Moreau Jules (44 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 208 pages. Subtitle: A Study in the Dynamics of Translation. A title in the Westminster Studies in Christian Communication series. DJ has a chip at bottom front edge, otherwise bright and crisp. Interior is unmarked, tight and clean.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1961; Philadelphia; green and white glossy paper dust jacket with white titles; dust jacket contains minimal rubbing and wear; interior contains neat underlining throughout pages; interior is clean; 8vo - over 7 3/4" to 9 3/4" tall; 207 pages.

Paperback or Softback. Condition: New. Recherches Sur La Trach�otomie. Book.

Soft cover. Condition: Very Good. No Jacket. N/A (illustrator). 1970. ATR, Evenston, 1970. Soft cover. Book Condition : Very good, appears unread. A very clean copy. In this issue Borsch on the parables, Kort on John Updike. Book will be sent by Uk postal service. Bookseller Inventory #012449. N/A.

Hardcover. Condition: Very Good. The dust jacket is clean and bright in a Mylar cover, showing corners slightly bumped and slight chipping at top and bottom of spine; previous private ex-library with card holder attached to front flyleaf; pages are clean and the book is tight.

Condition: New.

Condition: New.

Condition: Fine. First edition hard back binding in publisher's original colour illustrated stiff card wrap covers [soft back]. 8vo. 9½'' x 7½''. Contains 160 printed pages of text with colour and monochrome illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 1854441434 ART [French].

E. COURBOIN, Carl LARSSONN, F. LIX, Ed. MORIN (illustrator). PARIS, Lib. Ch. Delagrave - sans date - In-4 - Reliure percaline ornée, avec mention en lettres dorées sur le 1er plat "Lycée de Jeunes filles de Nice" - Dos lisse - Toutes tranches dorées - Illustrations NB dans le texte et HT de E. Courboin, Carl Larssonn, F. Lix, Ed. Morin, etc. - 300 pages - Propre Extraits d'ouvrages Livres.

Taschenbuch. Condition: Neu. Épanouissement Total | Le Guide Complet pour Développer votre Confiance, votre Estime et votre Intelligence Émotionnelle | Jules Moreau | Taschenbuch | Französisch | 2023 | Books on Demand GmbH | EAN 9782322502295 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Couverture souple. Condition: Bon. Edition originale. Paris, Puf, Société languedocienne de philosophie, Faculté des lettres et sciences humaines, Université de Montpellier, 1962. In-8 broché, 214pp. Extraits du XIe Congrés des sociétés de philosophie de langue française, 4-7 septembre 1961, ayant pour thème La Nature humaine. Couverture légèrement défraichie.

hardcover. Condition: fine. first edition. Tome huitième. Tome 8 seul. 1 seul volume ! Table des matières photographiée. De la paralysie générale. Rapport médico-légal assassinat Affaire Lacoste. De l'asile des aliénés de la ville de Williamsburg. De l'état des pupilles dans la paralysie générale. De la folie transitoire homicide considérée dans ses rapports avec la médecine légale. Physiologie de la pensée ou recherche critique des rapports du corps à l'esprit. De l'inégalité de poids entre les hémisphères cérébraux. Une visite médicale à la colonie de Ghéel. Rapport médico-légal sur l'état mental de Marty (François) inculpé de parricide. Sur les principes et la pratique du traitement des aliénés par le système appelé en Angleterre No-restraint. 14x22 cm. 732 p. - - - - - Cette revue légendaire, l'une des plus célèbres revues psychiatriques avec l'évolution psychiatrique et l'encéphale fut fondée par Jules Baillarger, elle connut ensuite des rédacteurs en chef prestigieux : Cerise, Longet, Brierre de Boismont, Moreau de Tours, Lunier, Foville, Antoine Ritti, Henri Colin . Au milieu du XX° siècle, elle comptait dans son comité de rédaction, la fine fleur de la neuropsychiatrie française : Anglade, Beaudoin, Beaussart, Joseph Capgras, Combemale, Paul Courbon, Jean Delay, Achille Delmas, Delmas-Marsalet, Georges Demay, Dublineau, Henri Ey, Fribourg-Blanc, Paul Guiraud, J. Hamel, Georges Heuyer, Pierre Janet, Maxime Laigle-Lavastine, Lauzier, J. Lépine, Jean Lhermitte, Lucien Marchand, Mignot, Eugène Minkowski, Paul Nayrac, Pactet, Henri Piéron, A. Porot, Raviart, Risre, Paul Sérieux, Th. Simon, Tinel, Edouard Toulouse, Vernet, Vurpas, Henri Wallon.

