Pieter Jode Anthony Dyck (10 results)

Condition: Good. Etching and engraving. 22.7 x 17.2 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark.

Bild-Maße: ca. 16 x 1,2 cm. -- Kupferstich-Portrait aus dem 17. Jh. -- gut erhalten. || Copper engraved portrait from the 17th century. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Condition: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 24.6 x 16.5 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. Short tear at lower right sheet corner."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condition: Good. Large format engraving. of Henrietta Maria (1609-1669), Queen of Charles I. 53 x 40.4 cm. Mounted on a supprt sheet. Tear in lower left corner. Ink annotation lower right margin dated 1669.New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (391.IV)Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (61.II)O'Donoghue 1908-25 / Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum (10)In."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Condition: Good. Large 8vo. 17 x 23.5. Contemporary marbled roan, spine repaired.Unique copy with 68 17th portraits after Van Dyck, Rubens et al. with 5 additional rare 18th century engravings, including two fold-outs entitled "Arrivée de notre St. Père le Pape en France , l'an 1799" and a large format portrait of the celebrated monk Benoit Joseph Labre and others. The plates are pasted on support pages with extensive 18th Century manuscript annotations on facing pages. Also included are 2 Als, likely from the bishop dated 23 and 26 juin 1929 from "le Mont. " They are addressed to Henri with greetings to Madame Beauséjour, who may have been his brother or cousin. Expertise by: Jean Lequoy, Librairie Giraud-Badin, Paris. The portraits are afterAegidius Rucholle, Titian, Anthony van Dyck, Pieter van Mol, Otto Vaenius, Rubens, Cornelis Galle, Cornelis de Vos, Gaspar de Crayer, Coenraerd Waumans, Charles Woutier, FranciscusNys and T. Willebroorts Bossaerts.Hollstein, Dutch &Flemish, Engravers, IX, pp. 212-219; OCLC Number: 2337084.Paul Félix Beuvain de Beauséjour, né le 16 décembre 1839 à Vesoul et décédé le4 avril 1930 à Carcassonne, est un prêtre français qui fut évêque de Carcassonne.[DE JODE (Pieter)]. Theatrum principium. S.l.n.d. Manuscrit du XVIIIe siècle. In-4, basane marbrée, dos orné, roulette sur les coupes, tranches mouchetées (Reliure de l'époque).Important recueil de portraits gravés de rois, princes et autres personnages illustres, gravés et publiés pour la plupart par Pieter de Jode le Jeune (1606-1674).Le volume renferme 73 gravures contrecollées et accompagnées de notices manuscrites, dont 68 portraits, exécutés pour l'essentiel au XVIIe siècle. Il s'ouvre sur un titre-frontispice libellé Theatrum principium et s'achève par une table manuscrite.De la bibliothèque Paul-Félix Beuvain de Beauséjour, évêque de Carcassonne, avec ex-libris. Dos restauré.

Leather Bound. Condition: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1694. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 133, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 133.

Maße: ca. 46 x 33 cm. -- Kupferstich-Portrait aus dem 17. Jh. -- etwas knickspurig, sonst gut erhalten. || Copper engraved portrait from the 17th century.-- with some creases, otherwise in very good condition. Wir kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 10.

Portrait of Mary Henrietta Stuart (1631-1660), Princess of Orange, three-quarter length, standing directed to left and looking towards the viewer, with curly hair, wearing a dress with lace collar and cuffs, leaning on a chair, a curtain beyond; within a niche.Van Dyck painted many portraits of Princess Mary, but none in this exact pose and dress are known. Here the princess was ten years old, about the time when she married William II of Orange. Two years after the marriage, Mary moved to The Hague, at the Binnenhof, where some rooms were specially decorated for her, namely a luxurious bedroom (the decorated wooden ceiling is now in the depot of the Rijksmuseum), and the cabinet. This latter was decorated with a wooden ceiling with gilded decorations over a dark background, and tapestries on the walls.Inscribed below: "Dña Maria Filia Caroli / Regis Magnæ Britanniæ.", "nata anno Christi 1631 mense Octobri", and production detail: "Petrus de Iode fecit."[NL] Portret van Maria Henrietta Stuart, als jong meisje, met kroon op het hoofd. Met haar linkerarm rust ze op een stoel. Het portret is gevat in een boogvormige omlijsting met vierkant randwerk met een drieregelig onderschrift in het Latijn. Gegraveerd door Pieter de Jode II naar Anthony van Dyck.    Engraving on paper; total: 174 x 133 mm; some smudges, top left corner missing, some wormholes on the top right corner; overall in fair condition. New Hollstein 239.  .

Portrait of Andries Colijns de Nole (1590-1638), half-length turned to the left but looking over his shoulder to right, with mid-length hair, a moustache and beard, wearing a frilled ruff and buttoned doublet, his right hand resting on a sculpted bust of Laocoön, his left gesturing towards it at the level of his abdomen; sixth state with initials of Gillis Hendricx burnished; after Anthony van DyckFrom the set Icones Principum Virorum (1635). [NL] Portret van de beeldhouwer Andreas Colijns de Nole, ten halven lijve. Met zijn rechterhand leunt hij op een marmeren beeld. In de marge de naam en het beroep van de geportretteerde. Gemaakt door Pieter de Jode II (1606-1674), naar Sir Anthony van Dyck. Engraving on laid paper, cut within plate mark; total: 241 x 164 mm, state VI/6; traces of glue on the four corners, on verso, otherwise in great condition. New Hollstein 78.

Leather Bound. Condition: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2022, utilizing the invaluable guidance of the original edition published many years ago in 1694. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 273, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. [Please Note - 1 page missing] 273.