Published by AMS Press, New York, 1970
Seller: Dennis Holzman Antiques, Cohoes, NY, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Reprint Edition. Size: 8vo - over 7¾" - 9¾" tall. Vol. I only, reprint of the edition of 1892. Scott (1811-1890), British poet and artist, is best known for his connection with Rossetti's circle. He spent the last years of his life working on these memoirs, which were published after his death. Red gilt stamped cloth over boards, xi + 356 pp., illustrated with etchings and photogravures, and facsimiles of sketches. This is a very nice copy, clean, no writing or marks, binding tight, but it has a faint musty odor, and the previous owner has written his name at the top of the front free end paper. Quantity Available: 1. Shipped Weight: 1 lb 7 oz. Category: Art & Design; Autobiography/Biography/Memoirs; Books; ISBN: 040405644X. Pictures of this item not already displayed here available upon request. Inventory No: 006309.
Published by Harper and Brothers, NY, 1892
Seller: Melanie Nelson Books, Livingston, NY, NY, U.S.A.
Hardcover. Condition: Good. -------------Dark green cloth covers, gilt spine lettering, books are 9" tall. 356 pages, 346 pages, frontispiece in each book plus total of 23 other illustrations.--------------GOOD CONDITION, clean books, no markings, tight texts. Note that in each book the front paper on the hinge is broken, yet the bindings are totally solid. The books are heavy for their size, they weigh a total of a full 6 pounds, even without packaging for shipping -- when wrapped will weigh about 7 pounds.
Published by Adam & Charles Black, UK, 1891
Seller: The Book Exchange, Macclesfield, CHESH, United Kingdom
Hardcover. Condition: Good. No Jacket. Green cloth hardcover, light edge and corner wear. Not ex. library. 434 pages, illustrated with tissue guarded frontispiece. Contents clean, tight and bright. Book.
Language: English
Published by Arkell Weekly Company, New York, 1895
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Hardcover. Condition: Very Good. Portraits With Tissue Guards (illustrator). Reprint. Seven Volumes Bound In Matching Quarter Tan Calf, Top Edges Gilt, Marbled Boards And Matching Marbled Endpapers, Spines Elaborately Gilt In All Compartments, Red And Black Morocco Spine Labels. 1895 Date On Title Pages Well Made Books, Good Quality Paper And With Tissue Guards To The Frontispiece Portraits In All 21 Volumes. All Volumes With Only Light Rubbing, A Few Beginning To Fray At Top And Bottom Edges, Joints Cracked Or Starting On All Volumes, One Spine Split Away At Top Half, The Detached Half Laid In Loosely And Repairable, One Spine Coming Loose Along Front Joint But Can Be Re-Glued Without Bindery Work; All Gilt Brilliant, Morocco Spine Labels Clean And Bright. International Postage At Usps Priority Mail Box Rate.
Published by Edinburgh: Adam & Charles Black, 1888., 1888
Seller: Owl Books, County Leitrim, Ireland
xxviii, 406 pp. Frontispiece - tissue guarded engraving of Norham Castle, Illustrated half-title page & 5 other enchanting tissue-guarded engravings of Melrose, Newark Castle, Ashestiele, Edinburgh& Hermitage Castle. Contents: Early Poems - Ballads, Ballads from the Border Minstrelsy, Lay of the last Minstrel, Marmion: A Tale of Flooden Field, From the Vision of Don Roderick, The Bridal of Triermain; or, The Vale of St. John. Foxing on one page of prelims. Yellow eps. Previous owner's inscription dated 1889 on ffep. Brown cloth bpoards. Top edge gilt. Gilt harp on front board. Gilt lettering on spine. Top and bottom of spine and corners lightly rubbed. Overall condition VG+.
Published by Harper & Brothers, New York, 1892
Seller: Carpe Diem Fine Books, ABAA, Monterey, CA, U.S.A.
First Edition
First American Edition. Complete in 2 volumes. Large 8vo. x, [2], 356; viii, [2], 346 pp. Index. From the library of George Wharton James as indicated in a gift inscription on the ffep. Illustrated plates with tissue guards. Turquoise cloth with gilt lettering to spines. A fine set. William Bell Scott (18111890) was a Scottish artist in oils and watercolour and occasionally printmaking. He was also a poet and art teacher, and his posthumously published reminiscences give a chatty and often vivid picture of life in the circle of the Pre-Raphaelites; he was especially close to Dante Gabriel Rossetti. After growing up in Edinburgh, he moved to London, and from 1843 to 1864 was principal of the government School of Art in Newcastle upon Tyne, where he added industrial subjects to his repertoire of landscapes and history painting. He was one of the first British artists to extensively depict the processes of the Industrial Revolution.