cloth. Mazarin, Jules (illustrator). thick 8vo. cloth. (vi),lxiv,426; (vi),398; (vi),464; and four supplements (not paginated) bound in one. Seven volumes bound in four. Reprint of the first edition of 1850-1851 and supplements issued in 1862, n.d., 1876, and 1903. (Besterman p.3741 for the original work and two of the four supplements). Minor rubbing to cloth of all four volumes, else near fine condition. From the reference library of Philadelphia Rare Books & Manuscripts with their bookplate included.

Hardcover. Condition: Fine. Moreau Nelaton (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Hardcover. Condition: Fine. Etienne Moreau-Nelaton (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Hardcover. Condition: Fine. Moreau Nelaton (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Hardcover. Condition: Fine. Moreau Nelaton (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Couverture rigide. Condition: Bon. Édition illustrée. EN CAMPAGNE 1870-1871 (Nouvelle série) Album illustré par MEISSONIER, DETAILLE, de NEUVILLE, GRASSET, BERNE-BELLECOUR, Horace VERNET, BELLANGE, JEANNIOT, BROWN, GIRARDET, JANET-LANGE, JAZET, BOUTIGNY, DUPRAY, PROTAIS, SCHREYER,MOREAU, BOMBLED , VALKER, Etc. Texte du Capitaine JULES RICHARD EDITIONS BOUSSOD VALADON, / L'Univers Illustre sans date (vers 1885) GRAND FORMAT IN -QUARTO, (43 CM X 33 CM ) ALBUM RELIE, 100 PAGES. ILLUSTRE DE NOMBREUX DESSINS ET GRAVURES DANS LE TEXTE ET PLEINE PAGE ETUDE DOCUMENTEE PRESENTANT UNE SUPERBE ICONOGRAPHIE A TRAVERS LES OEUVRES, DES GRANDS PEINTRES ET ILLUSTRATEURS MILITAIRES FRANCAIS EN VOGUE AU XIX° SIECLE. L ARMEE ET LES SOLDAT FRANCAIS DE LA GUERRE FRANCO-PRUSSIENNE DE 1870-1871. SUPERBE ALBUM GRAND FORMAT, ENTIEREMENT ILLUSTRE, PUBLIE A L EPOQUE EN 5 LIVRAISONS CONSERVEES SOUS UNE RELIURE D EDITEUR EN PERCALINE ROUGE. BELLE PIECE DE COLLECTION ET DE BIBLIOPHILIE MILITAIRES coiffes et coins des plats un peu touches, plats un peu passes, rousseurs sur premiers et derneirs feuillets, autrement BON ETAT TRES DOCUMENTE et CIRCONSTANCIE, Abondante et Magnifique ICONOGRAPHIE , NON REEDITE en francais a l'heure actuelle PRIX EN L'ETAT POSSIBILITE DE PAIEMENT EN PLUSIEURS FOIS SANS FRAIS : ME CONSULTER. ***** ATTENTION ! ! A PARTIR DU 1er JUILLET, LE TARIF ECONOMIQUE LIVRE ET BROCHURE N'EXISTE PLUS. ENVOI A L'INTERNATIONAL EN TARIF COURRIER OU COLISSIMO, BEAUCOUP PLUS ONEREUX.

Hardcover. Condition: Fine. Moreau-Nelaton (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Couverture rigide. Condition: Très bon. Edition originale. Paris, 1888. 1 fort volume grand in-4°( 33,3 x 23,5 cm )( 3030 gr ). Chemise éditeur cartonnée percaline imprimée illustrée. ------ 20 fascicules en pagination continue de 160 pages. ****************** Couvertures de tous les fascicules conservées. *********************** ref 474.

