Mitchell Stanley Introduction By (6 results)

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Condition: Brand New. 144 pages. 7.75x5.00x0.50 inches. In Stock.

Paperback. Condition: Very Good. Paperback 1977. 21x14cm. xx+124 pages. Flat spine. Clean & tight book. Front end paper has a neatly written name. No other inscriptions. BROWNED PAGES. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref Hvtgry1. …

First UK edition: octavo; hardcover, with upper board titles and decoration; 124pp. Moderate wear; boards lightly rubbed; spotting to the text block edges; previous owner's ink inscription and retailer's ink stamp to the flyleaf. Dustwrapper edges lightly worn; now professionally protected by superior non-adhesive polypropylene film. Very good to near fine. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. This volume contains Benjamin's introductions to Brecht's theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamin's insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire. Here we also find Benjamin's masterful essay "The Author as Producer" as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brecht's place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war.…

Paperback. Condition: Brand New. 144 pages. 7.75x5.00x0.50 inches. In Stock. This item is printed on demand.