Nicholas Kenyon Editor (29 results)

Paperback. Condition: Very Good. No Jacket. Very good condition. Clean text, tight binding. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condition: Near Fine. Second Printing. Near fine pictorial cover paperback. Small crease on the back cover, otherwise the book looks new. Full refund if not satisfied.

No binding. Condition: Good. Good. NOT A FORMER LIBRARY BOOK.

No binding. Condition: Good. Good. NOT A FORMER LIBRARY BOOK.

Soft cover. Condition: VG+. Volume 13, No 2. Volume Sixteen, Number 2 of 1985 of this important, Scholarly Journal. A single Issue. High quality content and production values. pp161-336, illustrated, adverts. Bright, clean and unmarked. Tight, square bindings, no spine creases, light wear to wrappers. Weight, 415g. Size: 24cm Tall. Journal.

Soft cover. Condition: VG+. Volume 13, No 1. Volume Sixteen, Number 1 of 1985 of this important, Scholarly Journal. A single Issue. High quality content and production values. pp1-160, illustrated, adverts. Bright, clean and unmarked. Tight, square bindings, no spine creases, light wear to wrappers. Weight, 376g. Size: 24cm Tall. Journal.

Soft cover. Condition: VG+. Volume 13, No 3. Volume Sixteen, Number 3 of 1985 of this important, Scholarly Journal. A single Issue. High quality content and production values. pp337-472, illustrated, adverts. Index to Vol 12, laid-in. Bright, clean and unmarked. Tight, square bindings, no spine creases, light wear to wrappers. Weight, 352g. Size: 24cm Tall. Book.

Paperback. Condition: Fair. 2nd Revised edition. Creasing to spine. Same day dispatch (Mon- Fri) from the UK if ordered by 1pm.

Cloth. Condition: Good+. Dust Jacket Condition: Good+. First Edition. The covers and spine have light wear. There is a very slim 2 inch long mark on the forward page edges and some light soiling to the page edges otherwise the pages are clean. The dust jacket is in a Mylar type protector, one corner has a short tear and there is a short tear at the head of the spine that was repaired on the reverse side with tape. There are light scratches to the dust jacket. ***OVERSIZE BOOK*** EXTRA SHIPPING CHARGE FOR OTHER THAN U.S. MEDIA MAIL***. Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Condition: Very Good. 160 pages. Illustrated. New Dances for the Ball: The Annual Collections of France and England in the 18th Century (pp. 164-173) Ingrid Brainard Triple Pavans: Clues to Some Mysteries in 16th-Century Dance (pp. 174-181) Julia Sutton Spectacle in Milan: Cesare Negri's Torch Dances (pp. 182-196) Pamela Jones What Did Prince Henry Do with His Feet on Sunday 19 August 1604? (pp. 198-202+205-207) Judy Smith and Ian Gatiss Dance and Dance Music in the Netherlands in the 18th Century (pp. 209-219) Joan Rimmer 'Ill-Compliments and Arbitrary Taste'?: Geminiani's Directions for Performers (pp. 221-235) Peter Walls A 17th-Century French Manuscript on Organ Performance (pp. 236-241+243-245+247-251) William Pruitt.

Condition: Good. Good condition. In polypropylene bag. (history, reference, periodicals).

Condition: Good. Good condition. In polypropylene bag. (history, reference, periodicals).

Condition: Fair. Acceptable condition. In polypropylene bag. (history, reference, periodicals).

Condition: Good. Good condition. Slightly dampstained. In polypropylene bag. (history, reference, periodicals).

Condition: Good. Good condition. In polypropylene bag. (history, reference, periodicals).

Condition: Good. Good condition. In polypropylene bag. (history, reference, periodicals).

Soft cover. Condition: Very Good. 144 pages. Illustrated. "Messiah" and Progress in Victorian England (pp. 339-348) Howard E. Smither Handel's London Theatre Orchestra (pp. 349-357) Donald Burrows 'La Pecorina' at Mantua, "Musica Nova" at Florence (pp. 358-366) David S. Butchart New Light on Ockeghem's "Missa 'Mi-mi'" (pp. 367-375) Haruyo Miyazaki The Guitar and Italian Song (pp. 376-383) Richard d'A Jensen A Trio in C Major for Recorder, Violin and Continuo by J. S. Bach? (pp. 384-390) Michael Marissen 16th-Century Venetian Wind Instrument Makers and Their Clients (pp. 391-397) Giulio M. Ongaro (M20).

Soft cover. Condition: Very Good. 160 pages. Illustrated. Very Low Ranges in the Sacred Music of Ockeghem and Tinctoris (pp. 467-479) Kenneth Kreitner Instruments and the Faenza Codex (pp. 480-490) Timothy J. McGee The Secular Music of Alessandro Grandi (pp. 491-499) Denis Arnold Portraits of Johann Joachim Quantz (pp. 500-504+506-514+516+518) Charles Walthall How Alfonso della Viola Tuned His Viols, and How He Transposed (pp. 520-533) Kathleen Moretto Spencer and Howard Mayer Brown Vincentius and the Earliest Harpsichords (pp. 534-538) Denzil Wraight.

