Published by Lingnan Art, 2001
ISBN 10: 753622852X ISBN 13: 9787536228528
Seller: Antiquariaat Digitalis, Amsterdam, Netherlands
First Edition
Soft cover. Condition: Very Good. 1st Edition. Folded stiff wrappers (softcover), [153]p, illustrations (chiefly in color), 24 cm. Very good, age-toning wrappers and pages. Text in Chinese and English. Scarce catalog on the work of Swiss graphic designer Bruno Monguzzi.
Published by Electa, Milano, 1981
Seller: art longwood books, Gloucester, MA, U.S.A.
First Edition
Soft Cover. Condition: Very Good. First Edition. softcover/folded card covers in printed cardboard slipcase., top-edge of spine has a small chip. spine shows minor wear. printed slipcase has wear around corners, one old tape repair, some soiling. no writing or markings. no bumps to book. sewn binding.; italian text.; 120pp., illustrated throughout in b/w, two color, three color, and full color. noted graphic design studio. Size: Oblong 8vo.
Language: Italian
Published by AGI Italia, Amsterdam, 1986
Seller: Weinberg Modern Books, New York, NY, U.S.A.
First Edition
No Binding. Condition: Very Good. 1st Edition. Printed portfolio (8.5" x 9.5") containing eleven original folded graphic works by leading members of AGI Italia?Mimmo Castellano, Bob Noorda, Franco Grignani, Italo Lupi, Pierluigi Cerri, Roberto Sambonet, Heinz Waibl, Franco Bassi, Walter Ballmer, Giulio Cittato, and Egidio Bonfante?issued for the 1986 Alliance Graphique Internationale Congress in Amsterdam as a tribute to Dutch graphic design. Complete with the original translucent onionskin bifolium printed with the flags of Italy and the Netherlands and an original signed intaglio print, numbered 34/150 in pencil. Housed in the original printed portfolio with striking modular typographic cover design apparently by Bruno Monguzzi. A remarkable collaborative production documenting a pivotal moment in postwar European graphic design, bringing together many of Italy's most influential designers in a limited-edition portfolio produced for AGI's Amsterdam congress. The individual contributions employ a wide range of formats, paper stocks, folds, die-cutting, and conceptual interventions, reflecting the experimental graphic language of the 1980s. Institutional survival appears exceptionally limited, with OCLC locating only a single holding. Light rubbing and scattered offsetting to the portfolio as issued; contents bright, clean, and complete. A scarce and visually arresting AGI production.