Pendleton Adam (93 results)

Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardback. Condition: New. Poet Simone White and theologian Ruby Sales discuss faith in institutions and faith as an institutionPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Ruby Sales (born 1948) is a social critic, educator, public theologian and the founder and director of the SpiritHouse Project. Her work appears in journals and books and is cited in films and documentaries.Simone White (born 1972) is a poet and critic. Her most recent work is the book-length poem or, on being the other woman (2020). Also the author of Dear Angel of Death (2018), Of Being Dispersed (2016) and House Envy of All the World (2010), she is Stephen M. Gorn Family Assistant Professor of English at the University of Pennsylvania.

Hardback. Condition: New. Performance studies scholar Joshua Chambers-Letson and political philosopher Michael Hardt discuss the politics of love and the composition of social movementsPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Joshua Chambers-Letson (born 1980) is professor of performance studies at Northwestern University, author of After the Party: A Manifesto for Queer of Color Life (2018) and A Race So Different: Law and Performance in Asian America (2013), and coeditor with Tavia Nyong'o of José Esteban Muñoz's The Sense of Brown (2020).Michael Hardt (born 1960) teaches at Duke University, where he is codirector of the Social Movements Lab. Among the books he has coauthored with Antonio Negri are Empire (2000) and, most recently, Assembly (2017).

Hardback. Condition: Very Good+. Please note that this is a heavy item and may incur extra shipping costs for international deliveries. ; Black cloth boards are faintly marked, upper corners bumped; binding is tight; pages are unmarked. ; 7.75 X 1.81 X 10.25 inches; 448 pages.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 544 pages. 8.50x6.00x8.43 inches. In Stock.

Hardcover. Condition: Brand New. 358 pages. 13.00x9.50x1.57 inches. In Stock.

Condition: New.

Condition: New.

Soft cover. Condition: Very Good. 1st Edition. 4to, card covers, 323pp., ills. The inaugural issue of this art magazine. Works by a host of younger artists. A note to artist Kelley Walker from the editors is laid in (see the images, please). VG+: a clean and solid copy. Extra postage will be asked (4).

Condition: New.

Hardcover. Condition: Gut bis sehr gut. 1. Auflage. Der Katalog begleitet die erste umfassende europäische Einzelausstellung von Adam Pendleton. In seinen Gemälden, Zeichnungen und anderen Arbeiten verwendet Pendleton Buchstaben, Wörter, Tropfen, Spritzer, Sprays und gesammelte Bilder als primäre Materialien. Seine Arbeit ist eine Art kontinuierliche Schrift, in der Sprache, Bewegung, Erinnerung und Gesten aufgezeichnet, umgesetzt und überschrieben werden. Er verwischt die Grenzen zwischen Sehen und Lesen, zwischen Darstellung und Abstraktion, zwischen Malerei, Zeichnung, Fotografie und Film. Im Jahr 2008 begann er, seine Arbeit Black Dada zu formulieren, ein visuelles Projekt und eine sich entwickelnde Untersuchung der Beziehungen zwischen Schwarzsein, Abstraktion und der Avantgarde. Der Katalog wurde in enger Zusammenarbeit mit dem Künstler und dem von ihm gewählten Grafikdesigner erstellt und enthält erstmals Werke von Adam Pendleton in Farbe. Poem: Simone White. Interview: Lauren O'Neill-Butler with Adam Pendleton.

Hardcover. silver boards w/ black printing. 226 pgs w/ color, bw illustrations. all edges black. "This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio."--WorldCat. New (sealed in publisher's wrap; may have rubbing to corners, edges etc).

Softcover. Condition: Good. Artist book published by Yvon Lambert. Small tear on bottom left of the front cover.

Condition: Good. No Jacket. Signed By Author No Jacket.

Hardcover. Condition: Very Good. Oversized Hardcover. Very good condition. Cover is crisp. Binding is strong and tight. Corners are squared and pages are clean. Title page is not dated. Copyright is dated 2018. 165 pages. Overall very good condition. This is an oversized book, so extra shipping will be necessary for priority or international shipping. Please email with questions or to see any photos. This listing was written by an actual person with the book in front of them for inspection.

