Munk Erica Ed (6 results)

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  • Published by New York University Press, 1970

    • Softcover

    Seller: Shadow Books, Norwich, United KingdomShadow Books

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    Condition: Used - Good

    £ 5.00

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    Paperback. Condition: Good. Wrappers rubbed and dog-eared with nick and small paper loss to foot of spine. Unmarked.

  • Published by New York: Hill and Wang, 1966, 1966

    • Hardcover

    Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta

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    Condition: Used - Fair

    £ 23.51

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    Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

  • Published by New York Shakespeare Festival Public Theater, New York, 1972

    • Magazine / Periodical

    Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.ReadInk, ABAA/IOBA

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    Condition: Used - Very good

    £ 19.32

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    Periodical. Condition: Very Good+. (Vol. 1, No. 8). [light external wear, small scraped area near bottom of front cover, soft diagonal crease at upper right corner of front cover, a few tiny red ink marks on bottom edge]. This issue contains the following plays (all apparently written for radio or television, although there's nothing explicitly stating that apart from the little slug on the front cover: "The Resolution of Mossie Wax: A TV Documentary," by Stephen H. Foreman; "Audioplay 2: Safe," by Jakov Lind; "On the Eve of Publication," by David Mercer; "Ol-Dopt; or, The Adventures of Charles and Emily Ann Andrews: A Radio Serial," by David Dozer; "The Bagman; or, The Impromptu of Muswell Hill: An Autobiographical Play," by John Arden: "The Great Silkie of Sule Skerry," by Lucy Bate.…

  • Published by New York Shakespeare Festival Public Theater, New York, 1972

    • Magazine / Periodical

    Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.ReadInk, ABAA/IOBA

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    Condition: Used - Very good

    £ 19.32

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    Periodical. Condition: Very Good+. (Vol. 1, No. 7). [light external wear, a few tiny red ink marks on bottom edge]. This issue contains the following plays: "The Meat Rack," by Kathleen Kimball; "The Service for Joseph Axminster," by George Dennison; "Is She Izzy or Is He Ain'tzy or Iz They Both," by Lonnie Carter (including music and lyrics; music by Robert Montgomery); "Cop and Blow," by Neil Harris; "Perfection in Black," by China Clark; "Helliocentric World," by Sebastian Clarke; "The Wall," by Ben Caldwell; "One the Two of Us," by William Adell Stevenson III. …

  • Published by New York Shakespeare Festival Public Theater, New York, 1972

    • Magazine / Periodical

    Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.ReadInk, ABAA/IOBA

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    Condition: Used - Very good

    £ 23.18

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    Periodical. Condition: Very Good+. (Vol. 1, No. 6). [light handling wear, a little fading to spine, a few tiny red ink marks on bottom edge]. This issue contains the following plays: "The Life and Times of J. Walter Smintheus," by Edgar White; "Eunuchs of the Forbidden City," by Charles Ludlam; "Free This Day: A Trial in Seven Exhibits," by Himilce Novas; "Jazznite," by Walter Jones. This was likely the first publication of the Ludlam play. …

  • Published by New York Shakespeare Festival Public Theater, New York, 1972

    • Magazine / Periodical

    Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.ReadInk, ABAA/IOBA

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    Condition: Used - Very good

    £ 30.91

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    Periodical. Condition: Very Good. (Vol. 1, No. 5). [an array of tiny white rubbed/scuffed spots on front cover, otherwise only lightly worn]. This issue contains the following plays: "Larry Parks' Day in Court," by Eric Bentley; "Four Infiltration Pieces," by Marc Estrin; "The Ride Across Lake Constance," by Peter Handke; "The Wax Engine," by Robert Nichols. This was likely the first English-language publication of the Handke piece (translated from the German by Michael Roloff), the play itself having been "recently presented at Lincoln Center." (Its characters include "Emil Jannings," "Erich von Stroheim," and "Elisabeth Bergner," but they are in no way depictions of those actual people, nor does the play appear to have anything at all to do with filmmaking.) The Bentley piece is an excerpt from his longer work, "Are You Now or Have You Ever Been," about the HUAC hearings and the Hollywood blacklist.…