Moormann Em (35 results)

Condition: Good. First Edition. Het boek is als nieuw en geschikt als cadeau.

Condition: Good. Enkele aantekeningen met potlood.

Condition: Good.

Museum Het Valkhof, Nijmegen, 2006. 72p. Richly ills. Sewn. Signature and date on half title.

SUN, Nijmegen, 1989. 1st ed. 287p. ills. Paperback. Spine and front cover partly discoloured.

288 p.; illustrations. Stiff wrappers 22 cm (Fold in the right lower corner of the frontcover) 850 gr.

293 p.; illustrations. Stiff wrappers 22 cm 850 gr.

287 p.; ills. Stiff wrs. 22 cm 750 gr.

288 p.; ills. Stiff wrs. 22 cm 850 gr.

287 p.; ills. Stiff wrs. 22 cm (Cover plasticized) 750 gr.

288 p.; ills. Stiff wrs. 22 cm 750 gr.

2 vols: 185;45 p. Wrs. 21 cm 0 gr.

Peeters, Leuven (.), 2011. VII,224p. Richly ills.(B&W as well as full colour photographs and line drawings). Large paperback. Sewn. Signature in pencil on half title. Series: Babesch, Annual Paers on Mediterranaen Archaeology, Supplement 19, 2011.

paperback. Condition: New. 1st.

Hardcover. Condition: Very Good+. Dust Jacket Condition: No Dust Jacket. Minor shelfwear to boards.; xi, 429pp, illustrated. Scrinium: Monographs on History, Archeology, and Art History, V.; Scrinium V; 4to - over 9¾" - 12" tall; 429 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Light bumping to corners. Minor colour loss.; xi, 429pp, illustrated. Scrinium: Monographs on History, Archeology, and Art History, V.; Scrinium V; 4to - over 9¾" - 12" tall; 429 pages.

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Paperback. Condition: Brand New. multilingual edition. 234 pages. 11.00x8.50x0.75 inches. In Stock.

Van Gorcum, Assen (.) / Wolfeboro, New Hampshire, 1988. X,288p. Richly ills.(B&W photographs). Original blue cloth with dust wrps. Spine gilt titled. With signature from Prof. Carl Deroux on free endpaper. ?Das Buch Moormanns beschäftigt sich mit der Rezeption statutarischer und allgemein plastischer Vorbilder in der römischen Wandmalerei, wobei aufgrund der Überlieferungslage die seit A. Mau in vier ?Stile? untergliederte dampanische Malerei zwangsläufig im Vordergrund steht. Das in gut lesbarem Italienisch abgefaßte Werk is zweispaltig gesetzt und mit sinnvollen Pausen und Absätzen klar gegliedert. An den Textteil (1-82), der mit einer Zusammenfassung der wesentlichen Ergebnisse endet (83-86), schließt sich ein längerem mitunter ausführlich beschreibender und mit reicher Literatur versehener Katalog an (87-242), in welchem die einzelnen Malereien in topographischer Ordnung aufgeführt sind. Nach den Anmerkungen (243-253) folgen eine englische Zusammenfassung (254-257), das Abkürzungsverzeichnis (258-275) und das Register (276-287). Die recht zahlreich in den Katalog eingebauten Abbildungen geben zum Teil bisher gar nicht oder nur unzureichend veröffentlichte Malereidetails wieder, wofür jeder, der sich mit Wandmalerei beschäftigt, dankbar sein wird.? (THOMAS FRÖHLICH in Gnomon, 1991, p.447).

paperback. Condition: New. 1st.

Nationale Stichting Nieuwe Kerk, 1992. 24p. ills. Wire stitched.

Sun, Nijmegen, 1992. 4th rev. ed. 287p. ills. Paperback.

Condition: New.

Paperback. Condition: new. Paperback. This volumes contains 81 contributions on ancient wall paintingpresented in the form of papers and posters during the twelfth triennialmeeting of the Association Internationale pour la Peinture MuraleAntique (AIPMA) held at Athens from September 16 through September20, 2013. 120 participants were guests of Radboud University Nijmegenand the Ecole Francaise dAthenes, in collaboration with the NetherlandsInstitute at Athens, and the National Hellenic Research Foundation.In recent decades there has been a growing interest among researchers inthe analysis of paintings in terms of their context rather than asexpressions of art in and for itself. Therefore the conference focusedon figural themes, and to the iconographical and iconological problemsof paintings considered in relation to their specific contexts. Whichmessages images in wall painting, from the archaic to the late-antiqueperiod (ca 700 BC-AD 500) conveyed to contemporary viewers in specificcontexts and how were they received? Many contributions in this volume zoom in on the rationale behind theuse of specific motifs in wall paintings, the syntax of decorativesystems in particular contexts, as well as specific fashions in the useof figural themes in determined areas or sites in the ancient world.Within the series of BABESCH supplements, this book is a sequel to thethird one of 1993 which contains the proceedings of the fifth AIPMAconference in Amsterdam. The two editors have carried out extensive research in the field ofancient mural decorations, especially in the context of Roman houses,villas, and temples, and were members of subsequent AIPMA boards. WhileEric Moormann was responsible for the organisation of the Amsterdamcolloquium in 1992, Stephan Mols organised the Athens conference in2013, the proceedings of which are presented in this BABESCH supplement.Both Mols and Moormann are members of the Institute for Historical,Literary and Cultural Studies of the Faculty of Arts of RadboudUniversity at Nijmegen, The Netherlands. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New. 2017. 1st Edition. paperback. . . . . .

Condition: New. 2017. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. This volumes contains 81 contributions on ancient wall paintingpresented in the form of papers and posters during the twelfth triennialmeeting of the Association Internationale pour la Peinture MuraleAntique (AIPMA) held at Athens from September 16 through September20, 2013. 120 participants were guests of Radboud University Nijmegenand the Ecole Francaise dAthenes, in collaboration with the NetherlandsInstitute at Athens, and the National Hellenic Research Foundation.In recent decades there has been a growing interest among researchers inthe analysis of paintings in terms of their context rather than asexpressions of art in and for itself. Therefore the conference focusedon figural themes, and to the iconographical and iconological problemsof paintings considered in relation to their specific contexts. Whichmessages images in wall painting, from the archaic to the late-antiqueperiod (ca 700 BC-AD 500) conveyed to contemporary viewers in specificcontexts and how were they received? Many contributions in this volume zoom in on the rationale behind theuse of specific motifs in wall paintings, the syntax of decorativesystems in particular contexts, as well as specific fashions in the useof figural themes in determined areas or sites in the ancient world.Within the series of BABESCH supplements, this book is a sequel to thethird one of 1993 which contains the proceedings of the fifth AIPMAconference in Amsterdam. The two editors have carried out extensive research in the field ofancient mural decorations, especially in the context of Roman houses,villas, and temples, and were members of subsequent AIPMA boards. WhileEric Moormann was responsible for the organisation of the Amsterdamcolloquium in 1992, Stephan Mols organised the Athens conference in2013, the proceedings of which are presented in this BABESCH supplement.Both Mols and Moormann are members of the Institute for Historical,Literary and Cultural Studies of the Faculty of Arts of RadboudUniversity at Nijmegen, The Netherlands. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

SUN, Nijmegen, 1992. 4th rev.ed. 287p. ills. Paperback. Spine bit yellowed.