Mordden Ethan (Over 1,500 results)

Condition: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condition: Good. This history of the Broadway musical looks at an era that brought us not only the gritty reality of A Chorus Line and the bittersweet works of Stephen Sondheim, but also the nostalgic crowd pleasers No, No, Nanette and Annie. It was a time when Broadway both looked to its past, but also to its future and allowed reality to enter.…

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Hardback. Condition: Good. Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, growing up in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles? These are the questions Ethan Mordden answers, with breezy erudition and irrepressible enthusiasm, in this fascinating and wonderfully readable book. Mordden illuminates how the style of each studio was primarily dictated by the personality, philosophy, and attitudes of its presiding mogul--and how all these factors affected the work and careers of individual actors, directors, writers, and technicians, and the success of the studio in general.…

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Condition: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

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Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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hardcover. Condition: Fair.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Hardback. Condition: Very Good. A gay ghost, a talking dog, and a street kid who thinks he's an elf-child join our narrator Bud, best friend Dennis Savage, eternally young Little Kiwi, devastating hunk Carlo, and the other characters from I've a Feeling We're Not in Kansas Anymore and Buddies in this final volume in Mordden's trilogy on gay life in the big city. And there's trouble in paradise: Dennis Savage is suffering midlife crisisl; his lover little Kiwi who uses sex as a weapon, threatens to tear apart the delicate fabric of this gay family of buddies, lovers, and brothers and the AIDS crisis may bring an end to this whole world.…

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Hardback. Condition: Fair. For a generation, Ethan Mordden's tales about a tightly knit circle of friends who live within the shifting confines of gay Manhattan have entertained tens of thousands of readers and devoted fans. Now Mordden returns to his best-loved characters - the ultimate hunk Carlo; the best friend Dennis Savage; J. (who was once Little Kiwi); Cosgrove the maturing elf-child; and narrator and ultimate observer Bud - in this eagerly awaited new volume in the cycle. How's Your Romance? brings the series and the characters full circle - from the early days just post-Stonewall to the vicissitudes, delights, and challenges of the early twenty-first century. Blending the comic, the sexy, the tragic, and the at once realistic and idealistic, these stories are Mordden at his very best. …

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Hardback. Condition: Good. 'Music and girls are the soul of musical comedy,' one critic wrote, early in the 1940s. But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic loves songs, rumba dancers, Ethel Merman. If Rodgers and Hammerstein hadn't existed, Broadway would have had to invent them; and Oklahoma! and Carousel came along just in time to announce the New Formula for Writing Musicals: Don't have a formula. Instead, start with strong characters and atmosphere: Oklahoma!'s murderous romantic triangle set against a frontier society that has to learn what democracy is in order to deserve it; or Carousel's dysfunctional family seen in the context of class and gender war. With the vitality and occasionally outrageous humour that Ethan Mordden's readers take for granted, the author ranges through the decade's classics--Pal Joey, Lady in the Dark, On the Town, Annie Get Your Gun, Finian's Rainbow, Brigadoon, Kiss Me, Kate, South Pacific. He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as 'burlesque with a playbill' yet closing as the longest-run musical in Broadway history; Lute Song, in which Mary Martin and Nancy Reagan were Chinese; and the first 'concept' musicals, Allegro and Love Life. Amid the fun, something revolutionary occurs. The 1920s created the musical and the 1930s gave it politics. In the 1940s, it found its soul.…