Soft cover. Condition: Very Good. 160 pages. Illustrated. The Trecento Fiddle and Its Bridges (pp. 308-329) Howard Mayer Brown The Performance of Cantus firmi in Josquin's Masses Based on Secular Monophonic Song (pp. 330-341) Willem Elders The Martyrdom of St Sebastian: The Function of Accidental Inflections in Dufay's "O beate Sebastiane" (pp. 342-349+351-357) Karol Berger Itinerancy to Residency: Professional Careers and Performance Practices in 15th-Century Sacred Music (pp. 359-366) Barbara Haggh 'Le célèbre Berteau' (pp. 368-380) Jane Adas Slide Trumpet Madness: Fact or Fiction? (pp. 382-389) Herbert W. Myers The Trombone, the Slide Trumpet and the Ensemble Tradition of the Early Renaissance (pp. 389-397) Keith Polk The trompette des menestrels in the 15th-Century alta capella (pp. 397-402) Ross W. Duffin (M20).

Soft cover. Condition: Very Good. 148 pages. Illustrated. Terence Best "Handel's chamber music Sources, chronology and authenticity" / Graham Pont "Handel and regularization: a third alternative" / Peter Williams "Interpreting one of Handel's free preludes for harpsichord" / Bruce Wood "Handel's Water-Music on period instruments" / Robin Headlam Wells "John Dowland and Elizabethan Melancholy" / Adrian Rose "Elisabeth-Claude Jacquet de la Guerre and the secular cantate francoise" / Jane Clark "'His own worst enemy' Scarlatti: some unanswered questions" / Raymond Head "Corelli in Calcutta Colonial music-making in India during the 17th and 18th centuries".

paperback. Condition: New.

hardcover. Condition: New. In shrink wrap.

Soft cover. Condition: Very Good. 142 pages. Illustrated. Performance Practice in the Papal Chapel during the 16th Century (pp. 452-462) Richard Sherr Prince Arthur (1486-1502), a Carol and a cantus firmus (pp. 463-467) Hugh Benham Eighteenth-Century French Chamber Music for Vielle (pp. 468-479) Robert A. Green Another Keyboard Canzona by Giovanni Gabrieli? (pp. 480-486) Richard Charteris The Basset Clarinet Revived (pp. 487-501) Colin Lawson Francisco Pérez Mirabal's Harpsichords and the Early Spanish Piano (pp. 503-510+512-513) Beryl Kenyon de Pascual The Enigmatic Canons of Juan del Vado (c. 1625-1691) (pp. 514-519) Luis Robledo and Gerardo Arriaga (M20).

Soft cover. Condition: Very Good. 172 pages. Illustrated. Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte (pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László Somfai Topical Content in Mozart's Keyboard Sonatas (pp. 615-619) Leonard G. Ratner 20th-Century Analysis and Mozart Performance (pp. 620-626) Carl Schachter.

Soft cover. Condition: Very Good. 176 pages. Illustrated. Voices and Instruments: Soloists and Ensembles in the 15th Century (pp. 179-198) Keith Polk Musical Acoustics in the Middle Ages (pp. 199-210) Dorothea Baumann and Barbara Haggh Minstrel Schools in the Late Middle Ages (pp. 212-216) Maricarmen Gómez and Barbara Haggh Writing, Reading and Memorizing: The Transmission and Resolution of Retrograde Canons from the 14th and Early 15th Centuries (pp. 218-221+223-234) Virginia Newes Some Aspects of the Notation and Performance of German Song around 1400 (pp. 235-246) Lorenz Welker and Barbara Haggh The Wedding of Archduke Charles and Maria of Bavaria in 1571 (pp. 253-255+257-259+261-269) Robert Lindell Josquin's "Missa Pange Lingua": A Note on Agnus Dei III (pp. 271-273+275) Richard Sherr.

Soft cover. Condition: Very Good. 144 pages. Illustrated. Johann Sebastian Bach's Orchestra: Some Unanswered Questions (pp. 3-15) Hans-Joachim Schulze The Dresden Hofkapelle during the Lifetime of Johann Sebastian Bach (pp. 17-30) Ortrun Landmann The Editorial Transmission of C.P.E. Bach's Music (pp. 32-41) E. Eugene Helm A Chaconne by Georg Böhm: A Note on German Composers and French Styles (pp. 43-54) Peter Williams Türk, Touch and Slurring: Finding a Rationale (pp. 55-59) Daniel M. Raessler Early Fingering: Some Editing Problems and Some New Readings for J.S. Bach and John Bull (pp. 60-69) Mark Lindley The Rules for 'Through Bass' and for Tuning Attributed to Handel (pp. 70-74+77) Jane Troy Johnson.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condition: Very Good. 144 pages. Illustrated. When Is an Orchestra Not an Orchestra? (pp. 483-495) Neal Zaslaw The Instrumentation of Handel's Early Italian Works (pp. 496-505) Hans Joachim Marx Italian Oratorio and the Baroque Orchestra (pp. 506-513) Eleanor Selfridge-Field Improvized Ornamentation in a Handel Aria with Obbligato Wind Accompaniment (pp. 514-522) John Spitzer Newly Found Works of C. P. E. Bach (pp. 523-532) Rachel W. Wade C. P. E. Bach and the Tradition of Passion Music in Hamburg (pp. 533-541) Stephen L. Clark Performing C. P. E. Bach: Some Open Questions (pp. 542-551) David Schulenberg.