Mistral Frederick (23 results)

Hardcover. Condition: Very good. Dust Jacket Condition: Very Good. First American Edition, First Pr. Note: this volume has foxing due to being stored in an unheated summer room. Octavo, 8 1/4" tall, xvii + 264 pages, gilt spine titles on purple cloth. A very good, generally clean, neat, hard cover with minor shelf wear; binding tight, paper moderately yellowed, BUT with light foxing to the cloth, fore-edges and endpapers. In a very good, lightly worn dust jacket, with foxing at the margins, with original price present.

paperback. Condition: Acceptable.

Paperback. Condition: Good. First Paperback Edition. Minor wear & soiling to wraps & edges of text block. Text and images unmarked.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Frédéric Mistral (1830-1914) was without a doubt the greatest modern Provençal poet and the foremost champion of his native Provence, the guiding spirit of a group of latter-day troubadours who revived and refined the language of Southern France as a literary medium. For this achievement and for his own poetry, Mistral was awarded the Nobel prize in 1904--characteristically, he gave the prize money to a folklore museum he had founded in Arles. Two years later, at the age of seventy-six, Mistral published his charming book of Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Written in the relaxed conversational style of an elderly gentleman reminiscing about the old days, the Memoirs describe the circumstances of Mistral's childhood and early manhood - the Provençal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Although educated in the classics and law in Avignon and Aix, Mistral felt out of place among the French-speaking bourgeois and returned to his family farm to devote his life to writing for the simple farming people of his region. He soon began his long poem Mirèio (eventually transformed into the opera Mireille by Gounod), whose heroine was modeled on the peasant girls he saw and worked with daily. At the same time, he and several other young men came together to form the Felibrige, a society dedicated to restoring the Provençal language and preserving local traditions. The Memoirs concludes with the death of young Mistral's father and the success of Mirèio (1859), so quietly understated that one would hardly suspect that the author had been hailed as a major poet while still in his twenties. Mistral wrote his Memoirs in Provençal and himself translated them into French. A previous English translation (abridged and paraphrased from the French) was published in 1907 and has been out of print ever since. In his new translation, George Wickes of the University of Oregon has mined Mistral's monumental dictionary, Lou Tresor dóu Félibrige. This illustrated edition includes the original texts of Provençal songs and verse, with Professor Wickes' English versions printed en face.

Paperback. Condition: New. Frédéric Mistral (1830-1914) was without a doubt the greatest modern Provençal poet and the foremost champion of his native Provence, the guiding spirit of a group of latter-day troubadours who revived and refined the language of Southern France as a literary medium. For this achievement and for his own poetry, Mistral was awarded the Nobel prize in 1904--characteristically, he gave the prize money to a folklore museum he had founded in Arles. Two years later, at the age of seventy-six, Mistral published his charming book of Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Written in the relaxed conversational style of an elderly gentleman reminiscing about the old days, the Memoirs describe the circumstances of Mistral's childhood and early manhood - the Provençal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Although educated in the classics and law in Avignon and Aix, Mistral felt out of place among the French-speaking bourgeois and returned to his family farm to devote his life to writing for the simple farming people of his region. He soon began his long poem Mirèio (eventually transformed into the opera Mireille by Gounod), whose heroine was modeled on the peasant girls he saw and worked with daily. At the same time, he and several other young men came together to form the Felibrige, a society dedicated to restoring the Provençal language and preserving local traditions. The Memoirs concludes with the death of young Mistral's father and the success of Mirèio (1859), so quietly understated that one would hardly suspect that the author had been hailed as a major poet while still in his twenties. Mistral wrote his Memoirs in Provençal and himself translated them into French. A previous English translation (abridged and paraphrased from the French) was published in 1907 and has been out of print ever since. In his new translation, George Wickes of the University of Oregon has mined Mistral's monumental dictionary, Lou Tresor dóu Félibrige. This illustrated edition includes the original texts of Provençal songs and verse, with Professor Wickes' English versions printed en face.

hardcover. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. ** 1ST EDITION ** New book, from our warehouse. heavy, oversized, hsrdcover book with dustjacket, 264 pages. An unread, unmarked copy (dustjacket may show slight, micro signs of shelf use). The book is quite clean and stain-free, square and straight, very firm and tight in its binding, no pages are loose, torn, folded, creased, or missing. The hinges are sound and undamaged, the corners are sharp and unbumped. All pages are clean and stain free, bright and white, and all text is sharp and legible. There is no writing, underlining, highlighting, or other such markings anywhere in the book The dustjacket is clean and stain-free, complete and intact, no tears, no pieces missing. Five-star seller, buy with confidence, professional booksellers for 35 years, selling books online since 1995. B45.

Paperback. Condition: Brand New. 292 pages. 7.75x5.00x0.75 inches. In Stock.

Hardcover. First Edition; First Printing. Book condition is Very Good; with a Very Good dust jacket. Owner bookplate inside front cover. Text is clean and unmarked. ; 8.34 X 5.71 X 1.05 inches; 9 pages.

Condition: New.

Condition: Gut. 184 S. Leinen. Name auf hinterem Vorsatz; Schutzumschlag etwas berieben und gedunkelt, sonst gutes Exemplar. = Gustav Kiepenheuer Bücherei. Aus dem Französischen von Noa Kiepenheuer. [K 103].

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. The personal reminiscences of the greatest of the Provencal poets. A fine copy in a fine jacket. A clean copy with price OF $22.95 intact on front flap.

