Nathaniel 1813 (32 results)

hardcover. Condition: Good. cover shows minor wear, tear, rubbing. pages lightly tanned and foxed.

Condition: New. In.

HARDCOVER. Condition: Very Good. Illustrated by HOLMES, OLIVER WENDELL Glossy Ilust Frontis (illustrator). First Edition?. VERY GOOD Condition .FRONT ENDPAPER APPEARS TO BE GONE. ELSE, VERY ATTRACTIVE COPY.WELL BOUND, SOLID, BRIGHT ; Pages 279-340 INTERNATIONAL WITH & HUMOR as Expressed in CARACATYRE.some text with many old B&W drawings with some in good humor.Political, social & cultureal. .GOLD SPINE TITLES ON DARK GREEN CLOTH HARDCOVERS.Spine title box carries title & "FRANKLIN& BEECHER-CARTOONS with Review of Reviews at base od spine.ALL VERY NICE. cOVER HAS MILDLY EMBOSSED LINES AT SPINE & POINTS. (sometimes caled volume 1); 304pg pages; GREEN CLOTH COVERED HARD BOARDS. Quite nice with minor signs of wear.

Condition: Near Fine. c.1853. color cropped reproduction of 24x26 original lithograph. Image 6.75x10.25 on 9.75x12.75 card stock. Near Fine. British born Fanny and husband Edmund Seymour Palmer (1809-59) had two failed attempts at the printing business before Fanny became the first female lithographer for Currier & Ives from 1849-68 producing over 200 lithographs. AME118398.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

1st edition. 6, [2] pp of text. 8 tipped-in full-color plates, with printed tissue guards noting title, size & publication information of the original image. Folio. 12" x 9-5/8" VG (bit of chipping to spine crown/binders glue discoloration to ep gutters)/VG (some wear/spine panel sunned). Printed orangish-yellow paper boards. Printed red dust jacket.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Print on Demand pp. 52.

Condition: New. Print on Demand pp. 52.

Condition: New. PRINT ON DEMAND pp. 52.

Condition: Good. Contemporary color print. 36 x 48 cm (sheet). Very Good, print affixed to a backboard support.

Condition: Good. Contemporary color print. 36 x 48 cm (sheet). Very Good.

Condition: Good. Contemporary color print. 36 x 48 cm (sheet). Very Good.

Condition: Good. Contemporary color print. 36 x 48 cm (sheet). Very Good.

Condition: Good. Contemporary color print. 36 x 48 cm (sheet). Very Good.

Seltene handkolorierte Lithographie von 1852. Blatt-Maße: ca. 54,5 x 68 cm. -- leicht gebräunt am unteren Außenrand, sonst gut erhalten. || Rare original hand colored lithograph from 1852. -- slightly browned on the lower outer margin, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch Gewicht in Gramm: 50.

x, [25] - 232 pp. Frontis of Grimaldi, lithographed by 'N. Currier'. 12mo. Bound in 6s. 7-1/2" x 4-3/4" A scarce Dickens item, as well as an early Currier item, who opened his own establishment only 3 years prior, 1835. Abt VG (joint cloth starting/2 contemporary po signatures/usual light foxing/faint whiff of tobacco). Original paper wrapped boards with red linen cloth spine & printed paper spine label (modern reproduction) 2nd US edition, 2nd state [Conningham 3297; Gimbel B66; Vander Poel B602(1)].

x, [25] - 232 pp. Frontis of Grimaldi, lithographed by 'N. Currier'. 12mo. Bound in 6s. 4 5/8" x 7 1/2" NB. Also an early Currier item, who opened his own establishment only 3 years prior, 1835. Binding: light extremity wear, bookplate, VG+. Text block: age-toning, VG - VG+ Modern buff paper wrapped boards with green linen cloth spine [in a period style] & printed paper spine label [which has an abrasion spot in center] 2nd US edition, Second state [Conningham 3297; Gimbel B66; Vander Poel B602 (1)].

Cf. Conningham 643. Image - 11-3/4" x 8-7/8". Framed: 25" x 19-1/2" Image of a young Dickens [bust aspect, after the "Nickleby Portrait" by Maclise] lithographed on proof paper & laid down on stiffer stock, measuring 22-1/2" x 16-3/4". Quite scarce; a search of OCLC shows but a single institutional holding [LoC], and a search of RBH records show no copies having been offered. The first time we've been able to offer this item. Lithograph paper itself shows a bit of soiling & wear with mostly vertical stress line [repaired tear?] to right edge [does not affect image itself]. Stiffer stock shows minor edgewear & some foxing. Faint pencil signature in lower right of mount. Frame is Fine. Housed in an attractive gilt frame.

Condition: Good. Lithograph. 33 x 25 cm (sheet). Five sheets of musical score. Good, light foxing and staining throughout.

Condition: Good. Lithograph. 34 x 25.5 cm (sheet). Cover page only, no musical score included. Good, light foxing and staining throughout.

Condition: Good. Lithograph. cover with pp. 2-5 of sheet music for piano and voice. 34 x 25.5 cm (sheet). Very Good, toning along sheet edges.Provenance: From the collection of the late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condition: Good. Lithograph. 34 x 25.5 cm (sheet). Very Good, sheet toned, musical score on verso.Provenance: From the collection of the late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condition: Good. Lithograph. cover with pp. 2-6 of sheet music for piano and voice. 34 x 25.5 cm (sheet). Very Good, light foxing throughout, toning along sheet edges.Provenance: From the collection of the late Frederick G. Ruffner, Jr., founder of Gale Research, Detroit.

Condition: Good. Handcolored lithograph. 35.5 x 25 cm. (sheet). Very Good. Light toning in sheet margins.

