Panse Silke (26 results)

Condition: New. A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment. Editor(s): Panse, Silke; Rothermel, Dennis. Num Pages: 309 pages, biography. BIC Classification: APF; JFC; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2014. Paperback. . . . .

Condition: New. A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment. Editor(s): Panse, Silke; Rothermel, Dennis. Num Pages: 309 pages, biography. BIC Classification: APF; APT; JFCA; JFDT. Category: (P) Professional & Vocational. Dimension: 148 x 222 x 22. Weight in Grams: 500. . 2014. Hardback. . . . .

hardcover. Condition: Fine.

Hardcover. Condition: Brand New. 312 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: New. A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment. Editor(s): Panse, Silke; Rothermel, Dennis. Num Pages: 309 pages, biography. BIC Classification: APF; APT; JFCA; JFDT. Category: (P) Professional & Vocational. Dimension: 148 x 222 x 22. Weight in Grams: 500. . 2014. Hardback. . . . . Books ship from the US and Ireland.

Condition: New. A Critique of Judgment in Film and Television is a response to a significant increase of judgment and judgmentalism in contemporary television, film, and social media by investigating the changing relations between the aesthetics and ethics of judgment. Editor(s): Panse, Silke; Rothermel, Dennis. Num Pages: 309 pages, biography. BIC Classification: APF; JFC; JFD. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2014. Paperback. . . . . Books ship from the US and Ireland.

Condition: new.

Gebunden. Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Starting from the premise that after modernism and postmodernism - in the Anthropocene - an artwork cannot rest upon its separation from the planet, this volume develops new ethical practice and thought with respect to art, philosophy and moving images. Practitioners and theorists examine how the relations between the ethical and the material figure in a context in which a dearth of ethical practice and thought has caused the materialities of the Anthropocene and the climate catastrophe.Ethics are generally regarded as constituted through immaterial relations guided by moral imperatives. By contrast, this volume argues that the singular ethicalities that are manifested in a work cannot be captured by abstract ethics. The explorations of the ethical here are not prescriptive, but creative. Through artistic and philosophical thought and practice, the contributions move beyond the division between an active practice of ethics and a contemplative theory of aesthetics. They ask what ethicalities and materialities are at play in the relations between the artist, the art, their worlds and the planet after new materialism and posthumanism.Rather than transcending the ethical through the material or the material through the ethical, the contributions articulate the singular relations between them and consider the inter- and intra-active ethical and material relations of art and images in biodiverse environments. They suggest that to bring out the ethical dimensions of the material and the material dimension of the ethical - without identifying one with the other -is a responsibility of art and images.

Hardcover. Condition: New.

Condition: New. pp. 288.

Hardcover. Condition: new. Hardcover. Starting from the premise that after modernism and postmodernism in the Anthropocene an artwork cannot rest upon its separation from the planet, this volume develops new ethical practice and thought with respect to art, philosophy and moving images. Practitioners and theorists examine how the relations between the ethical and the material figure in a context in which a dearth of ethical practice and thought has caused the materialities of the Anthropocene and the climate catastrophe.Ethics are generally regarded as constituted through immaterial relations guided by moral imperatives. By contrast, this volume argues that the singular ethicalities that are manifested in a work cannot be captured by abstract ethics. The explorations of the ethical here are not prescriptive, but creative. Through artistic and philosophical thought and practice, the contributions move beyond the division between an active practice of ethics and a contemplative theory of aesthetics. They ask what ethicalities and materialities are at play in the relations between the artist, the art, their worlds and the planet after new materialism and posthumanism.Rather than transcending the ethical through the material or the material through the ethical, the contributions articulate the singular relations between them and consider the inter- and intra-active ethical and material relations of art and images in biodiverse environments. They suggest that to bring out the ethical dimensions of the material and the material dimension of the ethical without identifying one with the other is a responsibility of art and images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 288 pages. 9.21x6.14x1.00 inches. In Stock.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 288.

