Nancy Rexroth (36 results)

Soft cover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. PHOTOGRAPHY. 34pp. Many formulas. Large 4to. Cloth spine.

Soft cover. Condition: Very Good. 1st edition. VG+. 4to, 96pp, printed wrappers. The second magazine-format issue of this high-quality cultural review. Issue includes a striking cover photo of Ann Halprin (who is briefly discussed inside), plus writing by Sidney Peterson, Kenneth Rexroth, et al. Unmarked copy with light bumping to outer corners. Not Signed.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Soft cover. Condition: Very Good. 1st edition. VG. 8vo, 80pp, printed wrappers. Issue leads with three short essays by Kenneth Rexroth (revised from versions published in the San Francisco Examiner). Unmarked copy, a bit of cover soil and light spotting. Not Signed.

Hardback. Condition: New. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. No Jacket. Over 80 B/w Photographs (illustrator). 1st Edition. VG plus large octavo softcover. Illustrated wraps. Light general wear. No names or markings to text. First edition. Photos. 95p.

Hardcover. Explores the relationship between contemporary photography and the family album photograph with portfolios of work by Richard Albertine, Robert Frank, Lee Friedlander, Emmet Gowin, Gus Kayafas, Wendy Snyder MacNeil, Joel Meyerowitz, Tod Papageorge, Nancy Rexroth, Henry Wessel, Jr., Garry Winogrand, and Bill Zulpo-Dane; plus text illustrations. Texts by Walker Evans, Steven Halpern, John A. Kouwenhoven, Lisette Model, Tod Papageorge, Paul Strand, and Judith Wechsler; edited with an introduction by Jonathan Green. First edition, first printing. 126 pages; b&w photographs throughout; 9.25 x 10.75 inches. Contributors biographies. Errata sheet laid in. Also issued as Aperture, Vol. 19, No. 1; this is the trade hardcover edition. Condition: Near Fine clothbound hardcover with crisp silver title to front and spine with a bump to two tips, a touch of wear to the extremities, and a photographer's bookplate to the front paste down in a Very Good+ dust jacket with a touch of wear at the extremities, sunning to the spine (as is common with this title), and a small tear/chip at the crown. Overall, a nice copy. All dust jackets are protected by a clear mylar cover. Ships the next business day, wrapped in padding, in a box.

Condition: New. In.

Hardcover. Condition: New.

Condition: New. Num Pages: 168 pages. BIC Classification: 1KBB; AJB. Category: (G) General (US: Trade). Dimension: 6466 x 6466. Weight in Grams: 681. . 2017. Hardcover. . . . .

Condition: new.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Num Pages: 168 pages. BIC Classification: 1KBB; AJB. Category: (G) General (US: Trade). Dimension: 6466 x 6466. Weight in Grams: 681. . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 158 pages. 10.00x10.00x1.00 inches. In Stock.

Condition: NEW.

Condition: new.

Condition: New. Long out of print and now reissued on the fortieth anniversary of its first publication, IOWA is the preeminent exemplar of Diana camera work and a cult classic highly prized by photobook collectors and photographers.&Uumlber den Autor.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Second revised edition, 2017. 168 pages. Book measures 10.25 x 10.15 inches. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera s properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of my own private landscape, a state of mind. She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions. Fine in Fine dust jacket.

Buch. Condition: Neu. Neuware - In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.

Hardback. Condition: New. In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera's properties of soft focus and vignetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dreamlike, poetic images of "my own private landscape, a state of mind." She called this state IOWA because the photographs seemed to reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, and the photographic community responded immediately and strongly to the work. Aperture published a portfolio of IOWA images in a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee Friedlander, and Emmet Gowin. The International Center for Photography, the Corcoran Gallery of Art, and the Smithsonian Institution included IOWA images in group exhibitions.Forty years after its original publication, IOWA has become a classic of fine art photography, a renowned demonstration of Rexroth's ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long out of print and highly prized by photographers and photobook collectors, IOWA is now available in a hardcover edition that includes twenty-two previously unpublished images. Accompanying the photographs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by internationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the essay in the first edition, complete the volume.

