Philip Hofer Introduction (35 results)

Paperback. Condition: Very Good. x, 97 pages, illustrations; 21 x 24 cm. Reproduction of Goya's Disasters of War (Madrid, 1863). Includes original Spanish title page and preface with English translation. Translation of: Los desastres de la guerra. With 3 extra plates and some new material. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Another copy available. *** More relevant than ever. Size: Oblong.…

Paperback. Condition: Near Fine. 1st. [16] pages, illustrations; 22 cm. Edition of 1000 copies. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 8vo.

Paperback. Condition: Near Fine. x, 97 pages, illustrations; 21 x 24 cm. Reproduction of Goya's Disasters of War (Madrid, 1863). Includes original Spanish title page and preface with English translation. Translation of: Los desastres de la guerra. With 3 extra plates and some new material. Near fine. Firm binding, clean inside copy. Age toning. More relevant than ever. Size: Oblong.…

Oversize Paperback. Condition: Very Good. A clean, unmarked book with a tight binding. 2.

hardcover. Condition: Very Good. 1962 Viking Pub. Pages are all clean and bright no marks. Illustrated brown hardcover is clean with light bump at lower right corner. Dust jacket has several tears and marks on the back edge of jacket. Price is intact on jacket.

Softcover. Condition: Good. Paperback, numerous (full page) illustrations in b/w, unpaged, oblong (circa 24x21cm).

Softcover. Condition: Fair. Paperback, numerous (full page) illustrations in b/w, unpaged, large 4to.; Bottom corner rear cover folded; rear cover partly browned.

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. Red wrappers printed in black, small slender 8vo., (16) pages, drawings by Edward Lear. Printed by Meriden Gravure for the Department of Printing and Graphic Arts. A fine copy.

Soft cover. Condition: Good. Green printed wrappers, large 12mo., 46 pages, illustrated. Prepared by the Department of Printing and Graphic Arts, Harvard Library, and composed by The Stinehour Press and printed by Meriden Gravure. Bookplate, wrappers are rubbed and edgeworn, still a better than good copy.…

9, (3)pp., 80 plates. Sm. 4to. Wraps.

Hardcover. Condition: Very Good. Slight odor. Number 383 out of 500 copies. Book has a slightly shaken spine, a slight cock to spine, light rubbing and smudging to covers, small tears to bottom edges (near outer corners) of covers, light bumps to edges and corners. otherwise in very good condition, strong binding, clean and unmarked pages, a solid copy. Comes in clear plastic cover. …

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. 1st Edition. 1st edition, stated. A Near Fine copy in Good dust jacket. 8vo., 63pp., illustrated with numerous drawings. Hardcover. The dust jacketis chipped along the top edge, with a small loss at the spine's crown; one chip along bottom edge. Previous owner's name on front end paper in ink. A Near Fine copy in Good dj.…

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. First edition. 8 1/2 x 11 inches. 232 pages. Condition of the book is Very Good, cloth on covers is lightly foxed, text & illustrations are very clean, binding is tight. Dust jacket is Very Good, lightly toned, chips at edges. STk.

Hardcover. Condition: Good. 1st Edition. HYMAN, Susan. Edward Lear's Birds. Introduction by Philip Hofer. London: Weidenfeld & Nicolson, 1980. Large-format hardback in dust jacket. ISBN 0297778293. 96 pp. Extensively illustrated in colour and black and white. Blue-grey cloth binding; binding solid. Pages complete, as physically checked by the seller. Photographed contents clean and bright. Book Very Good; dust jacket Good. Jacket with a conspicuous open tear/loss at the fore-edge of the front panel, together with light surface soiling, rubbing and minor edge wear. Rear panel lightly marked. The publication page records the work as first published in Great Britain by George Weidenfeld & Nicolson. First UK edition status is supported by bibliographical evidence; the precise printing/impression is not explicitly stated and is therefore not claimed. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. Cloth, 232 pages, illustrations (some colour); 29 cm. Exhibition held at the Museum of Fine Arts, Boston, May 4 to July 16, 1961. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket, with moderate edgewear, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This exhibition is to show, primarily, what major artists of Western Europe and the United States have contributed in book form during the last hundred . . . years . . . In almost every case, only books illustrated with some original graphic work by the artist are shown" - Introduction. Size: 4to.…

Encuadernación de tapa blanda. Condition: Bien. Tapa blanda. Buen estado. Roces en bordes en la cubierta. Fotografía b/n. 26 Plates reproduced in facsimile size. v + 55pp. 11 x 13 3/4. Historia del arte. Idioma: Inglés.

Hardcover. Condition: VG. Blue cloth with original clear plastic wrap.48 pp., some facsimile pages along with text. A very nice copy. Nine letters reproduced in facsimile plus the author's original pen drawings. .

