Offner Richard (93 results)

Cloth. Condition: Very Good. First Edition. Quarter tan buckram over gilt decorative boards, gilt title, (10.5 x 8 inches). First Edition. xv, 48 pages with Index of Artists and Authors, Index of Places; illustrated tissue-protected frontis plus plates at rear. An exceptionally clean, tight copy.

hardcover. Condition: Good. Good with wear and markings. Looks like an interesting title.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: Good. Ex-library Portland Art Museum hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library. …

Condition: New.

Hardcover. Condition: Good. No DJ. 1st. Cloth, xv, 48 pages, frontispiece, illustrations, 90 plates; 27 cm. Good+. Firm binding, clean inside copy. Moderate edgewear to boards, expected browning. Size: 4to.

Condition: New.

hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condition: Very Good. No Jacket. 1st. 48 page text section before plates (92 pages - b/w plates). Gold trim and decorative cover with slight wear to bottom edge. Interior is unmarked, tight and clean.

Soft cover. Condition: Good. Softcover, 12 1/2 by 10 inches, 16 pages of ads, contents paginated 145-190. Covers have some edgewear, otherwise only slight wear. Pages clean. Articles include: Hans Holbein & Henry VIII by Ganz, Ceramics North Siam by Le May, 14th century Florentine art by Offner, Chinese exhibition in Stockholm by Yetts. And more. …

Hardcover. Condition: VG. used hardcover copy, lacking a dust jacket (as issued). light shelfwear, corners perhaps slightly bumped. previous owners name on ffep, otherwise pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Brown cloth spine, blue boards with elaborate gilt decoration. 48 pp + 36 bw plates. "The collection contains no world masterpieces, nor again any blatant curiosity to attract the profane or restless interest; it nevertheless possesses distinctions that are both unique and important. For academic purposes it is perhaps the most useful of all university collections for its fairly even distribution of illustrations of three centuries of Tuscan painting; and is more adequately supplied in fine and rare examples of the thirteenth century of this area than any other public museum outside Italy." Uncommon. VG- (Some mild wear, fading to spine, bookplates, exlib with small label on spine, perf stamp on tp; pages abd plates are clear though they have identity stamp on rear.).…

Condition: New.

Hardcover in gray cloth with decorative blue paper pasted to covers; 48 pages of text followed by 36 b/w illustrations; good condition; ex-museum library copy with call numbers on spine and stamp to title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very good condition. Dust Jacket Condition: Very good. VIII, 167 pp. LCC: 2002152654.

hardcover. Condition: very good. 48 pages of text followed by 36 b/w illustrations. 4to, gray cloth spine with gilt-decorative blue boards. New Haven: Yale University Press, 1927. A very good copy with some wear to corners.

Condition: New.

Condition: New.

Halbleinen. Condition: Gut. 26,5x20cm; 48; Halbleinen. über 50 SW Abb.; Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Kleiner Schrifteintrag vor dem Titelblatt; Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

hardcover. Condition: Good. Pennsylvania State University Press, c.1998, 8-3/4"x11-1/4", cloth, 310pp., many b&w illusts., ex-lib.- spine label, pocket, stamps, VG $.

Hardcover. Condition: Very Good. Limited edition copy number 47 of an unspecified edition. J.W.Pope-Hennessy's copy with his bookplate,with 16 plates. 4to.

xv, 48 pages & 89 black & white plates. fine hard cover book/ no dust jacket.

Taschenbuch. Condition: Neu. Neuware - 'Italian Primitives at Yale University Comments & Revision' is an authoritative scholarly examination of the early Italian paintings held within the prestigious Yale University collection. Written by the distinguished art historian Richard Offner, this work offers profound commentary and critical revisions regarding the attribution, stylistic nuances, and historical significance of these foundational artworks.The study focuses on the transition from the late Medieval period to the early Renaissance, providing a detailed analysis of the various schools of painting that emerged in Italy during the 13th and 14th centuries. Offner employs his expert eye to scrutinize specific panels, altarpieces, and fragments, offering insights into the artists' techniques and the evolution of their craft. By addressing previous scholarship and providing updated perspectives, this book serves as a vital resource for understanding the development of Western art history. It is an essential volume for researchers, curators, and students of the Italian Renaissance, highlighting the historical and aesthetic value of one of the most significant collections of early Italian art in the United States.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Limited to 275 copies. Half brown cloth, grey boards.bw frontispiece with descriptive tissue guard, 8 preliminary leaves, 143 pp. Numerous bw plates. One of only 275 copies printed, this impressive text on Florentine painting of the 14th century includes a great many illustrative plates to support and demonstrate its precepts. As New in original box with glassine wrapper.…

Taschenbuch. Condition: Neu. Neuware - 'Studies in Florentine Painting, the Fourteenth Century' is a seminal work of art historical scholarship by the distinguished historian Richard Offner. This collection of essays offers a profound exploration of the Trecento period, focusing on the evolution of style, technique, and attribution within the Florentine school of painting. Offner meticulously examines the works of both major figures and lesser-known masters, providing a detailed analysis of the aesthetic developments that defined one of the most transformative eras in Western art.The book delves into the stylistic nuances of the fourteenth century, a time when the rigid Byzantine traditions began to give way to the more naturalistic and humanistic approaches that would eventually culminate in the Renaissance. Through rigorous formal analysis, Offner clarifies the artistic lineage of various workshops and identifies the subtle characteristics that distinguish individual hands. This volume is an essential resource for students, scholars, and enthusiasts of Italian art, offering timeless insights into the spiritual and technical foundations of Florentine masterpieces. Its focus on connoisseurship and historical context makes 'Studies in Florentine Painting, the Fourteenth Century' an enduring contribution to the field of medieval and early Renaissance art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…