Language: English
Published by Indiana University Press, 1994
ISBN 10: 0253341612 ISBN 13: 9780253341617
Seller: Better World Books: West, Reno, NV, U.S.A.
First Edition
Condition: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Language: English
Published by Indiana University Press, 1994
ISBN 10: 0253341612 ISBN 13: 9780253341617
Seller: HPB-Red, Dallas, TX, U.S.A.
hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Language: English
Published by Indiana University Press, 1994
ISBN 10: 0253341612 ISBN 13: 9780253341617
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Indiana University Press, 1994
ISBN 10: 0253341612 ISBN 13: 9780253341617
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. A few light pencil marks in text. near fine jacket.
Language: English
Published by Indiana University Press, 1994
ISBN 10: 0253341612 ISBN 13: 9780253341617
Seller: Neutral Balloon Books, Ardmore, PA, U.S.A.
hardcover. Condition: Very Good. Very good condition. Text looks free of notations/underlining.
Language: English
Published by Indiana University Press Aug 2000, 2000
ISBN 10: 0253214238 ISBN 13: 9780253214232
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.