Hardcover. Condition: new. Hardcover. Starting from the premise that after modernism and postmodernism in the Anthropocene an artwork cannot rest upon its separation from the planet, this volume develops new ethical practice and thought with respect to art, philosophy and moving images. Practitioners and theorists examine how the relations between the ethical and the material figure in a context in which a dearth of ethical practice and thought has caused the materialities of the Anthropocene and the climate catastrophe.Ethics are generally regarded as constituted through immaterial relations guided by moral imperatives. By contrast, this volume argues that the singular ethicalities that are manifested in a work cannot be captured by abstract ethics. The explorations of the ethical here are not prescriptive, but creative. Through artistic and philosophical thought and practice, the contributions move beyond the division between an active practice of ethics and a contemplative theory of aesthetics. They ask what ethicalities and materialities are at play in the relations between the artist, the art, their worlds and the planet after new materialism and posthumanism.Rather than transcending the ethical through the material or the material through the ethical, the contributions articulate the singular relations between them and consider the inter- and intra-active ethical and material relations of art and images in biodiverse environments. They suggest that to bring out the ethical dimensions of the material and the material dimension of the ethical without identifying one with the other is a responsibility of art and images. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condition: New. Starting from the premise that after modernism and postmodernism - in the Anthropocene - an artwork cannot rest upon its separation from the planet, this volume develops new ethical practice and thought with respect to art, philosophy and moving images. Practitioners and theorists examine how the relations between the ethical and the material figure in a context in which a dearth of ethical practice and thought has caused the materialities of the Anthropocene and the climate catastrophe.Ethics are generally regarded as constituted through immaterial relations guided by moral imperatives. By contrast, this volume argues that the singular ethicalities that are manifested in a work cannot be captured by abstract ethics. The explorations of the ethical here are not prescriptive, but creative. Through artistic and philosophical thought and practice, the contributions move beyond the division between an active practice of ethics and a contemplative theory of aesthetics. They ask what ethicalities and materialities are at play in the relations between the artist, the art, their worlds and the planet after new materialism and posthumanism.Rather than transcending the ethical through the material or the material through the ethical, the contributions articulate the singular relations between them and consider the inter- and intra-active ethical and material relations of art and images in biodiverse environments. They suggest that to bring out the ethical dimensions of the material and the material dimension of the ethical - without identifying one with the other -is a responsibility of art and images.

Buch. Condition: Neu. Neuware - Has postmodernism really changed the way the artist relates to their art and environment Addressing the delicate entanglements between the ethical and the material, this book explores how ethics have figured in the generation of art and images in the 21st century.Starting from the premise that in the Anthropocene the work cannot rest upon its separation from the world, this book develops new ethical thought that acknowledges art and film in their material and immaterial environment. In drawing on new materialism and continental philosophy, the chapters prove just how relative ethics become when applied to artistic creation.Questioning the ethicalities at play in the relations between the human artist, the art, non-human beings and the environment, practitioners contemplate the singular entanglements of relations and non-relations before, during or after a work of art or film comes into being.

Hardcover. Condition: new. Hardcover. Starting from the premise that after modernism and postmodernism in the Anthropocene an artwork cannot rest upon its separation from the planet, this volume develops new ethical practice and thought with respect to art, philosophy and moving images. Practitioners and theorists examine how the relations between the ethical and the material figure in a context in which a dearth of ethical practice and thought has caused the materialities of the Anthropocene and the climate catastrophe.Ethics are generally regarded as constituted through immaterial relations guided by moral imperatives. By contrast, this volume argues that the singular ethicalities that are manifested in a work cannot be captured by abstract ethics. The explorations of the ethical here are not prescriptive, but creative. Through artistic and philosophical thought and practice, the contributions move beyond the division between an active practice of ethics and a contemplative theory of aesthetics. They ask what ethicalities and materialities are at play in the relations between the artist, the art, their worlds and the planet after new materialism and posthumanism.Rather than transcending the ethical through the material or the material through the ethical, the contributions articulate the singular relations between them and consider the inter- and intra-active ethical and material relations of art and images in biodiverse environments. They suggest that to bring out the ethical dimensions of the material and the material dimension of the ethical without identifying one with the other is a responsibility of art and images. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. PRINT ON DEMAND pp. 312.