Condition: Good. Handcolored lithograph. 12.6 x 8.75 inches.inches. image size. 16 x 12 inches sheet size. Time stained. Ref: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, circa 1983, no. 7078Washington atop a horse facing viewer under banner of flags, floral garlands, held by eagle. Small upright girl lower center facing viewer.Currier & Ives produced more than 100 images of George Washington. As the first president of the United States, Washington was distinguished as the father of a new nation and was respected for his wisdom, honesty and leadership during the Revolution. The pageantry of this print, with its flowing flags and mighty eagle, reflects the European tradition of imperial imagery used in grand history paintings. The idea of Washington as defender and protector of the country is represented by the presence of women and children, who greet the new president as he travels to New York City for his inauguration.

Condition: Good. Handcolored lithograph. 38 x 25cm. sheet size. Time stained. Ref: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, circa 1983, no. 1819; RUD-024. :Similar to Conn. 1644, but with changes in composition. .Native American in native dress standing on river bank with rifle in proper left hand and looking directly at viewer.Edwin Forrest was a great American actor who worked in Philadelphia and in New York. He was often cast to play characters of African American or Native American decent and was considered to be highly convincing. E. Forrest as Metamora is a full-length theatrical portrait, commemorating Forrest's role as Metamora in the 1829 play, Metamora or The Last of the Wampanoags, by John Augustus Stone.Metamora, often referred to by his English name King Philip, was the leader of the Wampanoag tribe in the 17th century. He is best known for leading King Philip's War, a conflict between the Wampanoags and English colonists in New England. Metamora was also the subject of a popular 1829 play, "Metamora, or the the Last of the Wampanoags," which depicted him as a heroic and noble figureCurrier & Ives produced more than 100 images of George Washington. As the first president of the United States, Washington was distinguished as the father of a new nation and was respected for his wisdom, honesty and leadership during the Revolution. The pageantry of this print, with its flowing flags and mighty eagle, reflects the European tradition of imperial imagery used in grand history paintings. The idea of Washington as defender and protector of the country is represented by the presence of women and children, who greet the new president as he travels to New York City for his inauguration.From the collection of Frederick Ruffner, the founder of Gale Research, Detroit.

Condition: Good. Lithograph image area: 54.5 x 39cm. (21.5 x 15.25 inches); overall sheet size of 60.5 x 40.55 cm (23.9 x 17.75 inches). Contemporary hand coloring; professionally matted. . . .References: Currier & Ives : A Catalogue Raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c. 1983, nos. 7320 and 7321; Conningham 1970, no. 6774 .Provenance:The Old Print Shop, NYC. .Fanny Palmer (1812-1876) was the first woman in the United States to work as a professional artist, and to make a living with her art. She produced more Currier and Ives' prints than any other artist, and she was the only female in a business that was dominated by men. Painting was not considered a suitable occupation for a woman, nor was lithography. Hers was a story common to Victorian wives who were expected to keep house and be supported by their husbands. She however pursued a career in England in printmaking and eventually in America, virtually supporting her family as her husband sank deeper into alcoholism and then supporting it in fact when he fell to his death on a hotel stairway in 1857.Woodcock hunting has a long and rich tradition in North America. The popular game bird is typically hunted with the assistance of hunting dogs like the cocker spaniels pictured in this Currier & Ives lithograph. Since the late 1800s, interest in hunting woodcocks has grown and an estimated 1.1 million woodcock are taken annually, making woodcock among the top ten species of migratory game birds harvested.

Condition: Good. Lithograph image area: 54.5 x 39cm. (21.5 x 15.25 inches); overall sheet size of 62 x 44.1 cm (23.9 x18.75 inches).; some browning and spotting. Contemporary hand coloring; professionally matted. . . .References: Currier & Ives : A Catalogue Raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c. 1983, no. 5114 ; Conningham 1970, no. 4717 .Provenance:The Old Print Shop, NYC. .Fanny Palmer (1812-1876) was the first woman in the United States to work as a professional artist, and to make a living with her art. She produced more Currier and Ives' prints than any other artist, and she was the only female in a business that was dominated by men. Painting was not considered a suitable occupation for a woman, nor was lithography. Hers was a story common to Victorian wives who were expected to keep house and be supported by their husbands. She however pursued a career in England in printmaking and eventually in America, virtually supporting her family as her husband sank deeper into alcoholism and then supporting it in fact when he fell to his death on a hotel stairway in 1857.Partridge hunting has always been an integral part of American life, whether for sport or necessity. Specially bred field dogs have been used for centuries to flush the partridge or "grouse" out of long grasses, brush and forest.

Illustrated by hand coloring. First Stock edition. Black with silver trim hardwood and glass frame by Goodspeed's Book Shop, Inc. 18 Beacon Street, Boston. Medium Folio Image size: approx. 8.9x14.15-inches, 14 x 19 framed. Very Good Print/Very Good frame. The faint waterstain on print bottom can be restored. "Length over all 620 ft, Depth of Hold 43 Ft, Breadth 65 Ft, Tonnage 12,500 - Horse Power 30,000. Identification by address: at No. 115 Nassau from 1877-94 and both Cunard Line Twin-screws were in the New York World's Fair 1893. The RMS Lucania was a record-breaking British ocean liner operated by the Cunard Line, launched in 1893 as one of the largest and fastest ships in the world. As a twin-screw steamer, she captured the Blue Riband for the fastest Atlantic crossing in 1893. Along with her sister ship, Campania, she dominated the Liverpool-New York route until being destroyed by fire in 1909. Currier & Ives produced two types of small folio prints 1834 to 1907: ÒrushÓ prints quickly produced to provide information about newsworthy events selling for 20 cents, and larger ÒstockÓ prints more finely produced selling for $1-3 depicting aspects of American life including important events.ÊÊCunningham 6260.