Parker 1879 (9 results)

Condition: New.

[1-17], 12-573, [574-586] pages. Oblong hardcover: H 18.25cm x L 25.75cm. No dust jacket (probably as issued). Dark maroon boards; front board's gilt stamping remains bright. Light staining/soiling to text block's top and bottom edges. Interior leaves are clean. Binding is firm. A revision but still derivative of the original SACRED HARP (first published in 1844) compiled by Benjamin Franklin White and Elisha King. Please note that this book has an approximate shipping weight of 3.25 pounds (1.47 kg) and may require additional postage for any postal class other than domestic Media Mail. {MusicShelf#204-023A}.…

[1-19], 12-573, [574-586] pages. Oblong hardcover: H 18.5cm x L 25.75cm. No dust jacket (probably as issued). Brown boards; bright white stamped lettering to front board; slight scuff to rear board's lower fore-edge. A few blue ink marks to text block's top edge. Interior leaves are clean. Binding is firm. A revision but still derivative of the original SACRED HARP (first published in 1844) compiled by Benjamin Franklin White and Elisha King. Please note that this book has an approximate shipping weight of 3.25 pounds (1.47 kg) and may require additional postage for any postal class other than domestic Media Mail. {MusicShelf#204-023C}.…

[1-17], 12-573, [574-586] pages. Oblong hardcover: H 18.25cm x L 25.75cm. No dust jacket (probably as issued). Dark maroon boards; front board's gilt stamping remains bright. Minor soiling to text block's top and bottom edges. Interior leaves are clean. Binding is firm. A revision but still derivative of the original SACRED HARP (first published in 1844) compiled by Benjamin Franklin White and Elisha King. Please note that this book has an approximate shipping weight of 3.25 pounds (1.47 kg) and may require additional postage for any postal class other than domestic Media Mail. {MusicShelf#204-023B|CMS-00945}.…

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Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Condition: New. Print on Demand pp. 222.

Softcover. Condition: New. Reprint. Language: English. Approximately 228 pages. English: Print-on-demand reprint. Original edition : 1873. Text in English. This authoritative manual, originally published in 1873, offers a systematic approach to the study of harmony. Written by Ernst Friedrich Richter, a prominent German music theorist, the work provides clear explanations of fundamental harmonic principles, counterpoint, and compositional techniques. The text is structured to guide students from basic concepts to advanced applications, making it an invaluable resource for musicians, composers, and music educators. The translation by James Cutler Dunn Parker ensures accessibility to English-speaking audiences while preserving the original theoretical rigor. This edition remains a cornerstone reference for classical music theory and historical analysis of harmonic practices in the 19th century. Book images are non-contractual. This item is printed on demand and ships from our printing partners' facility nearest the destination. These facilities are located mainly in the United States, the United Kingdom and Canada.…