Morna Oneill (70 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Vesna Pavlovic (illustrator).

Cloth. Condition: As New. Dust Jacket Condition: Very Good. First Edition. Beautifully preserved book with Scholz's photographs throughout; jacket preserved in protective vinyl cover; jacket faded on the spine, but otherwise in very good conditin Size: 4to - over 9¾" - 12" tall. Scholz, Janos (illustrator).…

Hardcover. Condition: Like New. Like New. This book remains in its original plastic wrap; wrap has torn in some areas of front cover. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: 4to - over 9¾" - 12" Tall. Various (Photographs) (illustrator). …

Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Hardcover. Condition: Near Fine. Near Fine. First Edition. This book contains 112 beautiful plates of photographs from the earliest decades of European photography that represent both well-known and unknown photographers, all with descriptions, and many never before published. There are three introductory essays by Moriarty and O'Neill. It was published in conjunction with an exhibition in the Snite Museum of Art. Original brown cloth publisher's covers with silver spine lettering. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket in similarly nice condition with no chips, tears, or markings.; B&W Photographs; 4to 11" - 13" tall; 201 pages.…

Paperback. Condition: Very Good. First Edition. New Haven, CT: Yale Center for British Art, 2001. First edition, 2001. Illustrated in both color and black and white. Large softcover, 11 inches tall, 231 pages. Near fine with tight binding, clean pages, no names or other markings. First Edition. Soft Cover. Very Good. 4to - over 9¾" - 12" tall.…

hardcover. Condition: Fine. still in original shrinkwrap with dust jacket - VERY NICE With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Soft Wraps. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. First Edition. A VERY GOOD, bright, clean, tight copy sans rips/tears, stains, markings and discoloration. Book published in conjunction with the 2001 exhibition of the same name at the Yale Center for British Art, New Haven, CT. PROLIFICALLY ILLUSTRATED in black-and-white and full color photography of 18th century British drawings and watercolors with accompanying descriptive captions. "The eighteen century in Britain witnessed the birth of many of the social, cultural and political forms and institutions that still define our world today. The arts, or "the Pleasures of the Imagination," flourished during this extraordinary periof of tumultuous change and unrpecedented expansion, and the modern notion of "high culture" came into being. In this dynamic cultural environment the practice of drawing played a key role among both professional artists and amateurs. This catalogue of over one hundred and fifty outstanding drawings and watercolors from the Yale Center for British Art celebrates the richness and diversity of its eighteenth-century holdings, and explores the professional and social roles played by draftsmanship during the period." 230 pages. NOTE: Due to size and weight of the book additional shipping cost will be requested/required for EXPEDITED and OUT-OF-U.S. shipment. LBCMA2.…

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. x, 195 (2) pp, foreword by Charles R. Loving, "The Essence of Luxury": Janow Scholz as Collector by Stephen Roger Moriarty, "The Agency of Light": Early Photography in England and France by Stephen Roger Moriarty, "Kingdom of Darkness", Kingdom of Light": Photography in Victorian Britain by Morna O'Neill. Plates, notes on the 112 plates, notes to the Essays, bibliography. Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. Ochre cloth. Size: 4to. Book.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 2nd Edition. Near fine book and unclipped D.J. in clean plastic cover. Orange cloth, gold title on tight as new spine and strong inner hinges. No previous owner's marks found in clean bright heavy paper to accept the photographs of the Janos Scholz collection. Profusely illustrated throughout. A welcome addition to any art collection! Snite Museum of Art Notre Dame Indiana.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. clean, unmarked pages, clean covers, hardcover, fine, fine DJ.

hardcover. Condition: As New. Hardcover. Good binding and cover. Clean, unmarked pages.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition 2002, first printing, no previous printings listed, Published by University of Notre Dame Press. Hardcover in full cloth with DJ. Condition new, square tight and crisp book, sharp corners, no edgewear, no names, no underlinings, no highlights, no bent page corners, not a reminder. DJ new, bright and shiny, no tears no chips, not clipped. Square 4to, X + 198 pages, illustrated throughout with photographs. Heavy book will require additional postage for international orders.…

Soft cover. Condition: Very Good. No Jacket. 1st Edition. This copy is in very good condition. Light edge wear to the cover. Internally Near Fine.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: New. 2018. Hardcover. . . . . .

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city. Editor(s): O'Neill, Morna; Hatt, Michael. Series: Yale Center for British Art. Num Pages: 336 pages, 90 black-&-white illustrations + colour images. BIC Classification: 3JJC; ABA; ACX. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 1092. . 2010. First Edition. Hardcover. . . . .…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: New.

Hardback. Condition: New. This book charts a geography of the art market and the art museum in the early 20th century through the legacy of one influential dealer. Born in Ireland, Hugh Lane (1875-1915) established himself in London in the 1890s. With little formal education or training, he orchestrated high-profile sales of paintings by the likes of Holbein, Titian, and Velázquez and described his life's work as "selling pictures by old painters to buy pictures by living painters." Lane assembled a collection of modern art for the Johannesburg Art Gallery, amassed a collection of Dutch and Flemish paintings for Cape Town, and gave his own collection of modern art to the National Gallery in London. He also donated paintings to the National Gallery of Ireland, where he was named director in 1914. Each chapter in this revelatory study focuses on an important city in Lane's practice as a dealer to understand the interrelationship of event and place.Published in association with the Paul Mellon Centre for Studies in British Art.…