28 February 1988 Galeria Minicipal Amadora. 290 x 100 mm, red and white printed wraps stapled, 16pp black and white illustrated with introduction in Portuguese and English by Aguiar. Third Brochure: Outras Escritas Novos Suportes 12 November 11 December 1988, Museu de Setúbal, Convento de Jesus, Setúbal. 290 x 100 mm, purple and mauve printed wraps with 32pp black and white illustrated with introduction in Portuguese and English by Aguiar. The stapled brochures list contributors by country. Contributors include: Fernando Aguiar, António Aragáo, Pablo del Barco, António Barros, John M. Bennett, Julien Blaine, Guy Blues, Giancarlo Cavallo, Henri Chopin, Paula Claire, Ryosuke Cohen, António Dantes, Guillermo Deisler, Klaus P. Dencker, César Espinosa, Giovanni Fontana, Bartolomé Ferrando, Jesus Romeo Galdemez, Heinz Gappmayr, Klaus Groh, Pedro Juan Gutierrez,Bernard Heidsieck, Dick Higgins, Isabel Jones Ana Aly, Karl Kempten, Jiri Kolár, Eugenio Miccini, Jürgen O. Olbrich, Luis Filipe Oliveira, Luciano Ori, Pavel Rudolf, Piotr Rypson, Sarenco, Neide Dias de Sá, Álvaro de Sá, and others. …

Condition: very good +. Edition of 50. Piotr Rypson (ed.), Sator 3. 295 x 210mm. 6pp. 3 sheets printed black and white, recto hand-coloured and verso hand-stamped, stapled. Edition of 50 later issues of Sator Comix were editions of 100. Contributors include: Peter Below, Victor Baroni, Gui Schraenen, et al. Beautifully put together and produced, even though a photocopy the only issue we have ever obtained. Condition: Very good +.…

Condition: Neuf. Antwerpen, Internationaal Cultureel Centrum, 1980-1981, 297 x 210mm, 8p. (2 feuilles pliées) ppour chaque numéro. Libellus est une revue mensuelle d'art postal, éditée par Guy Schraenen, à laquelle contribuent la quasi-totalité des artistes postaux européens. Douze numéros entièrement illustrés ont été publiés, chacun présentant une compilation d'images, de courts textes et de timbres d'artistes. La revue a précédé le « Festival international d'art postal d'Anvers », qui s'est tenu en octobre 1981 à Anvers et qui constitua la première et la dernière grande rétrospective consacrée à l'art postal des années 1970, période marquée par la réalisation de nombreux projets collectifs. Anvers, ASPC ; ICC, 1980-1981. Format : 29,7 × 21 cm par numéro. (105865).…