Paperback. Condition: New. Frédéric Mistral (1830-1914) was without a doubt the greatest modern Provençal poet and the foremost champion of his native Provence, the guiding spirit of a group of latter-day troubadours who revived and refined the language of Southern France as a literary medium. For this achievement and for his own poetry, Mistral was awarded the Nobel prize in 1904--characteristically, he gave the prize money to a folklore museum he had founded in Arles. Two years later, at the age of seventy-six, Mistral published his charming book of Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Written in the relaxed conversational style of an elderly gentleman reminiscing about the old days, the Memoirs describe the circumstances of Mistral's childhood and early manhood - the Provençal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Although educated in the classics and law in Avignon and Aix, Mistral felt out of place among the French-speaking bourgeois and returned to his family farm to devote his life to writing for the simple farming people of his region. He soon began his long poem Mirèio (eventually transformed into the opera Mireille by Gounod), whose heroine was modeled on the peasant girls he saw and worked with daily. At the same time, he and several other young men came together to form the Felibrige, a society dedicated to restoring the Provençal language and preserving local traditions. The Memoirs concludes with the death of young Mistral's father and the success of Mirèio (1859), so quietly understated that one would hardly suspect that the author had been hailed as a major poet while still in his twenties. Mistral wrote his Memoirs in Provençal and himself translated them into French. A previous English translation (abridged and paraphrased from the French) was published in 1907 and has been out of print ever since. In his new translation, George Wickes of the University of Oregon has mined Mistral's monumental dictionary, Lou Tresor dóu Félibrige. This illustrated edition includes the original texts of Provençal songs and verse, with Professor Wickes' English versions printed en face.

Paperback. Condition: new. Paperback. Frederic Mistral (1830-1914) was without a doubt the greatest modern Provencal poet and the foremost champion of his native Provence, the guiding spirit of a group of latter-day troubadours who revived and refined the language of Southern France as a literary medium. For this achievement and for his own poetry, Mistral was awarded the Nobel prize in 1904characteristically, he gave the prize money to a folklore museum he had founded in Arles. Two years later, at the age of seventy-six, Mistral published his charming book ofMemoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Written in the relaxed conversational style of an elderly gentleman reminiscing about the old days, theMemoirsdescribe the circumstances of Mistral's childhood and early manhood the Provencal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Although educated in the classics and law in Avignon and Aix, Mistral felt out of place among the French-speaking bourgeois and returned to his family farm to devote his life to writing for the simple farming people of his region. He soon began his long poemMireio(eventually transformed into the opera Mireille by Gounod), whose heroine was modeled on the peasant girls he saw and worked with daily. At the same time, he and several other young men came together to form the Felibrige, a society dedicated to restoring the Provencal language and preserving local traditions. TheMemoirsconcludes with the death of young Mistral's father and the success of Mireio (1859), so quietly understated that one would hardly suspect that the author had been hailed as a major poet while still in his twenties. Mistral wrote hisMemoirsin Provencal and himself translated them into French. A previous English translation (abridged and paraphrased from the French) was published in 1907 and has been out of print ever since. In his new translation, George Wickes of the University of Oregon has mined Mistral's monumental dictionary,Lou Tresor dou Felibrige. This illustrated edition includes the original texts of Provencal songs and verse, with Professor Wickes' English versions printed en face. Written in the relaxed conversational style of an elderly gentlemen reminiscing about old days, the Memoirs describe the circumstances of mistral's childhood and early manhood—the Provencal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New.

Hardcover. Condition: New.

Paperback. Condition: New. Frédéric Mistral (1830-1914) was without a doubt the greatest modern Provençal poet and the foremost champion of his native Provence, the guiding spirit of a group of latter-day troubadours who revived and refined the language of Southern France as a literary medium. For this achievement and for his own poetry, Mistral was awarded the Nobel prize in 1904--characteristically, he gave the prize money to a folklore museum he had founded in Arles. Two years later, at the age of seventy-six, Mistral published his charming book of Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Written in the relaxed conversational style of an elderly gentleman reminiscing about the old days, the Memoirs describe the circumstances of Mistral's childhood and early manhood - the Provençal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Although educated in the classics and law in Avignon and Aix, Mistral felt out of place among the French-speaking bourgeois and returned to his family farm to devote his life to writing for the simple farming people of his region. He soon began his long poem Mirèio (eventually transformed into the opera Mireille by Gounod), whose heroine was modeled on the peasant girls he saw and worked with daily. At the same time, he and several other young men came together to form the Felibrige, a society dedicated to restoring the Provençal language and preserving local traditions. The Memoirs concludes with the death of young Mistral's father and the success of Mirèio (1859), so quietly understated that one would hardly suspect that the author had been hailed as a major poet while still in his twenties. Mistral wrote his Memoirs in Provençal and himself translated them into French. A previous English translation (abridged and paraphrased from the French) was published in 1907 and has been out of print ever since. In his new translation, George Wickes of the University of Oregon has mined Mistral's monumental dictionary, Lou Tresor dóu Félibrige. This illustrated edition includes the original texts of Provençal songs and verse, with Professor Wickes' English versions printed en face.

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Colección/Collection BIBLIOTECA PREMIOS NOBEL Buen estado de conservación con óxido en los cortes y en las hojas de cortesía. Incluye: Mireio, Calendau, Las islas de oro, El poema del Ródano, Las "Oulivado", Nerto, La Reina Juana, Memorias y Cuentos.