Peter Niklas Wilson (51 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New. Unread book in perfect condition.

Unknown. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Paperback. Condition: Brand New. 176 pages. 7.99x5.51x0.67 inches. In Stock.

Condition: New.

Condition: New.

Broschiert, 191 Seiten, das Buch ist tadellos erhalten. Shipping to abroad insured with tracking number.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: As New. Unread book in perfect condition.

paperback, Condition: Very Good, Berkeley Hills Books, c.1999, 1st.trade paperbk.prtg., 244pp., NF $.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'. 176 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'. 176 pp. Englisch.

Condition: New.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

2001, paperback, goed exemplaar, lichte gebruikssporen aan kaft / light wear on cover , , goed exemplaar, lichte gebruikssporen aan kaft / light wear on cover , , goed exemplaar, lichte gebruikssporen aan kaft / light wear on cover.

kart. Condition: Sehr gut. 190 S. : Ill., Noten ; 22 cm Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER s-151b-0824 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

kart. Condition: Sehr gut. 191 S. : Ill., Noten ; 21 cm Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER s-151b-0824 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

Hardcover. Condition: Fine. Leichte Abnutzungen; Leichte Risse; Farbveränderung durch Alter/Sonne.

gebundene Ausgabe. Condition: Gut. 139 S. : Ill., Noten ; + 1 CD Das Buch ist in einem neuwertigen Zustand. Sprache: Deutsch Gewicht in Gramm: 410.

0. 186 Seiten, zahlreiche Abbildungen. Illustrierte Original-Broschur. - Reihe: Collection Jazz. - Namenszug auf Titelblatt, sonst gut erhalten. Sprache: Deutschu 0,600 gr. Illustrierte Original-Broschur.

0. 188 Seiten, zahlreiche Abbildungen. Illustrierte Original-Broschur. - Reihe: Collection Jazz. - Namenszug auf Titelblatt, im Kapitel Schallplattenwerk vereinzelt Anstreichungen, sonst gut erhalten. Sprache: Deutschu 0,600 gr. Illustrierte Original-Broschur.

Condition: Gut. 216 S. : zahlr. Ill., Noten ; 30 cm Gebunden. Kleiner Besitzerstempel auf Vorsatzbaltt sonst sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1229.

Condition: New. No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cle.

Soft cover. Condition: As New. 1st Edition. First printing of the As New 8vo English-language trade paperback edition from Berkeley Hills Books (1999) No remainder marks. We ship most orders within one business day!

Taschenbuch. Condition: Neu. Neuware - No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'.

Taschenbuch. Condition: Neu. Neuware -No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse - anything was possible in the cosmos of Albert Ayler's soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane's late work was unmistakably shaped by the influence of his younger colleague. He had little time to proclaim his message of a new spiritual music: in 1970, at just 34 years of age, Albert Ayler died in mysterious circumstances.Peter Niklas Wilson spent six months in the USA following in Albert Ayler's footsteps. Through conversations with numerous contemporary witnesses (including Ayler's father and brother, as well as drummers Sunny Murray and Milford Graves, violinist Michael Samson, multi-instrumentalist Howard Johnson, bassists Gary Peacock and Steve Tintweiss) and analysis of both Ayler's published and unpublished recordings, he reconstructs the biography and erratic musical path of this prophet of the 'new thing'.Wolke Verlagsges. Mbh, Wickerer Weg 19, 65719 Hofheim 176 pp. Englisch.