Paperback. Condition: fine. Large octavo in pictorial wraps; 75 pages: illustrations (some color), maps; 23 cm; bibliographical references. American poetry -- Women authors. American poetry -- Filipino American authors -- 21st century. Integrated circuits industry -- California -- Santa Clara Valley (Santa Clara County) -- Employees -- Social conditions -- Poetry. Foreign workers -- Social conditions -- Women -- California -- Santa Clara Valley (Santa Clara County) -- Poetry.Technology. As new; fine Presumed first printings; no adidiotinal dates or printings stated.…

hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

First edition. 4to. 232 pp. Illustrations. cloth in dustwrapper, unclipped, minor edgewear, very good copy. (90220).

Hardcover. Condition: Near Fine. Quarter green cloth gilt with printed paper-covered boards, slender 4to., 8, (52) pages, illustrated in facsimile. One of 500 numbered copies printed at the Stellar Press. Very mild soiling, else a very good copy.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Good. Fo. [ca. 40 pp.], Soft Cover, Very Good, Some Wear at Corners, Scuffing, Toning. B&W Plates. Ex-Library Oversize Volume may Cost Extra for Shipping.Provenance: Pasquale Iannetti.

Condition: Good. Fo. [ca. 60 pp.], Soft Cover, Very Good, Some Wear at Corners, Creasing, Scuffing, Toning. B&W Plates. Ex-Library Oversize Volume may Cost Extra for Shipping.Provenance: Pasquale Iannetti.

Condition: Good. Fo. [ca. 60 pp.], Soft Cover, Very Good, Sunned-Discoloration, Some Wear at Corners, Creasing, Scuffing, Toning. B&W Plates. Ex-Library Oversize Volume may Cost Extra for Shipping.Provenance: Pasquale Iannetti.

Condition: Good. Fo. [ca. 80 pp.], Soft Cover, Very Good, Some Wear at Corners, Creasing, Scuffing, Toning. B&W Plates. Ex-Library Oversize Volume may Cost Extra for Shipping.Provenance: Pasquale Iannetti.

Hardcover. Condition: Very Good. Dust Jacket Included. 1st Edition. FIRST EDITION, first impression. Octavo (26 x 18cm), pp. 63; [1]. Publisher's printed paper covered boards, dust-jacket featuring the same design, with printed price of 12s. 6d. net to front flap. Ownership of John Murray (a relative of the publisher?) to verso of flyleaf, booksellers ticket to rear pastedown. Some spotting to edges and endpapers. Covers show very well with just some slight marking. Dust-jacket toned and spotted, some chipping to top edge. Very good. A hitherto unpublished collection of Lear, produced from manuscripts and drawings held at the Houghton Library at Harvard University.…

Soft cover. Condition: Fine. First Edition. Foreward by Francis R Walton. Catalogue of a travelling exhibition in the Unted States 1971-1972ON THE uNITED sTAES 1of the Greek paintings, drawings and sketches of Edward Lear from the Gennadeion Library in Athens . 87p. 73 illus.

Hardcover. Condition: Near Fine. 2nd Edition. Second Edition (Second Printing with corrections and changes). Large Quarto. 232 pp. Published jointly by the Museum of Fine Arts, Boston, and the Harvard College Library (1972). Bound in the publisher's original off-white canvas cloth with bright gilt titles to the spine and decorative textured endpapers. Heavily illustrated with black-and-white plates and colour figures charting a century of original graphic book art. A Near Fine copy—the cloth binding is clean, fresh, tight, and square with solid corners and immaculate internal pages. Lacks a dust jacket, but has a removeable plastic cover fitted. Loosely laid in is a pristine companion colour illustration plate matching the Title of the Book. A remarkable dual-provenance association copy, featuring successive private bookplates to the front pastedown: the first is the legendary wood-engraved magpie design belonging to prominent New York Grolier Club collector and editor Robert Elwell—cut specifically for him by famed British designer Reynolds Stone (bearing his RS monogram)—positioned directly alongside the scarce early black-and-white personal bookplate (also designed by Reynolds Stone) of British printing historian David Chambers. An unblemished monumental reference cornerstone. NOTE: The Story Behind the Matching bookplate Designs - David Chambers was not just an admirer of Reynolds Stone; he was his definitive bibliographer. In the winter of 1977, Chambers edited and published the authoritative Reynolds Stone Checklist inside the Private Libraries Association Journal. Because of their close working relationship and shared passion for wood-engraved lettering, Reynolds Stone custom-cut the Chambers heraldic/calligraphic bookplate using the exact same distinct, clean engraving style he created for Robert Elwell. When Chambers first received the wooden block from Stone, he initially had a small batch printed on standard black-and-white paper stock. However, as his library grew to several thousand volumes, he decided to give his books a highly distinct, recognizable house style. He switched his print run to a terracotta/tan-coloured paper, while keeping Stone's elegant visual frame exactly the same. Finding his rare, early black-and-white print sitting right next to Elwell's magpie print is an absolute masterclass in 20th-century wood-engraving history.…

96 pp including index, large quarto, tinted end-papers, coloured plates and illustrations, top right-hand corner of front end-paper clipped, else very good copy in fine, illustrated d/j.