Couverture rigide. Condition: Très bon. Edition originale. Paris, 1888. 1 fort volume grand in-4°( 33,3 x 23,5 cm )( 2910 gr ). Chemise éditeur cartonnée percaline imprimée illustrée. ------ 20 fascicules en pagination continue de 164 pages. ****************** Couvertures de tous les fascicules conservées. ******************** ref 474.

Couverture rigide. Condition: Bon. Edition originale. EN CAMPAGNE 1870-1871 (Deuxième série) Album illustré par MEISSONIER, DETAILLE, de NEUVILLE, BELLANGE, PILS, BERNET-BELLECOUR, BOUTIGNY, CASTELLANI, DUPRAY, GIRARDET, JANET-LANGE, JAZET, JEANNIOT, MOREAU DE TOURS, MOROT , A. PARIS, PROTAIS, SCHREYER, WALKER, Etc. Texte du Capitaine JULES RICHARD EDITIONS BOUSSOD VALADON, 1885 GRAND FORMAT IN -QUARTO, (43 CM X 33 CM ) ALBUM RELIE, 100 PAGES. ILLUSTRE DE 95 DESSINS ET GRAVURES PLEINES PAGES de MEISSONIER, Édouard DETAILLE, Alphonse de NEUVILLE, BELLANGE, Henry DUPRAY, Etc., ETUDE DOCUMENTEE PRESENTANT UNE SUPERBE ICONOGRAPHIE A TRAVERS LES OEUVRES, DES GRANDS PEINTRES ET ILLUSTRATEURS MILITAIRES FRANCAIS EN VOGUE AU XIX° SIECLE. L'ARMEE ET LES SOLDAT FRANCAIS DU SECOND EMPIRE ET DE LA GUERRE FRANCO-PRUSSIENNE DE 1870-1871. SUPERBE ALBUM GRAND FORMAT, ENTIEREMENT ILLUSTRE, PUBLIE A L'EPOQUE EN 5 LIVRAISONS CONSERVEES SOUS UNE RELIURE D'EDITEUR EN PERCALINE ROUGE.TITRES DORES SUR LE PREMIER PLAT. BELLE PIECE DE COLLECTION ET DE BIBLIOPHILIE MILITAIRES BON ETAT TRES DOCUMENTE et CIRCONSTANCIE, Abondante et Magnifique ICONOGRAPHIE , NON REEDITE en francais a l'heure actuelle SI L'ETAT NE CONVIENT PAS, JE REPRENDS L'OUVRAGE POSSIBILITE DE PAIEMENT EN PLUSIEURS FOIS SANS FRAIS : ME CONSULTER. ***** ATTENTION ! ! A PARTIR DU 1er JUILLET, LE TARIF ECONOMIQUE LIVRE ET BROCHURE N'EXISTE PLUS. ENVOI A L'INTERNATIONAL EN TARIF COURRIER OU COLISSIMO, BEAUCOUP PLUS ONEREUX.

Couverture rigide. Condition: Très bon. Edition originale. Paris, 1887, 1888. 2 forts volumes grand in-4°( 33,3 x 23,5 cm )( 5940 gr ). Chemises éditeurs cartonnées percaline imprimées illustrées. ------ 20 fascicules en pagination continue pour chaque album de 160 et 164 pages. ****************** Couvertures de tous les fascicules conservées. ********************* ref 474.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1818 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 35 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 35.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1827 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 45 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 45.

Couverture souple. Condition: Très bon. Paris . C. F. Patris . An XII . 1804 . Broché in-8 de 174 pages . Exemplaire à tranches marbrées sans couverture sous chemise d'attente . ( En provenance d'une reliure à titres multiples ) . Infimes rousseurs , tres bon état .

Couverture rigide. Condition: Bon. Pas de jaquette. Editions Hatier, 1908, 1909 & 1910 - Six forts vol. in-8° reliés, demi-basane chataîgne, dos à 4 nerfs, titres et tomaison dorés, env. 6000 pp., nombreuses illustrations en noir dans le texte - Belle tête de série, reliures légèrement défraîchies (dos passés, menus frottements aux coiffes), à noter quelques rousseurs éparses, sinon ensemble en bon état -.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 194. A perfect gift for your loved ones. Reprinted from 1871 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 194.

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.