Op Art (20 results)

paperback. Condition: Very Good. Aon Celtic Art (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. Aon Celtic Art (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 95 pages. Subjects; Art. Exhibitions. Northern Ireland. Office of Public Works (OPW) 1 Kg.

Condition: New.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 95 pages. Subjects; Art. Exhibitions. Northern Ireland. Office of Public Works (OPW) 1 Kg.

Condition: As New. Unread book in perfect condition.

(4)pp., 7 plates. Sm. 4to. Wraps.

8vo. 4 Bl. Mit 7 Abbildungen, davon 1 in Farbe. Orig.-Heft mit Schutzumschlag 65 g Gutes Exemplar.

Condition: Fine. The book is in fine condition.

GERHARD VON GRAEVENITZ Kunstkatalog zur Ausstellung 1974/75, Kunsthalle zu Kiel, Kunstverein Bremerhaven, Württembergischer Kunstverein Stuttgart, Karl-Ernst-Osthaus-Museum Hagen, Kunsthalle Bielefeld; Carius-Druck Kiel, 1. Auflage 1975, ERSTAUSGABE, Redaktion : Jens Christian Jensen und Johann Schlick, illustriertes Pb. kl. 4°, mit Verzeichnis der ausgestellten Arbeiten, hier Rand fleckig.

Condition: Buono (Good). Testo in tedesco. In-8, pp. 40, bross. Con fotografie in b/n e coll. delle opere dell'A. Copertina con finestra triangolare. Stato buono. Book.

246 Seiten mit zahlreichen Op-Art-Abbildungen. 21,5 x 21,5 cm. Original-Pappband. Transparentes, mit diagonalen parallelen Linien versehenes Fenster. Durch Bewegung des Deckels entstehen optische Efekte. Gut erhalten.

Große KUNSTPOSTKARTE (Titel unbekannt, 1995, Ecken mit winzigen Gebrauchsspuren) mit eigenhändiger Unterschrift signiert (dito : Großer Kunstkatalog WERKE 1950-1968 Kunstverein Düsseldorf, 8.10.-10.11.1968, 4° mit vielen Fotos, eigenhändig signiert mit Jahr 1968, Euro 75,-).

AK. Schirn Kunsthalle Frankfurt am Main, 17.2.2007 - 20.5.2007. Köln: Verlag der Buchhandlung Walther König, 2007. Schwarz-weiß gestreifte OBrosch. 319 Seiten mit 106 (davon 76 farbigen) meist ganz-, teils doppelseitige Abb., sowie 33 (davon 9 farb.) Textabb., Bibliographie und Kurzbiographien. - 28 x 24. * Zu Beginn der 1960er Jahre entsteht mit Op Art und Kinetik eine Kunst mit starkem Interesse am Objektiven und dem wissenschaftlichen Experiment. Fasziniert von den physikalischen Gesetzen des Lichts und der Optik verschreibt sich eine ganze Generation der Untersuchung visueller Phänomene und Wahrnehmungsprinzipien. Die Täuschungsmöglichkeiten des Auges auslotend, setzen Künstler wie Victor Vasarely, Bridget Riley, Francois Morellet, Julio Le Parc oder Gianni Colombo auf die gezielte Irritation. Mit großformatigen Bildern, Objekten und Environments bringen sie dennoch nicht nur das Auge des Betrachters in Bewegung. Sie lassen den Betrachter in Farbe versinken, im Spiegel ins Unendliche stürzen oder bieten ihm poetische Lichtspiele. Die Interaktion zwischen Werk und Betrachter gipfelt in Installationen, die letztlich nicht nur physikalische Wirkungen in Form von Nachbildern, Farbvibrationen oder dem Flimmern von Licht entfalten, sondern auf das gesamte Bewusstsein wirken. Das reich illustrierte Buch bietet einen umfassenden Überblick über die komplexe Kunstbewegung. Die Autoren Frances Follin, Claus Pias und Martina Weinhart zeigen in ihren Essays nachdrücklich, wie die Op Art einen elementaren Beitrag zur Neudefinition von Wahrnehmung und Sehen leistete, der weit in das 21. Jahrhundert hinausweist. - Tadellos !

