Philippe Apeloig (25 results)

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: NEW.

Condition: Buone. Condizioni dell'esterno: macchiata Condizioni dell'interno: Buone.

Cartonnage éditeur. Condition: Très bon. Edition originale. Texte en français et en anglais de ces entretiens de Michel Rozenberg avec le graphiste et typographe Philippe Apeloig. Illustrations en noir et en couleurs. 96 pp. - A discussion between the graphic designer and Michel Rozenberg. Text is in English and French. Philippe Apeloig (illustrator).…

Hardcover. Condition: Very Good. Published on the occasion of an exhibition held at Les Arts Decoratifs, Paris, from November 21, 2013 - March 30, 2014. Philippe Apeloig draws his inspiration from his passion for painting, arts, and literature. He works primarily for major cultural institutions (Musee d'Orsay, the Louvre museum, Theatre du Chatelet, or management of museums in France), publishers (La Martiniere editions, Robert Laffont, Phaidon Press), art galleries, including Gagosian Gallery and Galerie Achim Moeller, and also for major brands (Puiforcat and Hermes). This catalog contains images for more than 150 posters, logos, typography, books, and visual identities, as well as numerous preparatory studies. Philippe Apeloig's design career began in 1985 at the Musee d'Orsay when he designed the poster for the Museum's first exhibition, "Chicago, Birth of a Metropolis." He is noted for his posters, many of which are in the collection of MoMA, and his typography, including the typefaces Octobre and Drop. This book surveys and explores the entirety of Apeloig's graphic design process and philosophy. His posters, logos, visual identities, books and animations are reproduced along with the steps in their development, and the major influences that fuel his work. 383 pages, illustrations (chiefly color). Cloth-bound hardback. Oblong quarto. Very good. Philippe Apeloig (illustrator).…

Hardcover. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. The book has minimal wear. 64 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Condition: New.

Couverture souple. Condition: Comme neuf. Edition originale. Zurich 2008. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée . Couverture illustrée . Format 24,5 x 17 cm )( 412 gr ). ------ 95 pages . ******************** ref XVIII.

Pas de couverture. Condition: bon. RO30377457: 2008. In-8. En feuillets. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 541 pages. Tranches argentées. Plats légèrement tâchés. Nombreuses photos et illustrations en couleurs. Accroc en coiffe en pied. Coins frottés. . . . Classification Dewey : 708-Galeries, musées, collections d'art. …

Hardcover. Condition: New.

Hardcover. Condition: Gut. 21 x 21 cm. 544 S. Mit zahlr. Abb. OPappband mit Ganzsilberschnitt. Ohne die Box. Leichte Gebrauchsspuren. Buchblock leicht verzogen. Gutes Exemplar. 11448 [K] Sprache: Deutsch Gewicht in Gramm: 2050.

Condition: gut. Lyonel Feininger: Zeichnungen und Aquarelle aus dem Julia-Feininger-Nachlass. In englischer Sprache. pages. Philippe Apeloig, Paris (illustrator).

Couverture rigide. Condition: Très bon. Description : Qu'y a-t-il derrière les plaques commémoratives, derrière tous ces noms, ces mots et ces phrases taillés dans la pierre? Des actes de courage, des destins tragiques ou des vies sacrifiées, et parfois aussi les souvenirs d'une enfance. C'est pour apporter sa pierre à l'histoire de sa famille comme à celle des Enfants de Paris, victimes de la guerre, de l'Occupation et des combats de la Libération, que Philippe Apeloig a réuni les photographies de toutes les plaques parisiennes de cette période. Habitée par la diversité de leurs compositions typographiques et la beauté du contexte architectural, cette oeuvre graphique livre une vision inédite et insolite de l'histoire récente de la capitale : une grande aventure de la mémoire qui continuera de se transmettre aux générations de demain. Graphiste, affichiste, typographe, Philippe Apeloig a commencé au musée d'Orsay, où il a créé l'affiche de la première exposition Chicago, naissance d'une métropole. Il est à l'origine des identités visuelles de la direction. des Musées de France, de l'Université d'architecture de Venise, du musée Yves Saint Laurent de Marrakech et de la signalétique du Louvre Abou Dabi. Avec un texte de Danièle Cohn, philosophe.…

Soft cover. Condition: Very Good. 1st Edition. Catalog accompanying an exhibition held at the Herb Lubalin Study Center of Design and Typography in the Cooper Union School of Art from February 24 to April 5, 2003. Widmer (1929-2026) was a Swiss Bauhaus-trained graphic designer (he studied with Johannes Itten) influenced by American art directors Alexey Brodovitch and Herb Lubalin. His exacting but expressive oeuvre included projects for the Pompidou Centre—book designs, posters for exhibitions and, famously, the logo. 8vo (6.5" x 9.5"), embossed fold-over wrappers, 96 pages, color and b/w illustrations throughout. text in English. With an introduction by Philippe Apeloig, an overview of postwar French graphic design by Margo Rouard-Snowman, and an interview with Jean Widmer by Apeloig. Surprisingly uncommon. Minor bumping and light rubbing to extremities; otherwise near fine.…

ÉTAT : NEUF / NEW CONDITION 9782732439426 590256 3.

Condition: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Soft cover. Condition: Very Good. 1st Edition. Stiff paper wrappers, leporello folded [36]p, illustrations (also in color), 21 cm. Very good, light shelf-wear. Text in French and English.

Condition: Very Good.

96 Seiten, zahlreiche Abbildungen, Gr.-8°, Orig.-Pappband (sehr gutes Exemplar). - Erste Ausgabe / First Edition. - Zweisprachige Ausgabe (Englisch - Französisch). - "Philippe Apeloig (1962) has established his reputation in the international poster scene since the end of the 1980s with works of a rare constant quality and an unerring sense for what it takes to design a poster. His work, above all that with an explicitly cultural content, is well represented in the major collections. Numerous exhibitions, awards and membership of juries have sonsolidated his international reputation. The publication contains an overview of his work for the first time." (Verlag).…

Condition: Gut bis sehr gut. 544 S., Ganzsilberschnitt, gr.8°, Hardcover in Platikschuber guter Zustand (Box leicht berieben) 2160 gr.

Hardcover. Condition: Very Good. 1st Edition. Hardcover, 95 pages : illustrations (chiefly in color) ; 25 cm. Very good/fine, unmarked. Text in English and French. Philippe Apeloig (1962) has established his reputation in the international poster scene since the end of the 1980s with works of a rare constant quality and an unerring sense for what it takes to design a poster. His work, above all that with an explicitly cultural content, is well represented in the major collections. Numerous exhibitions, awards and membership of juries have consolidated his international reputation. The publication contains an overview of his work for the first time.…

Couverture souple. Condition: Très bon. Dust Jacket Condition: Très bon. Livre Tres bon etat general. Envoi soigne [en Stock]. Livre.

Hardcover. Condition: New. Philippe Apeloig (1962) has established his reputation in the international poster scene since the end of the 1980s with works of a rare constant quality and an unerring sense for what it takes to design a poster. His work, above all that with an explicitly cultural content, is well represented in the major collections. Numerous exhibitions, awards and membership of juries have sonsolidated his international reputation. The publication contains an overview of his work for the first time.…