Condition: VG. Softcover 8vo, 80 pages, b/w images throughout - "texts & images related to the artist's work" in an exhibition in Salina. Radio, published on the occasion of the exhibition "Adam Pendleton: Radio (One)" at the Salina Art Center, is the second in an ongoing series of publications that indexes texts and images related to the artist's work. This book begins with an extracted segment from an interview with John Cage by Morton Feldman, in which Cage explicates his adjustment to the problem of radio in the surrounding environment: "I simply made a piece using radios. Now, whenever I hear radios even a single oneI think, 'Well, they're just playing my piece.'" Also included are text and images from François Truffaut, Leroi Jones/Amiri Baraka, Jena Osman, and June Jordan. One of 250 copies. Very Good condition with minor soiling to covers.

Soft cover. Condition: Good. Wear to covers, especially along top edge of front cover.

Soft cover. Condition: New. 1st Edition. Phaidon Press, New York, 2020. Softcover. Signed. First edition. Book condition: new. *MINT* Brand new copy of this new monograph on groundbreaking artist Adam Pendleton. In stock. First edition. Signed on the title page by Adam Pendleton. In stock and ready to ship. This book is available for purchase to customers in the United States only. No orders outside the United States. Signed by Author(s).

Paperback. Condition: Very Good. First Edition. One of an edition limited to 1000 copies, stated. Published in tandem with the exhibition of the same name at the Contemporary Arts Center, New Orleans (1 April-16 June 2016). Unpaginated. 30p booklet bound-in. Very clean in card covers; dustjacket unfolds into a large poster, and bears only very light edgewear.

Wrappers. Condition: New. 210 pages. Color illustrations throughout. Still in shrink-wrap. Design by Tomo Makiura & Mine Suda. Published on the occasion of the exhibition from June 24-August 19, 2016. Book.

Hardcover. Condition: Fine. Large octavo, 352 pages, illustrated. An unused, Fine copy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A Superb UK First Edition & First Printing large format paperback original - in a fine unclipped dustjacket - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - The first encompassing publication on the work of Adam Pendleton, one of the most formally inventive and conceptually rigorous American artists working today - Adam Pendleton's original and powerful body of work has been described as the embodiment of a new era. His multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse. - SIGNED BY ADAM PENDLETON - Pictures of the book are available upon request. Signed by Author(s).

Hardcover. Condition: Very Good. Edition of 500. No dust jacket as issued. Occasional scuffing to boards. particularly on the black front cover. Well-bound and internally unmarked.

Exhibition invite, 6 x 8 inches; very good condition; an unmailed copy.

Oversized Hardcover. Condition: Very Good. (2017). Short 4to. SIGNED by Pendleton. Rubbing and slight fading to cloth binding. White paint stains to front cover near joint. Light stains to rear cover. Scuffing to cloth binding. Light bumping to spine ends and forecorners. VG. Author.

Paperback. Condition: Fine. First Edition, First Printing. Phaidon, 2020. Softcover with pictorial dust jacket. First Edition, First Printing. 11 x 10 inche. 160 pages with 160 illustrations offering the first encompassing publication on the work of Adam Pendleton, one of the most formally inventive and conceptually rigorous American artists working today. SIGNED by Adam Pendleton. BOOK CONDITION: Fine/As New. SIGNED.

Illus. throughout. Unpaginated. Large 4to, printed softcover & pictorial dust-jacket. London: Pace Gallery, 2012. Catalogue for Pendleton's 2012 exhibition in London. With an essay by Suzanne Hudson and list of works at the end. In fine condition. Designed by Marc Hollenstein.

Color illus. on inside of covers. [128] pp. Large 4to, pictorial softcover, title on spine. N.p.: Yvon Lambert, 2006. Rare artist's publication, Adam Pendleton's first. Pendleton (b. 1984) debuted with Yvon Lambert's gallery in New York the previous year with the exhibition Deeper Down There (22 April-28 May 2005). Contains color reproductions of the four titular paintings and text works by the artist. In fine condition. From the New York Times review of Deeper Down There (20 May 2005): "Adam Pendleton, a young painter and Conceptualist, takes a coolly intellectual approach to hot subject matter. He distills lines from modern African-American literature and music into poetic or vernacular phrases that tend to have romantic urgency: 'Fondle the sky,' 'I need to be loved,' 'I'll make you my own dairy queen,' and so on. And then he silkscreens these bits of found language in neat, colored block letters onto smooth single-color canvases or onto small pieces of colored or black paper".