Peter Dykhuis (13 results)

Paperback. Condition: Near Fine. Original covers, oblong 10 3/8 x 8 ½ inches, 28 pp. Softcover, near fine. Moderate shelf wear, starting to lightly age yellow, otherwise tight, clean, paper crisp, unmarked and apparently never read. Art; exhibition catalogue (catalog) ; Canada.

Paperback. Condition: Very Good. Oblong 12 x 9 inches, 16 pp, illustrated with color photographs. Softcover, very good. Rubbed along edges, crease marks along spine, corners bumped, flipped through, otherwise tight, clean, paper crisp, unmarked. Art; exhibition catalogue (catalog) ; Canada.

Soft cover. Condition: Very Good. 16 pages. Oblong (30.5 cm. x 13 cm.) Stapled pictorial wraps. Illustrated. Biography. List of works. Catalogue of an exhibition presented at the Art Gallery of Nova Scotia from September 1 to October 22, 2006. Light rubbing to wraps. Else bright and clean. Wayne Boucher (illustrator).…

Softcover. Condition: Fine. 24 p. 20 x 31 cm. Staplebound softcover. Accompanied an exhibition held from November to December 2011.

Staplebound. Condition: Fine. 31 p. 9 x 24 cm. Mainly colour illustrations. Staplebound softcover. Accompanied an exhibition held March to May 2010.

[0-9684008-0-9] 1998. (Mass market paperback) Fine. 24pp. 16mo. Square booklet, stapled. Gallery catalogue for exhibition of the same name held at the Moose Jaw Art Museum from August 20 to October 4, 1998. Fine copy. Heather Smith, Curator.

Soft cover. Condition: Very Good. No Jacket. 46 pp. with full-ccolour illustrations and artist biography. Usual ex-library markings, with light cover soiling. Catalogue for an exhibition at the Art Gallery of St. Mary's University in Halifax from January 12 to March 18, 2007. "Using envelopes as the foundational layer of a map of Halifax Harbour, You Are Here . plays on way-finding maps for cruise-ship visitors. Since all envelopes were addressed to the artist at either home or work, a complex network of relationships is revealed that fuses personal, professional, economic and social layers of interaction. The graphic format, however, questions how knowledge, information and lived experience can be conflated into a 'simple' map format." - Peter Dykhuis.…

Soft cover. Condition: Near Fine. 1st Edition. A lovely copy in ring bound wraps. The Divas and Iron Chefs of Encaustic featured the seductive surface, luminous color, and ethereal image layering unique to the encaustic medium. Eight artists (Kristy Deetz, Peter Dykhuis, Lorraine Glessner, Cheryl Goldsleger, Reni Gower, Heather Harvey, Jeffrey Hirst, Timothy McDowell) approached the process from distinctive perspectives that often incorporated scraping, burning, burnishing, incising, dipping, or pouring, as well as painting, printmaking, drawing, collage, or installation. Numerous conceptual links transcended the artists' interest in this malleable material. Buried images, fragmented hybrids, or hidden codes of natural and industrial order, all translated into works infused with a poetic beauty and sensual materiality. Book.…

Condition: Near fine. Emerging Artist Series. 28 cm pamphlet unfolds to 3 double-sided panels. Small b&w illustrations. Exhibition held April-June 2000.

Soft cover. Condition: Very Good. Publication accompanying retrospective exhibition of the American performance artist. Also includes section on 30 Projects from 30 Years of Franklin Furnace Archive, the New York artist collective founded by Wilson. Includes two critical essays, self portrait photographs by Wilson and installation shots. Several small abrasions to dust jacket with ISBN sticker on rear. Ex-library special collections copy with only a single "Withdrawn" stamp on end page. No other library markings or pockets. Contents are otherwise clean. s247.…

Paperback. Condition: New.

Paperback. Condition: New. Martha Wilson is an American feminist who began her career in the early 1970s at the Nova Scotia College of Art and Design. Working in the male-dominated Conceptualist milieu of the time, Wilson generated pioneering photographic and video work that explored her female subjectivity through role playing and invasions of male and other female personas. After moving to New York City in 1975, she further developed her performative and video-based practice in founding and directing Franklin Furnace, an artist-run centre dedicated to the exploration and promotion of innovative installation, performance and time-based art practices. This publication chronicles Wilson's journey from the virtual isolation of her early work to the transformative experience of working with then-unknown artists like Jenny Holzer and Shirin Neshat in a socially-engaged feminist art practice that defied and challenged established artistic and political values.…

Soft cover. Condition: Very Good. 1st Edition. Oblong, 72 pp, illus; some soiling to front cover. otherwise a clean, tight copy.