Condition: Neuf.
Language: English
Published by Mcfarland & Co., Jefferson, 2003
ISBN 10: 0786414340 ISBN 13: 9780786414345
Seller: Any Amount of Books, London, United Kingdom
First Edition
8vo. pp xi, 212. Large format paperback. Illustrated in b/w throughout. ISBN: 0786414340 Slight creasing at corners, otherwise very good.
Condition: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Published by Hansom, UK, 1974
Magazine / Periodical First Edition
Paperback. Condition: Good. First Edition. 66 pages. Features: Interview with Richard Lester, including photos; 'Juggernaut' - photos; 'The Last Fifites Picture Show' - photos; Article - A Light-Hearted Look at the Cinema of the Fifties; 'Stardust' - photos; Reviews; 'Murder on the Orient Express' - photos; 'The Parallax View' - photos; Article on 'North by Northwest' with photos; 'That's Entertanment' - photos; Interview with Monte Hellman; 'Adam & Yves' - photos. Average wear. Unmarked. A sound vintage copy.
Published by Columbia Pictures, Culver City, CA, 1966
Photograph
Vintage black-and-white reference photograph from the US release of the 1966 film noir. An underrated, key film for director Penn, something of an intellectual thriller, made between two better known films, "Mickey One" (1965) and "Bonnie and Clyde" (1967). Also, very much an acting tour de force, with early performances by Robert Duvall, Jane Fonda, and Robert Redford, and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio, coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. A story set in Texas, shot partially on location there. 8 x 10 inches. Near Fine. Spicer US.
Publication Date: 1964
Seller: Rendezvous Cinema, Chichester, United Kingdom
Art / Print / Poster
Condition: Good. Grade: Good. Est. Dimension: (27" x 41" or 27" x 40" (inches) if printed after 1980's) Year Printed: 1964 64/365 Printed: Single Sided Director: Monte Hellman Original: Yes Shipped: Flat Product & Description Synopsis: During World War II, a three man commando team places its trust in the hands of a band of Filipino resistants, as they try to knock out a Japanese communication center. (Drama) Condition Specifics: Poster folded in good condition. There may be small scuffs to edges and fold, scuffing more damage than would be expected in specific areas, but overall the poster is in good condition for age. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.
Published by ohne Ort und Datum
Manuscript / Paper Collectible Signed
90 : 140 mm. Reproduzierte Portraitphotographie mit eigenh. Unterschrift. - Er arbeitete auch in anderen Positionen an Filmproduktionen mit, wie zum Beispiel als Berater und Second-Unit-Regisseur.
Published by ohne Ort und Datum
Manuscript / Paper Collectible
100 : 150 mm. Brustbild im Profil nach rechts.
Published by Universal Pictures, Universal City, 1971
Photograph
Vintage borderless photograph of James Taylor and director Monte Hellman on the set of the 1971 film. Mimeo snipe on verso. After cutting his teeth under the tutelage of guerilla filmmaker Roger Corman, Monte Hellman made two landmark (and still rarely screened) existential Westerns with Jack Nicholson as producer and star. But it was with "Two-Lane Blacktop," the first screenplay by noted novelist Rudolph Wurlitzer, that maverick director Monte Hellman helmed his first masterpiece and a cornerstone of the New Hollywood movement. Shot on location in Arizona, Tennessee, Oklahoma, California, Arkansas, and New Mexico. 7.5 x 9.5 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 414. Eureka MOC 26.