Buch. Condition: Neu. IOWA | Nancy Rexroth | Buch | Einband - fest (Hardcover) | Englisch | 2017 | University of Texas Press | EAN 9781477310410 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Light purple wraps with black lettering; 117 unnumbered pp.; richly illustrated. "Rexroth's most notable work, Iowa, is a series of dream-like and poetic images.Each seemingly candid and liquid composition includes a soft focus and vignette, characteristic qualities of Diana camera images. [.] The Iowa series subconsciously expresses Rexroth's childhood memories of visiting family in Iowa. Growing up in the suburbs of Arlington, Virginia, she was captivated by the exotic summer landscapes of Iowa. Although the influence of her memories is present, Rexroth refers to Iowa as a hallucinatory state of mind rather than a concrete geographic location of personal sentiment. She describes Iowa as 'conceived of as a kind of psychic journey from one emotional mood to the next-- a maturation process. It all happens in a place which is very exotic.' In the introduction to the book, Mark L. Power describes this work as 'Sunny Iowa was transformed by memory into a dark Iowa with "a real feeling of melancholy." [.]" -- WorldCat. Good (Ex-Library with small white sticker on the front cover; wraps are lightly sunned/edgeworn/scuffed/smudged; textblock edges are lightly toned/scuffed/foxed/smudged; interior is clean with very light toning; binding is solid.).

Wrappers. Condition: Very Good. (1977). Oblong 4to. 1st edition. Lean to spine. Slight darkening to edges of toned leaves and textblock. Faint scratching and marking to textblock edges with light wear to corners. Glue remnants along both hinges and previous seller's security sticker to verso of rear wrappers. Wear and light bumping to edges of rubbed wrappers with wear and light bumping to all forecorners and creasing to front forecorners. Wear and small spots of scraping to joints. Light patch of staining to front wrapper near center of bottom edge. VG in wrappers.

Softcover, unpaginated, very good condition except light edgewear to spine with small loss at top; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. 1st Edition. Softcover. 11 x 11 inches. 72 duotone illustrations. 1977. Original pink printed wrappers, lettered on front cover, the rear cover with self-portrait by Rexroth. First edition, signed by Rexroth on the half-title. Printed by Thomas Todd Company; designed by Katy Homans. With brief texts by Rexroth and Mark Power along with a poetic excerpt by Wayne Dodd. The cover has a light diagonal crease to lower left corner, affecting only the cover. The spine has some rubbing and a crack affecting one word of type. Internal sheets all clean and VG. Condition: VG In the introduction to the 2017 reprint, Rexroth wrote "The series IOWA has now occupied a total of six years of my life. In retrospect, it does seem rather odd to have spent so long using a plastic toy camera such as the Diana. But somehow the excitement continued and continued, and I followed right along until one day in Ironton, Ohio, when I realized I was no longer interested. The book is conceived of as a kind of psychic journey from one emotional mood to the next - a maturation process. It all happens in a very exotic place. It is the Midwest, that strange land where déjà vu is an everyday occurrence." This self-published work soon became a classic of fine art photography. Wrappers with some very moderate wear at extremities, very light toning to sheet edges, but not faded or worn as often with this title. Signed by Author(s).

Softcover. 11 x 11 inches. 72 duotone illustrations. Original pink printed wrappers, lettered on front cover, the rear cover with self-portrait by Rexroth. First edition. Printed by Thomas Todd Company; designed by Katy Homans. With brief texts by Rexroth and Mark Power along with a poetic excerpt by Wayne Dodd. In the introduction to the 2017 reprint, Rexroth wrote "The series IOWA has now occupied a total of six years of my life. In retrospect, it does seem rather odd to have spent so long using a plastic toy camera such as the Diana. But somehow the excitement continued and continued, and I followed right along until one day in Ironton, Ohio, when I realized I was no longer interested. The book is conceived of as a kind of psychic journey from one emotional mood to the next a maturation process. It all happens in a very exotic place. It is the Midwest, that strange land where déjà vu is an everyday occurrence." This self-published work soon became a classic of fine art photography. Spine with a few areas of wear, wrappers with some very moderate wear at extremities, very light toning to sheet edges, but not faded or worn as often with this title.

Softcover. 11 x 11 inches. 72 duotone illustrations. Original pink printed wrappers, lettered on front cover, the rear cover with self-portrait by Rexroth. First edition. Printed by Thomas Todd Company; designed by Katy Homans. With brief texts by Rexroth and Mark Power along with a poetic excerpt by Wayne Dodd. In the introduction to the 2017 reprint, Rexroth wrote "The series IOWA has now occupied a total of six years of my life. In retrospect, it does seem rather odd to have spent so long using a plastic toy camera such as the Diana. But somehow the excitement continued and continued, and I followed right along until one day in Ironton, Ohio, when I realized I was no longer interested. The book is conceived of as a kind of psychic journey from one emotional mood to the next a maturation process. It all happens in a very exotic place. It is the Midwest, that strange land where déjà vu is an everyday occurrence." This self-published work soon became a classic of fine art photography. Wrappers with some very moderate wear at extremities, very light toning to sheet edges, but not faded or worn as often with this title.