Peter Noever Editor Et Al (13 results)

Soft Cover. Condition: Like New. 144 pp. Text in German. Essentially fresh, clean, sharp copy. Gerald Zugmann (Photography); Dietmar Rautner, Munich (Design); Max Vornehm, Munich (Typeset) (illustrator).

Soft cover. Condition: Near Fine. 1st Edition. Hatje Cantz, Germany, 2001. Softcover, 312 pp. Large format. English version of this large catalog which accompanied an exhibition of Dennis Hopper's artwork in Vienna. Profusely illustrated. Near fine. **Heavy or oversize Item. An extra shipping charge may apply.**.…

Paperback. Condition: New.

Paperback. Condition: New. The MAK Collection of Contemporary Art in Vienna has kept close ties with the artists it exhibits and collects, particularly under the stewardship of Peter Noever, who since 1986 has pushed the institution further in this direction. 20/21 constitutes an illustrated glossary of artists associated with The MAK Collection, and celebrates Noever's achievements.…

Paperback. Condition: New. Architecture & Design.

Paperback. Condition: New.

Paperback. Condition: New.

Hardcover. Condition: New.

Hardcover. Condition: New. Known for his cool, clean, comics-inspired pictorial language, Julian Opie has been one of the leading figures in contemporary British art since the early 1980s. Equally at home in museum settings--like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one-person exhibitions and projects--and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer-assisted abandon. In the early days, Opie transgressed the boundaries between painting and sculpture by applying paint to the everyday articles he used in his steel objects. More recently he has experimented with digital technologies in the applied arts. Now, he is probably best-known for his hypnotically low-tech moving images generated by LCD and LED technologies. This volume assembles a representative collection of portraits, half-length figures and new works that draw from the motifs of baroque portraiture.…

Paperback. Condition: New. In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material, however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of Vienna's MAK museum of applied and contemporary art, this volume is the first to concentrate on formlessness in furniture design. Featuring work from the 1960s through today by such revolutionary figures as Frank Gehry, Gaetano Pesce, Ron Arad and Karim Rashid, it illuminates connections between the historical avant-garde and the applied arts, and tracks the various manifestations of design formlessness to have emerged over the past half century--from Robert Dean's 1967 Sea Urchin chair to today's computer-assisted "blobjects.".…

Hardcover. Condition: New.

Hardcover. Condition: New.

Hardcover. Condition: New.