Norman Silverstein (33 results)

Paperback. Condition: Very Good. Paperback. Previous owner's name inside front cover. Pages are clean and unmarked. Covers show very minor shelving wear. APPEARS UNREAD. ALMOST LIKE NEW.; 100% Satisfaction Guaranteed! Ships same or next business day.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: New. PHOTO AND VIDEO OF PAGES TAKEN TO SHOW CONDITION PRIOR TO SHIPPING; STORED NEW PRISTINE CONDITION SANITIZED THEN WRAPPEDPHOTOS EMAILED FOR MORE SPECIFICS WHEN REQUESTED; Book. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition.

softcover. Condition: Very good copy. Later prt. 8vo, 172 pp. Illus. with photos (illustrator).

Hardcover. Condition: Good.

Paperback. Condition: Good. A NICE edition, USEFUL! Slight yellow tone to the pages. Light scuff to the paperback cover and the page edge, this book is in PRESENTABLE condition.

Hardcover. Condition: Good. Dust Jacket Condition: Good. This unique and liberally illustrated book by two experts on cinema art can broaden the moviegoer?s perception and increase his enjoyment of the films he sees. The authors draw upon films of all eras and most film-making countries to show how motion pictures can be much more than just another way of telling a story. With unusual clarity and the help of film stills, revealing diagrams, and a "story board" from a major studio film, the authors illustrate the rich and complex means by which good films are made into special experiences of sight and sound. The reader is shown how a director creates tone and point of view so as to develop themes, establish values, and draw the viewer into the film. The means by which rhythms, images, and visual accords and oppositions are used to create a kind of poetry particular to film are vividly described. Virtually every great director - Antonioni, Griffith, Lang, Kurosawa, Bunuel, Ford, von Sternberg, Godard, Resnais, Eisenstein, Hitchcock, and Fellini, among many-as well as the "underground" film makers are discussed. Technical aspects of film making, such as ways of moving from shot to shot, types of motion and angle used by the camera, and techniques of sound, are described clearly for the neophyte so as to make more comprehensible the aesthetic principles underlying the beauty of films. For moviegoers who want to sharpen their recognition and deepen their enjoyment of film. The Film Experience is excellent reading and an invaluable guide. ROY HUSS and NORMAN SILVERSTEIN are members of the English Department faculty at Queens College in New York City. They recently conducted a popular film course over radio station WNYC. Dr. Huss has directed film societies, taught several film courses, and published widely in journals such as Modern Drama, Theatre Notebook, The Seventh Art, and Dalhousie Review. Dr. Silverstein is film editor of Salmagundi, a quarterly, and is an expert on James Joyce. Recently he spent a year in Poland at the request of the State Department, lecturing on film and American life and letters. During that time he was associated with the Polish State Film School at Lodz. Ex-library book missing page 1 and a few marks on title pages, library name on last page. Otherwise in fine condition. Slight staining to half square inch of dust jacket on spine. All orders shipped protected in a box. Photographs and drawings (illustrator). Book.…

Softcover. Very Good with no dust jacket; Small crease in corner; Trade PB. Illustrated by Black and White Photos (illustrator).

Trade Paperback. Condition: Very Good. 8th Printing. 172 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Light foxing on page edges, not affecting text.

broché. Condition: Assez bon.

Leinen. Condition: Gut. 172 Seiten englisch, Bibliotheksexemplar mit den üblichen Stempeln und Signaturen. Fingerfleck auf Innentitel, papierbedingte Seitenbräunung /// Standort Wimregal . HFT-02.581 Sprache: Englisch Gewicht in Gramm: 544.

Hardcover. First Edition; First Printing. Book condition is Very Good; with a Very Good dust jacket. Some rubbing and discoloration to jacket. Owner name to front end page. Text is clean and unmarked. ; 8vo 8" - 9" tall.