Sin Encuadernar. Condition: Excelente. NETWORK ABC OF PIGGYLLIC DICTION: 21 x 29,5 cm. 26 selos em papel perfurado rosa tendo como mote o porco. Dos 26 artistas, 2 são da América Latina: Paulo Bruscky e Clemente Padin; 5 da América do Norte: G. Helm, PH. Cairns, DR. D. R. Op., Abracadada, Radio Free D; 1 da Ásia: T. Watanabe; e 18 da Europa: J. Hackerova, B. Simon, Art-Naphro, E. Seifried, Mona Catbird, H. Nittendorf, M. Leigh, K. J. Zylla, Ch. Francios, L. Wohlrab, R. Maggi, L. Suel, Rolff Wanke, J. Kierspel.

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo. After thanking Hodson for his letter, Gill informs him that 'Father Delaney [Father Bernard Delaney, OP] says he will certainly publish your article [in 'Blackfriars', the journal of the English Dominicans, of which he was editor] and I am very pleased.' Hodson's 'suggestion that a set of stations should be made in wood cuts is already in hand [last two words placed in quotation marks by Gill]'. Gill 'has seen the cuts' and thinks that 'something in the same manner would certainly be effective and might be very useful'. Gill is sending Hodson a copy of 'the little book that we brought out some years ago', and he will let him know 'as soon as the bigger ones materialise'. Letter Two (10 March 1921): 1p., landscape 12mo. He thanks Hodson for another letter, 'and for the note on "Dress" which I am sending on to the editor of "Blackfriars". I hope he will publish it, and am glad you approved of the article.' He continues: 'I will see that a print of the large woodcut of the first "Station" is sent to you.' He concludes by informing Hodson that he will be 'very pleased to see you when you can come to Ditchling'. While chairman of the brewers W. Butler & Co., Hodson had organised the Wolverhampton Art and Industrial Exhibition of 1902. A connoisseur of the arts, his collection of Pre-Raphaelite paintings and library of illuminated manuscripts were auctioned by Sotheby's in 1906.

Soft cover. Condition: Very Good. 1st Edition. 24mo. Six panel folding sheet. Essay by Jacques Damase, 58 item catalogue, short biographies, includes Richad Allen, Peter Blake, Derek Boshier, Patrick Caulfield, Frederick Carver, Harold Cohen, Anthony Donaldson, Richard Hamilton, David Hockney, Bryan Ingham Allen Jones, Eduardo Paolozzi, Peter Phillips, Peter Sedgley, Michael Vaughan, etc. Ownership stamp of Alexander Davis.

Hardcover. First Edition, First Printing. pp. 378. Folio, measuring 10.5" x 13.5". Original, textured, gray cloth over boards featuring red, white, and black lettering and likeness of Shevchenko to the spine, and front board, respectively; charming illustrated endpapers in a distinctly Soviet art-deco style, with red-and-blue ribbon-marker. Tipped-in colour frontispiece of Shevchenko, attributed to Soviet artist, Yury Iliich Repin (1877-1954). A most remarkable, and unique edition of Shevchenko's magnum opus, Kobzar, specially commissioned by the Soviet Ukrainian State to coincide with the 150th anniversary of Shevchenko's birth. Text printed in Ukrainian, in double columns adorned with black-and-terracotta head-and-tail pieces throughout. Accompanied with various black-and-white, in-text, line drawings, and twenty-four stunning, full-page, colour lithographs as commissioned from various contemporary Soviet artists including contributions from such noted Soviet illustrators as, Vasily Kasiyan, A.D. Basilevich, M.G. Deregus, amongst others. Exceedingly rare in commerce, and amongst institutional holdings, our offering being the only extant copy available at time of cataloguing. See OCLC #123288343. A most handsome presentation indeed.

FARBWELT - FOLKLORE PLANETAIRE / PLANETARY FOLKLORE. Fotos von Stefan Moses. München : F. Bruckmann, 1. Auflage 1973, ERSTAUSGABE, 88 S. gebunden (Hardcover ca. 4°), Abb., 24,0 x 23,4 x 1,8 cm Trilinguale Monografie. G ut erhaltenes Exemplar mit. geringf. Lagerungs- u. Gebrauchsspuren, sonst sauber u. gepflegt, kein Besitzvermerk. - von Victor Vasarely eigenhändig signiert.

Farbige Kunstpostkarte (SONNE UND HIMMEL, Offizielles Emblem für die Spiele der XX. Olympiade, München 1972), von Victor Vasarely eigenhändig signiert (dito : KPK Dia or CF (1968) eigenhändig signiert Euro 125,-).