Softcover. Condition: Very Good. First Edition. Complete issue, original wrapper.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages clean, slightly tanned. Wrappers have light overall shelf wear. Contents: Silverstein, The fourth international James Joyce symposium. Kain (ed.), An interview with Carola Giedion-Welcker and Maria Jolas. Fitzpattrick, The myth of creation: Joyce, Jung, and Ulysses. Evans, Stephen and the theory of literary kinds. Cohn, Supplemental JJ checklist, 1971. Notes, reviews, letter. 9.0" tall; 95 pages.…

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages clean, tanned. Wrappers have tanning, light overall shelf wear. Contents: Kain, James Joyce slept here: the opening of the Joyce Tower museum. Thornton, An allusion list for James Joyce's "Ulysses" - part 4, "Calypso." Wadsworth, visits with James Joyce. Silverstein, Magic on the notesheets of the Circe episode. Weathers, A portrait of the broken word. Ridgeway, Two authors in search of a reader. Dalton, Ulysses X 2. Feeney, Ulysses and the Phoenix Park murder. Staley, The search for Leopold Boom: James Joyce and Italo Svevo. 9.0" tall; 68 pages. …

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages clean, tanned. Wrappers have tanning, light overall shelf wear. Contents: Kenner, Homer's sticks and stones. Marcus, Three Irish allusions in Ulysses. Montgomery, The artist as silent Dubliner. Walsh, In the name of the father and of the son.Joyce's use of the mass in Ulysses. Silverstein, Toward a corrected text of Ulysses. Begnal, The fables of Finnegans Wake. Notes and reviews. 9.0" tall; 109 pages.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. Top edge on front board lightly water stained, else very good in a very good dust jacket with similar water stain.

Encuadernación de tapa dura. Condition: Bueno. LA EXPERIENCIA CINEMATOGRÁFICA - ROY HUSS NORMAN SILVERSTEIN - EDICIONES MARYMAR, 1973. Encuadernación de tapa dura con sobrecubierta (tiene una cubierta de plástico por encima de la sobrecubierta original). Tiene 199 páginas. Con sello exlibris al final. Medidas: 23 cm x 16,5 cm.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. Tall octavo. 172pp. Page edges and rear endleaves trifle foxed, still easily fine in fine dust jacket.

Softcover. Condition: Near Fine. Magazine. Octavo. 17pp. Stapled wrappers. Fading along the spine with light rubbing and owner's mailing stamp on the rear panel, near fine. Subscription slip tipped in. Original printing from the University of South Carolina before reprints. Contributors include Norman Silverstein, Arthur L. Lewis, Anne McNamara, Muriel Davison, William Howard, Robert A. Pratt, Alexander S. Liddie, Robert J. Griffin, Gerald Smith, and Yeaton Wagener.…

Encuadernación de tapa dura. Condition: Excelente. Dust Jacket Condition: Excelente. 1ª Edición. (Cine. Teoría. Crítica). Buenos Aires, Ediciones Marymar, 1973. Traducción directa del inglés por Flora Setaro. 200 p. 4 h. Fotogramas b/n. 4º. Tela editorial con sobrecubierta ilustrada por Horacio Cardo. Excelente ejemplar. Primera edición en castellano.…

Condition: VG. Philadelphia 1973. Complete issue of Journal of Modern Literature, Vol. 3 No. 2, April 1973. Sm4to., pp. 145-350, photo illus., wraps. Articles by Alan Brody on Hitchcock and Pinter; John Fletcher on Bergman and Strindberg; William Free on Fellini, etc. VG.

Paperback. Condition: As New. First Paperback Edition. Publisher: Delta Books, New York, 1969. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing.

Soft cover. Condition: Poor. Softcover, front endpaper removed, grubby cover, foxing on inside of cover, pages tanned. Not ex. library. 320 pages. Softcover edition of this early collection of Village Voice pieces - includes contributions from Allen Ginsberg, Norman Mailer, Anais Nin. From the Bill of Rights, freedom of speech, and civil rights to jazz, blues and country music, Nat Hentoff has written about American life for decades, in the Atlantic Monthly , the New Yorker , the Village Voice , the Wall Street Journal , and JazzTimes, among countless other publications. Binding tight. Black cat edition. Foreword by Daniel Wolf. Book.…

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Pbk xii + 172pp illus.Clean & bright VG+.

Cloth DW (fyd) xii + 172pp illus.nr Fine.

Condition: Bueno. primera. Sobrecubierta rasgada. castellano.

tapa dura. Condition: 2ª Mano. 2ª Mano. Marymar Ediciones. 1973. Libro.